Hudson River School Art

Joseph John Englehart (1867-1915) was a prolific American landscape painter who painted in realist style. He was born on June 14, 1867 in Chicago, Illi...

William Rickarby Miller Rapelyea House, New York, 1884 Signed and dated lower left Oil on canvas 20 x 30 inches Provenance: Kennedy Galleries, New York Born in Staindrop, County Durham, England, he was a portrait and landscape painter, especially appreciated for watercolor painting, which he sold through the American Art Union...

"Summer at the Farm," by Hudson River School painter James McDougal Hart (American, 1833-1915) is oil on canvas and measures 14 x 24 inches. It is signed and dated by Hart at the low...

Leading Hudson River School Painter Famous for New England Views

Signed lower right. A landscape and marine painter, William Ongley was born in England in 1836 and came to America with his family and settled in New York. His art studies took him ...

Signed lower left: N. Bush Provenance Private collection, New York; Private collection, Pennsylvania First noted for his portraits, marine views, and East Coast landscapes, Norton Bush became best known for his tropical views of Central and South America. He studied in New York City with the Hudson River school painter Jasper Cropsey and received criticism from another Hudson River school painter, Frederic Edwin Church. Like many who worked in the Hudson River school style, Bush also sought to inspire viewers with an expansive view of nature that dwarfed the relative influence and position of man. He first became interested in painting exotic...

Copyright 2023 Michael F. Meyer All rights Reserved. This painting, signed RSD on right side, has been verified by the late expert on Robert S. Duncanson, Joseph Ketner and comes with an authentication letter. This painting has exhibited and is published in Robert S. Duncanson and His Courageous Southern Travels. This painting is one of the many beautiful southern landscape scenes that Robert S. Duncanson painted in his courageous travels south. "Robert S. Duncanson born in 1819, was an African American Hudson River School artist who painted the south before the Civil War, until his death in 1872. Although widely famous during his lifetime, this forgotten artist’s courageous journey through the antebellum south has never before been exhibited or researched until now. His brilliance was in creating captivating landscape paintings that come alive to the viewer, by focusing on the minute details of nature and of the stories he wished to communicate. Robert Duncanson...

John Ferguson Weir West Point, 1873 Signed and dated lower left Oil on panel 12 1/8 x 20 1/8 inches Provenance: Sotheby's Arcade, American Paintings, December 19, 2003, Lot 1091 Spanierman Gallery, New York Private Collection, New York (acquired directly from the above) Exhibited: Roslyn, Nassau County Museum of Fine Art, William Cullen Bryant, The Weirs and American Impressionism, April 24, 1983-July 31, 1983. A painter, sculptor, writer, and teacher, John Weir was a highly talented man whose painting was overshadowed by his father, Robert Weir, the long-time West Point Academy drawing teacher, and his brother, J Alden Weir, well-known impressionist painter. His distinguished reputation was primarily based on his accomplishments as a teacher and administrator. For many years, from 1869 to 1913, John Weir was the Director of the Yale University School of Fine Arts. He was also a commissioner of the art exhibition at the Centennial Exposition in Philadelphia. Weir was born at West Point, New York, and by age 20, had a studio in New York City in the Tenth Street Studio Building, the first building in America dedicated to art studios, and there he associated with many leading painters of the day. He earned attention early in his career for paintings of industrial scenes...

This dynamic seascape by Charles Ernest Butler captures the rugged cliffs of Penolver Head on the Lizard Peninsula, where land meets the vast, glistening ocean. The bold, expressive ...

Signed indistinctly lower right

Monogrammed lower left: ATBricher

Virginia Granbery (1831-1921) was an accomplished American artist known for her work in watercolor and oil paintings. Granbery's works predominantly featured landscapes, floral studi...

Signed lower right in arrowhead: R.A. Blakelock

Edward Lamson Henry (American, (1841 - 1919)) “The Warning” Grisaille on paper mounted on board, signed lower left ‘E L Henry’ (partially obscured by frame) ...

George Curtis transcended the typical Hudson River School style with this painting. While in the Hudson River School, painters often created warmer landscapes of the American country...

Prominent Luminist Hudson River School painter.

John George Brown (1831–1913) was a prominent British-born American painter, renowned for his genre paintings that vividly depict the everyday life of chi...

Signed lower right: RABlakelock

Signed lower right in arrowhead: R A Blakelock; on verso: A Spring Garden

Painted by Historic Woman Artist Anna Freeland, "Gray's Inn, Iron Mountain and Wildcat River, Jackson, NH" depicts an autumn scene in the White Mountains. Painted in oil on canvas, the work measures 12 x 18 inches and is signed and dated 1891 at the lower left. The work is framed in a period appropriate frame and ready to hang. Anna C. Freeland (1837-1911) was born in New Hampshire to Mary Ann (Baker) and William Chamberlain. She received her education at the New Hampshire Conference Seminary and Female College in Tilton, New Hampshire. She studied art in Chicago under Walter Shirlaw, at the Académie Julian in Paris under Constant, and in Boston under William A. Rimmer and William M. Hunt.[1] An artist as well as a respected teacher, Freeland was a founder of the Worcester Art Students Club whose members included Joseph H. Greenwood and Frank J. Darrah. Incorporated in 1887, the club held meetings in the homes of its members. The club began holding meetings and exhibitions at the Worcester Art Museum following its opening in 1898.[2] Freeland offered instruction from her Worcester studio during the Winter months, and for over a decade, spent her summer working in her Jackson, New Hampshire studio.3 Her studio adjoined Gray’s Inn, a lodging establishment popular among artists. While busy executing figurative and floral works, as well as landscape and animal subjects, Freeland continued to teach. In 1886, she instructed a class of lady artists in Jackson.[4] In 1890, Freeland contributed several floral works as well as Portrait of Baby McClure, the infant daughter of an Art Students’ Club member, to the 10th annual exhibition of the club.[5] In 1902, Freeland was the instructor at an outdoor sketch class organized by the Newton Center Woman’s club.[6] In 1910, she exhibited with local artists including Joseph H. Greenwood at the Worcester Art Museum.[7] During her lifetime, Freeland exhibited locally and provided art instruction to notable artists including Walter Appleton Clark...

Edward L. Custer (1837–1881) was an American painter known for his landscape paintings, genre scenes, and still lifes often imbued with a romantic and idyllic quality. Custer's paint...

Signed and dated right of center: J.F. Cropsey / 1852

This coastal landscape is done by the famed painted William Frederick De Haas (1830-1880). This painting shows two men in a canoe paddling off the cliff shore in the foreground with ...

"Charles River Meadows, Massachusetts" by Mark E. Slayton is a masterful landscape painting that embodies the beauty characteristic of the Hudson River School. As a prominent artist ...

John Fery (1859 - 1934) Western Lake Landscape, circa 1920 Oil on canvas 21 x 23 1/4 inches Signed lower left Provenance: Private Collection, New York Born in Austria, John Fery earned a strong reputation for dramatic paintings of western mountain landscape in the United States. Glacier National Park in northwest Montana was a popular subject for him. He was raised in a prominent, wealthy family that lived on an estate about nineteen miles northeast of Salzburg. His mother was Hungarian, and his father was born in Bohemia. S ome sources have written that he studied art in Dusseldorf, Germany with Peter Jansen, and also in Munich, Venice and Karlsruhe. But his "name does not appear in the records of the major art schools in any of these places, nor is there any record of his name at either the Vienna or Budapest academies." (Merrill 26) It is possible, however, that he received private instruction, and because of the sophistication of his painting, sources think it unlikely that he was self taught. An early interest in wilderness scenery led him to painting American landscapes and hunting scenes. In the mid 1880s, he came to America and lived in the German community in Milwaukee, and then in 1886, brought his family to the United States. His wife, Mary Rose Kraemer (1862-1940), was born in Switzerland, and they had one child born near Munich and two others born in the United States. From 1886 to 1888, they lived in New York, and by 1890, Fery had made his first trip West. He visited Yellowstone Park in 1891, and indicated in his writings that he had been there even earlier. From 1892 to 1893, he led European nobility on hunting expeditions to the American Northwest, made possible by the completion of the Northern Pacific Railroad...

A prominent 19th century landscapist, Hudson River School painter James McDougal Hart's (1828-1901) A Day in November, 1863 is oil on canvas and measures 10.5 x 18 inches. The painti...

"Catskill Mountains Landscape," by Hudson River School painter Edward Delavan Nelson (American, 1821-1871) is oil on canvas and measures 15 x 24 inches. It is signed with the artist'...

Monogrammed lower left: ATBRICHER

Richard Law Hinsdale (1832–1874) was an American painter known for his contributions to landscape and genre painting during the mid-19th century, mostly in the Hudson River School. He received brief instruction from Alexander Emmons, Philip Hewins and Jared B Flagg as well as being exhibited in American art...

"New England Sunrise," 1910 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.75 x 14 inches. The work is signed by DeForest and dated Sept. 17, 1910 at lower left. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

John Frederick Kensett (1816 - 1872) Portrait of an Italian Fencer, circa 1845-47 Watercolor on wove paper 13 1/8 x 8 1/8 inches Signed with initials and inscribed lower right "J.F.K. Rome" From October 1845 through the spring of 1847, Kensett lived in Rome. He attended classes where he sketched from live models, and he sketched in the countryside outside Rome and around Florence, Perugia, and Venice, places he visited with his artist friends. He fulfilled commissions for paintings from Americans in Italy, and by 1847 his career was well established. Son of an English immigrant engraver, John Kensett lacked enthusiasm for that medium and became one of the most accomplished painters of the second generation of Hudson River School painters. His reputation is for Luminism, careful depiction of light, weather, and atmosphere as they affect color and texture of natural forms. He was particularly influenced by the painting of Asher Durand in that he focused on realism and detail rather than the highly dramatic views associated with Thomas Cole. Going to the western United States in the mid 1850s and the 1860s, he was the first of the Hudson River School painters to explore and paint the West. Kensett was born and raised in Cheshire, Connecticut, and learned his engraving from his father, Thomas Kensett with whom he worked in New Haven, Connecticut until 1829. He continued working until 1840 as an engraver of labels, banknotes and maps and was employed part of that time by the American Bank Note Company in New York City. There he met Thomas Rossiter, John Casilear, and other artists who urged him to pursue painting. In 1840, he and Rossiter, Asher Durand, and Casilear went to Europe where Kensett stayed for seven years and supported himself by doing engraving but became accomplished in landscape painting. Having sent canvases of Italian landscapes back to New York, he had a reputation for skillful painting that preceded him. When he returned to New York City in 1847, he was an "instant success" and very sought after by collectors. Two of his Italian landscapes had already been purchased by the American Art Union. By 1849, he was a full member of the National Academy of Design and was generally popular among his peers. His studio was a gathering place with travelers stopping by to see his canvases and to identify "precise locations in the Catskills or Newport or New England in the oil sketches and drawings that covered his walls." (Zellman 170). For the women, he was a popular bachelor, "romantic looking with high forehead and sensitive expression." (Samuels 262) He was also sought after by many organizations. Among his activities were serving on the committee to oversee the decoration of the United States Capitol in Washington DC, and becoming one of the founders of the Metropolitan Museum in New York. An inveterate traveler, Kensett spent summers on painting excursions away from New York City. One of these trips was a special painting excursion with fifteen other artists sponsored by the B & O Railroad from Baltimore, Maryland to Wheeling, West Virginia. Unlike many of the Hudson River painters...

William Hart was an influential figure in the art world, best known for his contributions as a landscape painter during the 19th century. Born in Paisley, Scotland, in 1823, Hart imm...

Signed and dated lower left: W. Whittredge 1861

"Little House in the Upstate New York Mountains" by C.H. Schmidt is a captivating painting that evokes a sense of rustic charm. Set against the backdrop of the majestic mountains of ...

F. Alexander Wust paints a stellar sunset over a hillside with light red color in his artwork entitled, “Sunset Landscape.”

Charles Henry Chapin - American (1830 - 1889) “High Peaks of the Adirondacks” Note: Peaks include Mount Marcy, Haystack Mountain, Basin Mountain, as viewed from the Ausable Lake Area...

American artist Franklin Briscoe (1844-1903) known for his hirtorical and portrait paintings, paints a Civil War piece; it is a portrait of an officer with his white horse. The brus...

Original signed framed vintage landscape painting by Charles Partridge Adams (1858-1942) of a Sunset along the Front Range of Colorado (near D...

Impressive early American Hudson River School landscape oil painting by Jasper Holman Lawman (1825 - 1906). Framed. Oil on board. Signed. Image size, 10H by 16L.

Joseph Antonio Hekking was a landscape and marine painter born in 1830 in the Netherlands and died in New York in 1903. He studied in Paris and was a talented draftsman who lived in Cherry Valley, NY, Hartford, CT, Detroit, MI, and Washington, D.C. He also exhibited paintings of the Adirondacks at the National Academy of Design (NYC). He served in the Civil War with a New York regiment and exhibited in the Detroit area after the war. He was a versatile and talented painter was active from the early 1850s to the later 1870s and he participated in major exhibitions. His paintings were inspired by visits to the Adirondacks and White Mountains. He is considered an important and relevant early American landscape...

Signed lower right in arrowhead: R A Blakelock

Signed lower right. Albert Nemethy Jr.'s pastel paintings beautifully capture the essence of nature, showcasing his mastery of light, texture, and atmo...

Theodore E. Pine (1828-1905) was an American artist known for his portraits and genre paintings. Pine specialized in portraiture, capturing the likenesses and personalities of his su...

Signed lower right: W Bradford

Régis François Gignoux (1816–1882) was a French-American landscape painter known for his contributions to the Hudson River School. Gignoux quickly became an integral part of the Amer...

Signed lower right: J.R. Brevoort.

Signed illegibly lower right

George Owen's "Resting Beneath the Trees by the Stream" is a quintessential Hudson River School painting that encapsulates the majesty and sublime beauty of the American landscape. T...

"Cathedral Spires, South Dakota," attributed to the accomplished painter Grafton Tyler Brown, is a stunning representation of the American landscape, i...

Pristine and purely American in its aesthetic due to the fact that the artist concentrates on one type of fruit. Europeans were much more opulent in their approach to still lifes an...

Signed lower left: Blakelock

"Young Lady Sewing on Rocking Chair" by an 1860s American School artist is a charming watercolor painting that captures a traditionally domestic moment...

"Rocky Seascape" by Lemuel D. Eldred is a captivating painting that masterfully captures the raw beauty and power of the sea. Eldred, an accomplished 19th-century American marine art...

Signed lower right: JR Brevoort

George Henry Smillie was an American painter and etcher. He became a member of the National Academy of Design in 1882. He often painted both in oils and in water colour. His favourit...

Signed and dated 1877. Mortimer Smith, a lesser-known yet skilled artist of the Hudson River School, captured the untamed beauty of the American landscape with remarkable depth. This painting presents a seacoast scene with a solitary fisherman, with his boat during the tide. The rugged cliffs frame the composition, their weathered surfaces telling the story of time and nature’s relentless forces. Sunlight filters through the mist, casting a halo glow in the sky, while waves crash against the shore in rhythmic motion. Smith’s brushwork conveys both the serenity and power of the natural world, inviting the viewer to step into the scene under nature's power and beauty. Although born in Jamestown, New York, Mortimer Smith would become well-known as a Detroit architect and artist by the end of the nineteenth century. Little is known of Smith's earlier years; however, scholars speculate that he studied in Oberlin and Sandusky, Ohio before moving to Detroit in 1855. There, the artist flourished and became famous for his crisp landscapes of local scenery, including his beloved winter scenes. In addition to his artistic career, Smith founded a successful architectural firm by the name of Smith, Hynchman and Grylls; Smith's reputation in the visual arts was often overshadowed by his draftsmanship as an architect. Nevertheless, he was a vital force in Detroit's arts community exhibiting his works in venues including the Detroit Art...

Alfred Thompson Bricher, an American artist celebrated for his exquisite marine and landscape paintings, created "Boats Sailing Between Mountains." This piece exemplifies Bricher’s m...

David Johnson was born in 1827 in New York City. Beginning in 1845, he studied for two years in the antique school of the National Academy of Design. His classmates and colleagues in...