Edward Bateman Photography
Edward Bateman is an artist and professor at the University of Utah. Through constructed and often anachronistic imagery, he creates alleged historical artifacts that examine our belief in the photograph as a reliable witness. In 2009, Nazraeli Press released a signed and numbered book of his work titled Mechanical Brides of the Uncanny, that explores 19th-century automatons as a metaphor for the camera, stating, "For the first time in human existence, objects of our own creation were looking back at us.” Bateman and his work have been included in the third edition of Seizing the Light: A Social and Aesthetic History of Photography by Robert Hirsch. His work has been shown internationally in over 25 countries and is included in the collections of The Victoria and Albert Museum, The Museum of Fine Arts Houston and Getty Research, among others.
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment
2010s Other Art Style Edward Bateman Photography
Archival Pigment
2010s Contemporary Edward Bateman Photography
Archival Pigment