Arteluce Lighting

Model 597 Table lamp by Gianfranco Frattini for Arteluce. Designed and manufactured in Italy, circa 1970's. Silk fringe, aluminum. Ori...

Ceiling light model 2049/4 designed by Massimo Vignanelli and made by Gino Sarfatti's Arteluce in 1964. Made of four aluminium square frames from where hang fabric fringes surroundi...

Pair of Gino Sarfatti Model #10 sconces in green for Arteluce. Executed in original green painted aluminum and custom fabricated period styled brass backplates designed to mount over a standard American j-box for hardwiring. Ball jointed arm allows flexible shade adjustments and multiple configurations. Originally designed between 1937-1941, the simplicity of Sarfatti's iconic Model #10 "detto Calla" or "Lily...

Ico Parisi Arteluce Lampada Da Parete MOD. 149 Design Modernariato 1960’s. Rarissima e Meravigliosa lampada da parete 2 Luci, in metallo verniciato di colore rosso, diffusori in vet...

Rare pair of model 228 wall lamps designed by Gino Sarfatti and manufactured by Arteluce in Italy in 1957. This extraordinary green colour reminds us of the flourishing Alfa Romeo Giulietta from the same year, whizzing across the Italian countryside. It’s these colour memories where we fell in love with and cherish. It could be Sarfatti once saw a car passing by and was struck by its vivid colour. These lamps have a minimalistic but strong and iconic design. The slight frosted glass diffuser sits in a metal ring. The socket is held by a metal cylinder with metal screws that are visible. The ring is attached to the wall plate. In very good original condition and rewired. Kindly note that the listed price is for the pair of 2 lamps. Literature; M. Romanelli, S. Severi, Gino Sarfatti opere scelte 1938; 1973 Silvana Editore 2012, page 447 and Arteluce vintage...

Gino Sarfatti for Arteluce, wall light, variation on model ‘181’, enameled steel, enameled aluminum, enameled brass, brass, steel wire, Italy, circa 1951 This wall light, a variation on model 181, is designed by the influential designer in the field of lighting design Gino Sarfatti (1912-1985) for Arteluce in 1951. Sarfatti founded Arteluce in 1936, an Italian lighting company that garnered acclaim for its groundbreaking and pioneering designs, defying conventional norms prevalent during that period. Functional principles, such as flexibility and adaptability, guided Sarfatti through the design process. He conceived a modular approach to lighting systems, enabling the user to personalize and adjust the lighting fixtures according to its preferences and needs. A significant part of the released designs incorporated practical elements, such as adjustable arms and rotating mechanisms. This innovative approach had a profound influence on the conceptualization and utilization of lighting within interiors around that time. In addition to their functional attributes, the lamps crafted by the company were predominantly characterized by a pure and minimalist aesthetic. A decoration was subordinate to the constructive element, focusing on the essential composition of geometric forms and usage of materials. Gino Sarfatti considers this type of wall lights as ‘extendible wall sconce...

Pair of Gino Sarfatti Model #10 sconces in red for Arteluce. Executed in red painted aluminum and custom fabricated period styled brass backplates designed to mount over a standard A...

Rare Massimo Vignelli Pendant mod. '2094/4' for Arteluce, Italy 1964. Intriguing pendant composed of brushed aluminium cubing rings, a black lacquered frame, and pearl-colored silk-c...

Gino Sarfatti was an Italian designer and businessman born in 1912 in Venice. After studying aeronaval engineering in Genoa, he founded the Arteluce company in 1939 in Milan. Its pur...

Rare and Original two pair of vintage wall sconces, model 237/2 by Gino Sarfatti for Arteluce, Milan. Italy, 1960 Two spherical diffusers with clear glass, resting on black lacquered...

1960s Gino Sarfatti metal and Seguso glass pendant for Arteluce. This larger version measures 5.9" in diameter and is priced as a pair. This original pair has been executed in hand ...

This very elegantly shaped Italian design lamp was the result of cooperation in 1978 of a trio of designers. The Jill A380 floor lamp was designed by a trio of designers – Perry King...

Early table lamp by Gino Sarfatti & Arteluce. Model 600/C designed in 1966, made in Italy. Black lacquered aluminum, based in black leather filled with lead buckshot, adjustable in...

A pair of heavy and thick Seguso Murano unusual oval shaped glass pendant lights with chrome fittings, by Gino Sarfatti for Arteluce, Milano only 1 pair available. price is for the p...

Franco Albini and Franca Helg for Arteluce, 'Ochetta' wall lights, model 141, metal, frosted glass, Italy, 1962. The 'Ochetta' wall lights were designed by Franco Albini and Franca ...

Mod. 2065 F lucite lamp, Arteluce, circa 1950-1955 Gino Sarfatti mod. 2065 F. UFO pendant lamp produced between 1950-1955. (good condition with signs of wear) three e27 (EU) or e2...

Early and very rare extandable counterweight suspension designed by Gino Sarfatti in 1938, Mod. No. 2007. Manufactured by Arteluce in the 1930...

For sale is an iconic and extremely rare orange 600P table lamp by GINO SARFATTI, designed in 1966 and produced by Arteluce of Italy. Thanks to its lead-filled weighted pouch base, the lamp can be placed at any angle and the reflector shade can be rotated to direct light in any direction. Made of lacquered aluminium and synthetic leather, the light is in excellent overall condition, with some minor chips to the paintwork, but absolutely nothing to detract (see photos). Gino Sarfatti’s 600P...

wonderful minimalist wall lights model 31B designed by Gino Sarfatti, manufactured by Arteluce, Italy 1950 with black enameled metal shades on chrome plated double-joint adjustable a...

A very rare pendant lamp by Gino Sarfatti for Arteluce, Italy, circa 1950s. Cup-shaped reflector in white lacquered and coppered aluminium. Counter cup in perforated and nickeled br...

Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). Other of the important lamp designs by Pier Giacomo and Achille Castiglioni for FLOS are the Beehive -or Splügen Braü lamp (1961), Toio –or Toy lamp...

Early 600P light by Sarfatti for Arteluce in excellent condition.

Lamp No. 2042/6 is distinguished by its sophisticated design and clean lines, typical of Gino Sarfatti's creations. Made of high quality materials, this lamp offers a diffuse and ple...

Pair of Aura wall lights made by the famous designer's Perry King & Santiago Miranda in 1989 and produced by Arteluce, the prestigious Italian company founded by Gino Sarfatti in 193...

This old original table lamp 600G was designed by Gino Sarfatti for Arteluce in 1966. The lamp is made of black lacquered aluminum with a black leather base filled with small lead balls...

Designed by Perry A. King & Santiago Miranda for Arteluce Memphis Period. Style of Ettore Sottsass

Designed by Gino Sarfatti for Arteluce in 1939, rare 'Fuoco d'artificio' chandelier model 2003 executed in the 1950s, Italy. This 24-light sputnik ceiling light is composed of tubula...

Pier Giuseppe Ramella Tikal A pair of table lamps, each with a blue glass half-disc surrounding white half-spherical shades on each side, on a spreading central stem. Produced by A...

Gino Sarfatti for Arteluce, table lamps, model ‘609’, enameled aluminum, bakelite, cast iron, steel, Italy, 1973 A design by Gino Sarfatti for Arteluce, table lamp model 609 created...

Sublime Gino Sarfatti Model 2003 irr. Fireworks ceiling lamp. Italy 1939

Rare minimalist floor lamp model 1086 designed by Gino Sarfatti and manufactured by Arteluce, Milano 1961. This is the floor lamp version of a series of lights that Sarfatti designed...

Enter the world of rare and exquisite design with a true masterpiece from the 1950s – the Gino Sarfatti model 598 table lamp for ArteLuce. This is not just a lamp; it's a work of art...

Arteluce's ”Triana” wall lamp featuring two sets of interchangeable Murano glass. Original condition.  

Extending arm wall light model 194n designed by Gino Sarfatti and produced by Arteluce in 1958 circa. The original structure is composed by a ...

This is a pair of Post-Modern Floor Lamps, Model 1195, designed by Pier Giuseppe Ramella for Arteluce in 1985. The listed price includes one lamp, and we have two available for purch...

Introducing the iconic ceiling lamps, model 3055, designed by Gino Sarfatti and manufactured by Arteluce in Italy, 1962. These classic lamps are a fine example of Sarfatti's innovati...

Iconic blue model "Aurora" pendant designed by tPerry King and Santiago Miranda for Arteluce. The Aurora pendant provides direct and diffused light with three halogen, led spotlights...

This lamp is a fine example of Arteluce's ”Triana” wall lamp featuring two sets of interchangeable Murano glass. One set is white while the other features lined white strips over tra...

Beautiful Italian wall lamp by Arteluce. Solid chrome body with Perspex lamp shade. It has an extraordinary shape and is in a very good vintage cond...

Gorgeous three-light wall lamp model 238/2 by Gino Sarfatti for Arteluce 1960. In excellent original condition. The brass wall plate with arms bent to form circles houses translucent...

Gorgeous three-light wall lamp model 238/3 by Gino Sarfatti for Arteluce 1960. In excellent original condition. The brass wall plate with arms bent to form circles houses translucent...

Floor lamp mod 1063 by Gino Sarfatti for Arteluce, Italy 1953. The lamp you are looking at is painted in a very unusual gold color, which probably makes it unique, as confirmed by th...

'Le Falene' floor lamp by Piero De Martini for Arteluce. Designed and manufactured in Italy, circa the 1980s. Linen shades are sub-formed onto yellow enameled rod bases. The lamp hol...

Gino Sarfatti Floor Lamp , model 1045 for Arteluce , Italy designed 1948 Designed in 1948 this example probably dates from the 1950's and shows the rawest version of this famous art...

Original 1966 600/C 1st edition table lamp from Gino Sarfatti for Arteuce. Come with original 220 volt 60 watt light bulb and European wall plug. For Nor...

Pair of 1950s Conical Red Metal & Brass Sconces by Gino Sarfatti for Arteluce Executed in red painted aluminum and brass. Double ball jointed arm allows flexible shade adjustments a...

Pair of wall lamps model 237/2 of the famous Italian designer Gino Sarfatti published by Arteluce in the 1950s. Black lacquered metal structure (original paint) and double diffusers ...

Mid Century Modern Wall Lamp 265 by Paolo Rizzatto for arteluce - 1970c Wear consistent with age and use Minor Losses : See Photos

Gino Sarfatti for Arteluce Pair of two Mid-Century Sconces Model 237/2, Italy 1959s. This is an original pair of two Italian mid-century wall lamps, model 237/2, designed by Gino Sa...

Sconce Post Moderna of great charm, made in Italy by the historic lighting company Arteluce founded in 1939 by Gino Sarfatti. Designed and produced in the 80s by the duo of architect...

Pair of wall lamps model 238/2 designed by Gino Sarfatti and manufactured by Arteluce, Italy, 1960s. The frames are black metal lacquered and have two transparent glass globes that...

Franco Albini lived in Milan where he studied Architecture at the Politecnico. He started his career at Gio Ponti's studio, with whom he collaborated before getting in touch with som...

Double shade with a curved ended bottom rim and perforation around the upper section for ventilation. Each shade holds an E27 socket-type, adapted for the US. We recommend an E26 40w...

Wall sconce Mod. "36" in chromed metal designed by Gino Sarfatti for Arteluce, Italy 1955. The lamp is structured with a horizontal chromed arm connected to a square metal plate, wh...

Gino Sarfatti Model #26b Yellow and Brass Wall Lamp for Arteluce. Executed in yellow aluminum with a brass backplate. Double ball jointed arm allows flexible shade adjustments and m...

A stunning, small / petite Gino Sarfatti for Arteluce table lamp with curved brass rods rising from an ivory enameled base with three enameled shades in three shades of gray. Very go...

A chrome metal, aluminum and black-lacquered iron floor lamp designed by Gino Sarfatti and produced by Arteluce, Italy, c. 1950s. Dimensions of Lamp with Shade (inches): 77” H x 8.7...

This elegant lamp model 526 was designed in 1965 by Massimo Vignelli for Italian lighting manufacturer Arteluce. Model 526 is a table lamp with a base that consists of three concave...