Shepard Fairey Art

Covert to Overt, Gold, Triptych, Shepard Fairey, Jon Furlong. 3 prints, each with dimensions 18 inches x 24 inches. Screen Prints on cream Speckle Tone paper. Signed by Shepard Faire...

Earth Crisis, 1 color Letterpress on 100% cotton archival paper with hand-deckled edges. Signed and numbered edition of 349/450. OBEY publishing chop on bottom left corner. 10 inc...

ENDLESS POWER PETROL PALACE (RED) screen print by Shepard Fairey with dimensions 18 inches by 24 inches. Edition 299 of 350, signed and numbered by Shepard Fairey. Energy awareness and renewable energy activism inspired collage style with beautiful red, black and cream block style with clean lines. A lot of shrewd advertising has been created to suggest that things we want are also good for us and society. Perfect examples are the ads celebrating the health benefits of liquor and cigarettes. My inclusion of the badge stating “with lung tonic” is a humorous nod to the absurd health claims historically made for harmful products. The claim that petrol provides an unlimited future is a snapshot of the overly-optimistic wish that oil is unlimited. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited, a situation that inspired the title ‘Endless Power”. Oil and gas companies and the car manufacturers who profit heavily from gas powered engines used their power and influence to overturn a zero emissions law in the state of California, effectively delaying electric cars arriving on the market accessibly for ten plus years. It is dangerous for an industry to have that much power. Scientists hired by fossil fuels corporations represent the minority of the scientific community who claim oil stocks...

Cut It Up – Do It Yourself (Blue). 18 x 24 inches. Silkscreen on true white Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 122/500. Released exclusively at Beyond ...

SHEPARD FAIREY - GEOMETRIC DOVE (BLUE TILE) Date of creation: 2021 Medium: Digital print on tile with cork base Edition: 225 Size: 15 x 15 cm Condition: Brand new in mint condition ...

Edition Numbers: Fredo: 35/500, Tom: 31/500, Sonny: 238/500, The Don: 248/500 Each work is signed and numbered. Frank Shepard Fairey is an American contemporary artist, activist a...

Be Reasonable, Shepard Fairey x Jamie Reid. 18 inches by 24 inches on white Speckle Tone paper. Numbered Edition of 222/375. Signed by Shepard Fairey. "The Sex Pistols changed my life. When I was a 14-year-old skateboarder...

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey, POWER Lenticular Edition, 2024 2-phase lenticular print 45.72 x 60.69 cm (18 x 24 in) Edition of 831 This is a lenticular print edition with optical colours that...

TECHNICAL INFORMATION Shepard Fairey Obey ‘89 2006 Screenprint 42 x 30 in. Edition 88 of 89 Pencil signed & numbered Condition: This work is in excellent condition

Screenprint in two colours with ash from Iraqi Kurdistan on paper
 Signed by the artist and numbered on verso
 106.5 x 74 cm
 Edition of 89 published by Migrate Art Shepard Fairey ...

Artist Proof, (AP) apart from the standard edition of 300 PEACE MUJER, Screen Print on 18 x 24 inches paper from 2007 Signed to lower right Published by Obey Giant, Los Angeles She...

Screenprint on wood panel. Hand signed and numbered on front and verso by the artist. Edition 1 of 6. Custom framed as pictured. Artwork is in excellent condition. All reasonable...

Hand-deckled edges. "Aims to promote peace, equality, and humanity. I’d like to see a fundamental assumption that ALL people deserve respect and human dignity. This applies to the u...

Defend Dignity Large Format Edition Signed and Numbered by Shepard Fairey 30" x 41" Print Fine Art Silk Screen Edition 22 of 50 Thick Creme Speckle Tone Paper Hand Deckled Edges Embossed Publishing Chop Published by Obey Copy of the "Inauguration Day" Washington Post Special Featuring Shepard's Images Included with Purchase Designed as part of a HUGE nationwide political campaign for the Inauguration Day of President-Elect Trump. Washington DC has severe restrictions on signs and banners, and these images were printed on every newspaper (i.e. Washington Post) on January 20th, as a message from the American People peacefully projecting their disapproval against Apathy, Ignorance, Sexism, Xenophobia, and Racism. These images will have an iconic place in the History of America, about one of the most divisive times in America's Story, taking its place in textbooks and museums for future generations. There will be many of these images on Inauguration Day, and further, many editions printed for both Active Use and Private Collections, but there will be only 50 of the Large Format Prints...

Shepard Fairey and Ernesto Yerena Power and Glory Skull Red Gold Black Large Format Edition Signed and Numbered by Shepard Fairey and Ernesto Yerena 30" x 40" Print Fine Art Silk Sc...

'Peace Woman Kennwood' by Shepard Fairey, 2008 18 x 24 inches (45,7 x 61 cm) Screen print on cream, speckletone fine art paper. Rare Kenwood Vineyard limited edition of 200 (137 /200...

Original Illustration based on photograph by Kevin Cummins. Signed by Shepard Fairey and Kevin Cummins. A portion of the proceeds went to CALM (Campaign Against Living Miserably). "...

Greater than Fear Large Format Edition Signed and Numbered by Shepard Fairey 30" x 41" Print Fine Art Silk Screen Edition 38 of 50 Thick Creme Speckle Tone Paper Hand Deckled Edges Embossed Publishing Chop Copy of the "Inauguration Day" Washington Post Special Featuring Shepard's Images Included with Purchase Designed as part of a HUGE nationwide political campaign for the Inauguration Day of President-Elect Trump. Washington DC has severe restrictions on signs and banners, and these images were printed on every newspaper (i.e. Washington Post) on January 20th, as a message from the American People peacefully projecting their disapproval against Apathy, Ignorance, Sexism, Xenophobia, and Racism. These images will have an iconic place in the History of America, about one of the most divisive times in America's Story, taking its place in textbooks and museums for future generations. There will be many of these images on Inauguration Day, and further, many editions printed for both Active Use and Private Collections, but there will be only 50 of the Large Format Prints...

Shepard Fairey
 Rise from the Ashes (Red), 2020
 Screenprint in two colours with ash from Iraqi Kurdistan on paper
 Signed by the artist and numbered, on verso
 106.5 x 74 cm
 Editio...

TECHNICAL INFORMATION: Shepard Fairey Sedation Pill HPM 2013 HPM (hand-painted multiple), screenprint and mixed media collage on paper Edition 10 of 10 Pencil signed and numbered Condition: This work is in excellent condition. Frame: Framed in a maple wood shadowbox frame with UV protective Plexiglass ABOUT THE WORK: This piece is an HPM, or Hand Painted Multiple. This means that before the screenprint process takes place, Fairey creates the paper by collaging his patterns, stencil, newspaper clippings, and advertising logos...

TECHNICAL INFORMATION Shepard Fairey Muslim Woman 2005 Screenprint 42 x 30 in. Edition 37 of 50 Pencil signed & numbered Condition: This work is ...

TECHNICAL INFORMATION: Shepard Fairey Ali Canvas 2010 Screenprint 24 x 18 in. Edition 229 of 450 Pencil signed and numbered Condition: The corners are crisp, the edges are perfect ...

'Universal Personhood' by Shepard Fairey, 2013 18 x 24 Inches (45,7 x 61 cm) Screen print on cream, speckle tone fine art paper Limited edition of 450 (#388/450) Hand-signed and dat...

The Ideal Power print was inspired by the need to address gender inequality regarding both wages and basic respect. I believe power should come from the quality and merit of one’s wo...

TECHNICAL INFORMATION: Shepard Fairey Chinese Soldiers 2006 Screenprint 24 x 18 in. Edition 235 of 300 Pencil signed and numbered Condition: This wo...

Signed to lower right Edition 409/550 Published by Obey Giant These images are inspired by Vietnam War protesters who would put flowers in the gun...

Two artists: Shepard Fairey and C.R. Stecyk III The Pacific Ocean Park pier straddled a dividing line between the cities of Santa Monica and Los Angeles. It was in equal portions: a...

Signed to the lower right Edition 40/50 Published by Obey Giant, Los Angeles We must fight the greed of the powerful and restore the basic fairness of our society and our democracy....

Hand signed by Fairey on bottom right of print and numbered 56/100 on bottom left. Released in Jan 2022. Screenprint printed in colors on heavy Cream Speckle Tone Paper.

Shepard Fairey Jasper Johns (White), 2009 Silkscreen on wove paper 24 × 18 inches Edition 198/450 Pencil signed and numbered 198/450 on the front Unframed Shepard Fairey created this...

"Fan the Flames is about the unfortunate truth that unchecked capitalism and a livable planet will soon be incompatible. Capitalism is predicated on exp...

Joy Division Ian Curtis Heart and Soul. Screen print on thick cream Speckletone paper From a 2023 collaboration between Shepard Fairey and photographer Kevin Cummins. Artist Proof...

Medium: Silk Screen Print Condition: Print is in pristine condition and has been stored flat since purchase. Four sharp corners and the print is breathtaking in person. Cheers ...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...

Shepard FAIREY (Obey Giant) Harmony : The Lotus Flower Original sceen print Handsigned in pencil blind stamp to margin Numbered 42 / 89 On vellum 41 x 30 inch (c. 104 x 76 cm) Come...

Manufacturer: Obey Giant Edition Details: Year: 2019 Class: Art Print Status: Official Released: 07/16/19 Technique: Screen Print Paper: Fine Art Cream Speckletone Size: 18 X 24 Mark...

Hand Signed & Numbered by the artist himself Shepard Fairey, in pencil dated 2016. Benefit Silkscreen Print from 2016. YEAR: 2016 CLASSIFICATION: Limited edition MEDIUM TYPE: Fine ...

Manufacturer: Obey Giant Edition Details: Year: 2023 Class: Art Print Status: Official Run: 68/550 Technique: Screen Print Paper: Fine Art Thick Cream Speckletone Size: 36 X 24 Mark...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

YEAR 2020 CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS Crane's Lettra Ecru 110# Fine Art Paper DIMENSIONS 20 × 16 in 50.8 × 40.6 cm EDITIONS Edition 50 of 380 PROVENANCE Comes with Certificate of Authenticity from the Publishers. ADDITIONAL INFO Four-color letterpress with hand-deckled edges. Aardvark publishing chop in lower left corner. Proceeds went to ACLU Immigrant Rights' Initiative. Came with a COA: -Image size... SIGNATURE Four-color letterpress w/ hand-deckled edges. Aardvark publishing chop in lower left corner. Signed & Numbered by the Artist Shepard Fairey. SERIES Welcome Visitor

5 color screen print on cream 100% cotton archival paper with hand-deckled edges The Paper, provided by Legion Paper, is custom 100% cotton Coventry Rag paper which uses salvaged material to create a more eco-friendly product, reusing what would typically be considered waste. The color and features of this fine art paper were created specifically for these large format prints. Comes with a Certificate of Authenticity Publisher: Obey Giant LARGE FORMAT SERIES ONLY 75 ever produced with most going to friends and family. One of our rarest prints by Shepard Fairey here at the gallery! Thank you for stopping by and if you have any questions at all don't hesitate to ask. Print is in pristine condition and has been stored flat since purchase in our temperature controlled flat file Vault. This is a very large print...

3 color Letterpress on 100% cotton lettre paper, 110# with deckled edges. Signed and numbered edition of 235/450. OBEY publishing chop on lower left corner. 10 inches x 13 inches

"World Water Day is Monday and is a fitting day to precede the release of these Wave of Distress prints. World Water Day not only focuses attention on the water crisis and drinking w...

Shepard Fairey (Obey Giant) Ressurectionem Ex-Mortuis, 2020 Screenprint Handsigned in pencil and dated 2020 by the artist Justified "AP" (Artist's Proof) Size 61 x 61 cm (c. 24 x ...

Hand signed by Fairey on bottom right of print and numbered 56/400 on bottom left. Released in Jan 2022. Screenprint printed in colors on heavy Cream Speckle Tone Paper.

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley's passing. The series represents the amazing breadth of Marley's...

"Based on one of my art pieces focused on peace and harmony included in my exhibition at the Straat Museum in Amsterdam. I have replicated many of the textures of the original art pi...

IMAGE RIGHTS N/A PROVENANCE We are the original owners of these works and were acquired directly from the artitst. ADDITIONAL INFO "I’ve long believed that protests in the streets ar...

Shepard FAIREY (Obey Giant) Flowering Eiffel Tower (A Delicate Balance) Original sceen print Handsigned in pencil blind stamp to lower margin Edition 51 from the edition of 89 On v...

I’m honored to have created my third cover for Time magazine, especially since this issue focuses on the civic duty of voting. The art I created for the Time cover addresses the very...

4 color screen print. Signed by Shepard Fairey, Glen E. Friedman and Keith Morris. As a founding member of Black Flag and Circle Jerks, songwriter and vocalist Keith Morris was at t...

Edition Details: Year: 2014 Class: Art Print Status: Official Released: 10/16/14 Run: 376/400 Technique: Letterpress Paper: 100% Cotton Lettre Fine Art Paper Size: 10 X 13 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater...

"Peace Guard 2 Stencil (Lisbon). 18 x 24 inches. Screen print on fine art cream speckletone paper. Signed by Shepard Fairey. Edition of 200/450." "For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

Manufacturer Obey Giant Edition Details Year: 2021 Class: Art Print Status: Official Released: 03/30/21 Run: 387/400 Technique: Screen Print Paper: Cream Specketone Size: 18 X 18 Ma...

NØISE – State Violence State Control Obey Records – OBR-003 Second pressing, 2021 Vinyl 7" 45 RPM, released, remastered NØISE: Joe Cassidy, John Goff, Shepard Fairey Cover art credit...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

A portion of the proceeds from this print will go to a, yet to be determined, common sense gun law advocacy group. We need to put pressure on the politicians! -Shepard Fairey This GOD SAVES & SATAN INVESTS print was inspired by the multiple school and mass shootings that have occurred in recent months. As many of you know from my 2nd Amendment...