American Realist Art

Original BOAC Africa, unfolds the world vintage travel poster. Archivally linen backed in fine condition, ready to frame. British Overseas Airline Corporation This poster ‘unfold the world’ with travel to Africa. The image of a mother elephant with her baby create a cloud of dust as they come into a face to face view. This is one of the seldom if ever seen, original BOAC posters...

Serene and calm sky, ocean horizon, sunrise or sunset sky painting from American Realist Willard Dixon. A contemporary sky scape with clouds and etherial light. Like a window to a wide open, brilliant and warm sky, in blue, purple yellow and gold. Unframed and ready to hang and enjoy. The original painting is 42 x 40 inches. Signed in paint with artist initials front. And signed in pen with artist's signature, date and title, Verso. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMoMA), and the Metropolitan Museum of Art in NY, and the California Museum of Att in Oakland, CA. Willard Dixon Born Kansas City MO, 1942 Education Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and N.E.A. Fellowship Grant- 1989 Commissions California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90 San Francisco State University 1975 San Francisco Art Institute Realism Seminar 1974-76 Academy of Art College, San Francisco, CA 1973-74, 1976 California College of Arts and Crafts, Oakland, CA 1971-72 California State University, Hayward, CA One Man Exhibitions 2015 Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014 SFMOMA Artists Gallery, San Francisco, CA. 2008 SFMOMA Artists Gallery, San Francisco, CA. 2005 Fischbach Gallery, NYC,NY 2005 Dolby Chadwick Gallery, San Francisco, CA 2004 Fischbach Gallery, NYC, NY. 2002 Earl McGrath Gallery, Los Angeles, CA 2002 Bolinas Museum, Bolinas, CA 2001 Hackett Freedman Gallery, San Francisco, CA 2000 Fischbach Gallery, NYC , NY 2000 Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998 Hackett Freedman Gallery, SF, CA 1997 Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995 Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994 Fischbach Gallery 1993 Contemporary Realist Gallery 1992 Fischbach Gallery 1991 Earl McGrath Gallery, 454 North, Los Angeles, CA 1990 Fischbach Gallery 1989 William Sawyer Gallery, San Francisco, CA 1988 Gallery 454 North, Los Angeles, CA 1987 Fischbach Gallery 1987 Gallery 454 North 1986 William Sawyer Gallery 1985 Fischbach Gallery 1984 Harris Gallery, Houston, Tx 1984 William Sawyer Gallery 1983, 1982 Fischbach Gallery 1981 William Sawyer Gallery 1980,1979 Tortue Gallery, Los Angeles, CA 1976, 1975 William Sawyer Gallery 1973, 1972 William Sawyer Gallery Selected Group Exhibitions 2017 SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015 REAL / with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014 Stillness and Activity / A father and daughter exhibition. Gallerie Citi, Burlingame, CA. 2013 Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012 Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011 California: A Landscape of Dreams/ Fresno Art Museum 2010 Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009 On Beauty/ I. Wolk Gallery, St. Helena, CA. 2008 At Water’s Edge/ I. Wolk Gallery, St. Helena, CA. 2007 San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006 Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002 H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001 Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000 Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999 Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999 What is Art For? What are Museums For? What are You For?/ curated for the Oakland Museum by William T.Wiley & Mary Hull Webster, Oakland, CA 1998 Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996 Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996 Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996 New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995 Facing Eden: 100 Years of Landscape Art in the Bay Area/ De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein...

Beautiful original watercolor and gouache on archival paper by the famous American marine artist, Gordon Grant. The artwork depicts two rugged lobstermen bringing their catch ashore...

Mansard Window, Oil on canvas, cityscape Sixth Avenue, Park Slope, Brooklyn Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein a...

"Blois" realist plein air landscape oil painting of French village from field. Framed Dimensions: 40 x 50 inches Marc Dalessio was born in 1972 in Los Angeles, California. Even in ...

This artwork, titled "Tulips in a Round Vase" and dated 2000, is an original color lithograph on Arches paper by noted American artist Gary Bukovnik, born 1947. It is signed and numb...

Original Bern - Switzerland. Artist: Leutenegger. Year: 1941. Archival linen backed with some minor wear. B condition The name of this statue is also known as Gerechtigkeitsbrunnen. The blind scales of justice...

This oil on canvas landscape presents an image of a building associated with the production of maple syrup. The building is grey with a roof in maroon. All around is a landscape of...

Going to Borrego oil painting, contemporary landscape — in blue, orange, purple, green. Early morning warm western rolling hills with clear sky. 24 x 48 inches. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art, and the Smithsonian National Portrait Gallery. Artist signed front and verso. The painting comes framed in a medium hard wood compliments of the gallery. Going to Borrego is 24 x 48 inches. Artist signed, titled and dated. Proudly presented by Andra Norris Gallery in California. The artist was born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism Jo Cain (1904 – 2003) Good Health Week 10 ½ x 15 1/2 inches Oil on pape...

Pondering Realist, Light/ Shadow Oil Painting 20"x16" Landscape Cattle . The eighth painting shows how the painting will be after a professional photo by 2/14.. The next is the f...

A moody and surrealistic still life of peonies. While the scene seems to take place outside, the reflection in the vase reveals a window with light streaming into a dark room. As alw...

Kenn Duncan (1928-1986). Portrait of Tommy Hawkins with Python, 1973. Photographic period print measuring 11 x 14 inches. Titled and dated on verso by the ...

Untitled (Three Ducks Taking to Flight) Drypoint, c. 1940 Signed lower right Provenance: Estate of the Artist Winchell Heirs by descent Condition: Excellent Image/Plate size: 10 1/2 x 8 1/4 inches Sheet size: 12 1/2 x 10 5/16 inches Created while the artist was a commercial artist working in Minneapolis, after his tenure of being an instructor at the Minneapolis Institute of Art in the 1930's. Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld...

Original "The Greatest Shown on Earth" US 1-sheet vintage movie poster, linen backed. 1952. Now over 70 years old! Restored original theater fold marks. A- condition. Bright and vibrant colors. Linen backed original 1952 one sheet U.S. Movie poster by Cecil B. DeMille: The Greatest Show on Earth. Starring Betty Hutton, Cornel Wilde, Charlton Heston, Dorothy Lamour, James Stewart, Gloria Grahame, Henry Wilcoxon, Lyle Bettger, Lawrence Tierney, and Emmett Kelly...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

This artwork titled "Soaking Up" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition About the artist: Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school. "I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons." He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth. "I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist." Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998. The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw. "Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again." Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places. "I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002. In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan. "The art director gave me a call and asked if I'd like to do a contemporary cowboy...

This artwork "Tulips in a Vase" 1995 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 169/200 in...

John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...

This stunning floral still life by A.D. Greer features a bouquet of vibrant red and white roses, purple lilacs, and red and orange zinnia flowers. Measuring a sizable 36 x 48 inches,...

Original WW1 poster: "Be Patriotic sign your country's pledge to save the food." U. S. Food Administration. Miss Liberty calls with outstretch...

untitled (Duck taking to flight, flushed by a dog) Drypoint & Aquatint, c. 1940 signed lower right Created while the artist was a commercial artist working in Minneapolis, after his ...

A portrait of two young girls by the Royal Portraitist Chen Yanning. Both the artist as well as the sitters of this magnificent portrait are from racial...

Mid Century figurative landscape of a cowboy on his horse at sundown titled "Head Em Home" by Stanley M. Long (American, 1892-1972). Signed “Stanley M. Long” in bottom right corner. Displayed in a simple wood frame and off-white mat with glass. Image size: 22.75”H x 30.25”L. Frame is 1.5" deep. Stanley M. Long was a watercolorist who was born in Oakland, CA on May 4, 1892. He spent his childhood on a ranch in Napa where he broke wild horses. He began sketching when quite young and at age 15 enrolled at the San Francisco Institute of Art. He continued at the California College of Arts and Crafts, where he was awarded a scholarship for further study at Académie Julian in Paris. Long served in the camouflage corps in both world wars. Long taught art in San Francisco at Mission High School and for 17 years at Polytechnic High School. His western illustrations were featured in Sunset Magazine and the Los Angeles Times. Having worked with horses all his life, they were to become the main theme of his paintings. Member: Society of Western Artists, Napa Valley Art...

Original vintage poster: THE GREATEST MOTHER IN THE WORLD. archivally linen backed. Very clean. Artist: Alonzo Earl Foringer. Lithograph, circa 1917-1918. Good condition, restored tear near the center top in the white area, ready to frame. Loosely based on Michelangelo's "Pieta," the image in this poster depicts a monumental Red Cross nurse...

Guy Lipscomb:1917-2009. Listed American artist from South Carolina. He is best known for doing these watercolors of the beach dunes. This wonderful watercolor measures 20 inches wide...

This artwork titled "Pintail" c.1990 is a color lithograph by noted Wild life American artist Christopher Forrest, b.1946. It is hand signed, titled and numbered 86/300 in pencil by the artist. The image size is 17.5 x 22.85 inches, framed size is 27.35 x 32.5 inches. Custom framed in a oak frame, with light brown matting. It is in excellent condition About the artist: Born in Trenton, New Jersey, 1946 Interested in art from the age of 7, Christopher Forrest still speaks fondly of a set of colored pencils presented to him then by his parents; At 11, he won his first award for painting and started exhibiting in galleries. Along with his interest in art grew a keen attraction for the outdoors and the wildlife which thrived there. After considering schooling in art, Chris chose to study civil engineering. Upon graduation from Virginia Polytechnic Institute, Chris began a career as a commissioned officer in the United States Army Corps of Engineers. The Army provided Chris the opportunity to observe wildlife from the swamps of Florida to the lakes of Quebec, in addition to Europe and Viet Nam. In 1973, the Army sent Chris to graduate school at North Carolina State University, at this time Chris started to paint wildlife. Chris resigned from the Army in 1978 and took a position as an artist with Evergreen Publishing Co. He has produced more than thirty original graphic editions for Evergreen. His original graphics are handled by some 350 galleries in North America. He is currently General Manager at Evergreen. His work and articles about his work have appeared in numerous wildlife and art publications. Chris strongly believes in wildlife conservation and is a member of many conservationist organizations. His donated prints have raised a great deal of money for Ducks Unlimited, Newjersey, Audubon and Ward Foundations. In 1980 he realized one of his major professional goals. He was elected to membership in the Society of Animal Artists. "Creating a painting or graphic is an exciting adventure and challenge for me. Starting with the observation of the animal in the wilderness, I then approach the painting with the attitude that it will be my finest work." COLLECTIONS National Academy of Science, Washington, D.C. New Jersey State Museum, Trenton, N.J. Ferrum College, Ferrum, Va. Franklin Mint, Franklin Center, Pa. Parsons, Brinkerhoff, Quade & Douglas, consulting Engineers, N.Y.C. Fine Art Corporation of America, N.Y.C. Central Carolina Bank, Raleigh, N.C. Ward Foundation Museum, Salisbury, Md. New Jersey Audubon Society, Rancocas, N.J. I.B.M., Louisville, Ky. American World Airways (Pan Am), Miami, Fla. Baush & Lomb, Rochester, N.Y. Thermos, Norwich, Conn. Metro-Goldwyn Mayer, Ca. Ford Motor Co., Atlanta, Ga. Chemical Bank, N.Y.C. City Bank, N.Y.C. ONE-MAN SHOWS N.J. State Museum, Trenton, N.J. 1979 Palette Gallery, Cary, N.C., 1973,-74,-77,-78,-79 Lambertville House, Lambertvi lie, N.J., 1975-76 Triangle Art, Trenton, N.J., 1975 INVITATIONAL SHOWS Triangle Art Christmas Show, 1975 Golden Door Gallery Wildlife Show, New Hope, Pa., 1976 Ward Foundation Wildlife Art & Carving Exhibition, Salisbury and Ocean City, Md., 1976,-78,-79 Easton Waterfowl Art...

Oil painting by Willard Dixon featuring figures enjoying an evening at a beach. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coas...

"Portofino Memories," with rippling water reflections below the iconic Portofino harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting is on ...

"Natalie's" - Plein Aire Pastoral Landscape in Pastel on Sandpaper Serene plein aire landscape with cows by Clive R. Tyler (American, b. 1958). This composition depicts a farm in Fort Collins, Colorado, with a large white barn at the top of the hill. There are several cows grazing in a bright green pasture. A partially broken fence is directly in front of the viewer - a symbol of the artist's desire to portray the realism of the scene, including imperfections. This piece is executed on sandpaper, a trademark of Tyler's work. Signed "CL Tyler" in the lower left corner Signed, notated, titled, and dated on verso (see photo). Presented in a silver colored frame. Frame size: 11.25"H x 14"W Paper size: 9.5"H x 12"W Clive R. Tyler (American, b. 1958) studied Fine Art and Design at Kent State University (Ohio) with a double major and was awarded a Bachelor of Fine Art degree. Twenty years later after a successful design career, he is now known as one of the best Pastelists on a national level. Master Member of the Plein Air Painters of New Mexico Signature Member of the American Impressionist Society 2016 Honorable Mention, Santa Fe Plein Air Festival, NM 2015 Best Quick Draw Award, Buffalo Bill Museum Art Auction, Cody Wy 2015 Best of Pastel Award, American Impressionist Society 2015 Brinton Museum, Invitational Miniature show. Sheridan. Wy 2015 Invitational Heart of the West, Masters art show. Coeur d’Alene Resort, Id 2014 Booth Museum Cartersville Ga. Acquisition and Teaching 2014 Coors Foundation purchase Aspen 3 series. Corporate Collection Denver, Co 2013 American Impressionist National Show, Award of Excellence. 2013 Artist Choice Award Easton Maryland...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Oil on artist's board, 20th century, signed Paul Zimmerman Reminiscent of the Mid Century Social Realist and WPA works of Ben Shahn this captures a group of tenement children of mixe...

Friends and family enjoying the setting sun at Lake Tahoe with early evening light and majestic alpine mountain ridge in the distance. Willard Dixon is one of the finest American contemporary realist painters living today. The artist has painted Northern California coastal landscapes for over 35 years and his work captures the undeniable beauty of the West with its grand and humble spirit. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art, the Metropolitan Museum of Art in New York, and the Oakland Museum of California. Tahoe Evening is 35 x 55 inches. The work of art comes to you framed in a light wood floater frame and is ready to hang and enjoy for years to come. Artist signed and dated. Condition is excellent. SELECTED PUBLIC COLLECTIONS San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art The San Francisco Art Commission AMA Headquarters, washington, D.C. Pacific Gas and Electric Co., S.F. CA. Transamerica Headquarters,S.F., CA. San Francisco International Airport IBM Corporation, San Jose, CA. Pacific Bell SELECTED PRIVATE COLLECTIONS Mr. Harrison Ford Mr. Peter Duchin Ms. Linda Ronstadt Ms Faye Dunaway Mr. Peter Morton Mrs. H.J. Heinze Mr Rupert Lowenstein Mr. Chappy Morris Mr. Griffen Dunne Margy Boyd Caroline Graham Mr. Richard Baker Ms. Sabrina Guinness Mr. Peter Asher...

Lani Vlaanderen's (US based) "Fallow Fields" is an oil painting that depicts two working horses plowing a field with dust billowing around them. Bio/artist statement: Living in the mountains near Rocky Mountain National Park Lani is never lacking something inspiring to paint, be it a grand sunrise on Long's Peak or a small sparrow perched on a pine branch. All fill her with the desire to put paint to canvas. Her goal is not to replicate what she sees, but to express her emotional response from the source of inspiration visually in paint and convey it to the world. She wants to communicate the awe she feels when in the natural world and the joy she experiences from seeing even the seemingly most insignificant moment in time that will never come again. She strives to convey her belief that all things, all beings, all life and non-life, share equal significance and are essential to the whole. "I began my art quest by taking a few classes at Rocky Mountain College of Art and Design, then enrolled in Kim English's class at the Art Student's Leaque of Denver. After four years with Kim and functioning as his class monitor, I had the opportunity to participate in a painting group with Richard Schmid in Loveland Colorado. I painted there with him for six years. I have taken workshops from such masters as David Leffel, Sherrie McGraw...

William John Hennessy was born in Ireland. He came to America in 1849 with his mother and brother a year after his father had fled their homeland after taking part in the unsuccessful Young Ireland Party uprising. The Hennessys settled in New York, and when young William came of age, he decided upon a career as an artist. At the age of fifteen, he enrolled at the National Academy of Design, where he learned to draw from the antique, and the following year he was granted admission to the Academy’s life-drawing class. Hennessy first exhibited at the National Academy in 1857, starting a continuous run of appearances in their annuals that lasted until 1870, when he expatriated himself to Europe. During his time in America, Hennessy was principally known as a genre painter and prolific illustrator for such publications as Harper’s Weekly and a number of books, including illustrated works of William Cullen Bryant...

"Laid Bare" is a landscape painting featuring hues of grey, green, blue and yellow. Kathryn Keller is inspired by the works of George Inness, Edward Hopper, Giorgio Morandi & Alexander Drysdale. Kathryn Keller is a painter based in New Orleans and Alexandria, Louisiana. She received a BA in Fine Art and English from the University of the South...

"Steps", a highly realistic late 20th century watercolor landscape of a staircase in front of a wooden barn by Verne R. Horton (American, 1941-2020), 1986. Horton's background as a technical artist and draftsman is apparent in the fine details of this piece, such as the crisply rendered planks of wood that comprise the barn, the individual pieces of metal that form the railing, and each block of cement that make up the staircase. Horton's meticulous rendering of shadows enhances the sense of realism. Signed and dated "Verne R. Horton '86" lower right. Signed and titled "Steps" on verso. Displayed in a new off-white mat and rustic wood frame with plexiglass. Image size: 13.75"H x 9.75"W. Born February 1, 1941 in Los Angeles, CA, Verne R. Horton went to Los Angeles State College where he earned a degree in pre-architecture. As a young man Verne joined the US Navy, in 1960 and served as a draftsman until 1965. After leaving the Navy, he ended up as a technical artist for North American Aviation. His charge: illustrating publicity pictures for the Apollo space program. After working on the Apollo program for three and a half years, he was lured into the corporate world as a regional manager for New York Life Insurance. Horton said he did virtually no artwork in the 17 years he worked for the insurance company. He ended up earning another degree in insurance and finance from American College in Bryn Mawr, Penn., in 1978. He moved within the company 14 times in 17 years, living in Los Angeles, Hawaii, Arizona and San Francisco. "Then I had an awareness that I had always wanted to be an artist," he said. "It seemed that if I were going to do it, I needed to just do it." He quit his job and became a fine artist. Horton's paintings and sculptures are truly those of a professional. He specializes in 1800s to 1930s Western Americana, but his love is steam era railroad art. "You must have historical accuracy. The worst thing is to have somebody come by and say, 'That's not right," Horton said. "You can't get involved in the history of the railroad without getting to know a community." It was his insistence on historical accuracy and love of railroads that brought him to Carson City...

Dean Kugler Atlas Shrugged, 2024 bronze, ed. 9/12 22h x 14.50w x 16d in 55.88h x 36.83w x 40.64d cm ed. 9/12 DK0046 Dean Kugler is a seasoned interdisciplinary artist, painter, and ...

3rd Version's "Masks We Wear, Wanting to Grow" is an oil painting depicting a rhinoceros with a larger rhinoceros mask. Artist Statement: I am an artist from... well that is hard t...

"Pastel Bust Of A Naked Young Woman Signed Fried Pal" Pál Fried (June 16, 1893 in Hungary - March 6, 1976 in New York) was a Hungarian artist known for his erotic paintings of dance...

A realist painting of people in a pool hall. The red pool table is the centerpiece of the painting, seemingly illuminating the space, and particularly t...

"Dune Grasses" by Susan Hope Fogel oil on canvas panel 9 x 12 inches, 17.5 x 21.5 x 1 inches in gold leaf frame wire on reverse for easy installation sign...

This sculpture titled "Arabesque (Ballet Dancer)" 2001 is a cast bronze sculpture with silver patina by noted contemporary American artist Rebecca Clark. Signature, date and numbering /500 are impressed in the bronze on the deck. The sculpture size without the marble base is 28.25 x 17.75 x 13 inches, with the marble base is 29.5 x 17.75 x 13 inches. It is in mint condition. About the artist: Rebecca A. Clark is a Fine Artist and Creative Director with over 20 years of professional experience working in the fine art field in New York City. Her masterful artworks are collected by prominent art collectors worldwide. Rebecca specializes in figurative bronze sculptures, oil paintings, drawings and monumental works of art that embody dynamic strength and classic iconic beauty. Her artworks range from sensuous figurative sculptures to magnificent heroic size monuments. Commissioned works include “Battling Stallions”, her 18 ft. tall monumental bronze sculpture at the luxury gated development “Le Chevalier” in Barrington Heights, West Linn, Oregon, as well as her elegant 9 ft. tall ballerina bronze sculpture titled “Arabesque” on public display at the Oregon Ballet Theatre. Exclusive custom created works of art portray diverse concepts and themes for private and corporate collectors. Signature series include: Heroic series (Honoring American military Heroes), Inspirational, Classic Nudes and Romantic among other series and sculpture projects in development. Rebecca was born an artist and has always had the desire to achieve excellence in all of her endeavors. From a very early age she was immersed in imaginative creative works such as building models of futuristic cities, paintings, sculptures and a multitude of drawings. In 1981, at the age of 17, Rebecca moved from Lake Oswego, Oregon to New York City to pursue a career in fine art and design at the Parsons School of Design. Shortly after she arrived, Rebecca began her professional artistic career assisting the renowned illustrator Antonio Lopez. At age 18, Rebecca was hired by the famed designer Halston, and began working directly with him as a fashion designer and illustrator. Subsequently, she was discovered by the Ford Models agency and traveled around the world as a top international fashion model. Rebecca worked with renowned fashion photographers such as Richard Avedon, Bruce Weber, Steven Meisel, Patrick Demarchelier and others. Rebecca is experienced in working with the major media, including international publications such as Vogue, Harpers Bazaar, Elle, The New York Times and Glamour, among others, as well as in television. She was featured in a national Diet Slice-Style television commercial that was shown during halftime at the 1987 Super Bowl. Rebecca also appeared in top fashion shows in New York City and Paris, France and in international advertising campaigns such as Revlon’s “The Most Unforgettable Women In The World” ads photographed by Richard Avedon. In 1991, Rebecca left a prestigious modeling career to return to her true creative passion. She began creating a series of beautiful and universally appealing fine bronze sculptures and many commissioned works. In 1998, she began oil painting and studied at the New York Academy of Art, while creating oil paintings depicting the classic nude, equine, inspirational themes and portrait commissions for select art collectors. In 2001, Rebecca developed several digital film projects through her studies in the Film Directors Program at New York University. From 2001 to the present, she continues to create bronze sculptures, drawings, and oil paintings for private art collectors. In 2011, Rebecca was officially endorsed and directed by the National Special Forces Association to create The National Special Forces Green Beret...

Nashville in Winter Etching, c. 1928 Signed in pencil lower right (see photo) Very small edition A rare image of early Nashville, Indiana Excellent impression with plate tone in the sky First state before the aquatint depicting a winter nocturne with fall snow Printed on a fine laid paper with a Crown & Shield watermark Provenance: Estate of the artist By decent Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...

Magnificent scarlet poppies in an impressionistic manner on a blue background. The original abstraction of Lilia Volskaya. This luxurious modern abstraction of beautiful scarlet flow...

John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates. Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954. Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University. ABOUT THE ARTIST “John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York. In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...

Original George Petty pinup, woman sitting with big sunhat and telephone. Archivally linen backed vintage pinup in very fine condition, ready to frame. (Note: this lithograph is NOT removed from a pinup calendar!) Introducing the original George Petty pinup, a captivating piece of art that showcases the iconic style and exquisite talent of George Petty himself. This artwork features a stunning woman adorned with a large red outlined sun hat, donning a classic one-piece bathing suit and high heels. The addition of a telephone in her right hand adds an intriguing element, making this pinup a unique and visually striking piece. The attention to detail and expert craftsmanship are evident in every brushstroke, bringing the woman to life and capturing the essence of Petty's artistic mastery. As an original George Petty pinup, this artwork holds historical and artistic value, making it a collectible and valuable addition to any art enthusiast's repertoire. About Petty: George Petty was an American pin-up artist from the 1920s to the 1970s. His pin-up art appeared primarily in Esquire and True magazine, but was also in calendars marketed by Esquire, True and Ridgid Tool Company. Petty's Esquire gatefolds originated and popularized the magazine device of centerfold spreads. Reproductions of his work were widely rendered by military artists as nose art decorating warplanes during the Second World War, including the Memphis Belle...

Original; linen-backed Italian travel by train to Mantova, ENIT poster. Created for the Italian railways to advertise the travel route to Mantova. E.N.I.T....

Arctic Stream in Forest Landscape with Lush Greens & Blues by 20th Century British Artist, Jack Strickland Art measures 16 x 20 inches Frame measure...

Hans Weingaertner (1896-1970). Oil on canvas measures 8 x 10 inches; 14 x 16 inches in a frame of the period. Signed lower right. Excellent, clean condition with no damage or restoration. Signed with monogram and dated 1966 en verso. Biography: Birth place: Krailburg, Germany Addresses: Lynhurst, NJ; Belleville, NJ Profession: Painter Studied: Royal Acad., Munich, Germany, and with Ludwig Klein, Moritz Hyman, A. Jank. Exhibited: Soc. Indep. Artists, 1929-40; BM, 1932; New Haven PCC, 1934-39; AIC, 1936; traveling exhib., 1936-37; Corcoran Gal biennial, 1939; Montclair AM, 1938, 1939; New Jersey State Mus., Trenton, 1939; Newark Mus., 1940, 1944; Carnegie Inst., 1941; VMFA, 1946; Penn. State Teachers College, 1944, 1946; PAFA Ann., 1951; WMAA; NAD; CAFA; Salons of Am. Awards: prizes, Montclair AM, 1949, 1950; New Haven PCC, 1950; Newark Art Club, 1951; Bamberger purchase, 1964 Member: Mod. Artists, New Jersey; Soc. Indep. Artists; New Haven PCC; New Jersey AA; Audubon Artists; New Jersey WCS Work: Newark Mus.; Rutgers Univ.; Jefferson H...

Bathers having a winter dip in a pool at Vail, Colorado, March 1964. Slim Aarons Snow Round The Pool Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Slim Aarons Estate Edition Other sizes available from Undercurrent Projects: 60 x 60 inches $5100 (giclee) 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage Slim Aarons, Vintage Vail Photograph, 1960s Photography, Vintage Colorado, Vintage Vail Glamour, Midcentury modern photograph...

An oil painting by American Realist painter, Steven Levin. Here, Levin depicts a still life that transports viewers to a tropical island with his realist image of gin and...

A view of the Anchorage Hotel on Dickenson Bay, Antigua in the West Indies, 1960. Built by a Scottish couple, formerly resident in Africa, the hotel complex features Zulu-style cotta...

42nd Street NYC 1923 Deco WPA Ashcan American Modern Cityscape Realism Broadway. 10 x 7 1/2 inches. Graphite on paper. Signed, titled "42nd Street" and dated July 26, 1923, lower l...