1930s Art

FRANCES H. GEARHART (1869 – 1958) FISH MARKET 1930 Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...

A Fine 1930s, Art Deco Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed earl...

Vintage Menu of Restaurant "Conte Grande" Riviera di Camogli.  Offset print. Very good condition.

Woman is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Signature on the lower margin. Provenance Galleria Pesaro, Milan...

Ricardo Diaz Purple Mountains pink sky. Saguaro Cactus (1912-1981) El Paso Artist Image Size: 11 x 17 Frame Size: 15 x 21 Medium: Oil Dated 1933 "El Paso Desert" Biography Ricardo Diaz 1912-81 Ricardo Diaz 1912-81. El Paso . Painter, muralist, teacher, frame maker. Diaz attended Bowie High School, El Paso, where he participated in interscholastic art exhibitions. Emilio Garcia...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Dan Super "SAM HOUSTON" (1873-1953) Houston Artist Image Size: 3 3/4 inches tall Medium: Carved Horn of Sam Houston to celebrate the Texas Centennial. Texas Centennial 1936 "Sam Houston Pin Cushion Holder" Biography Dan Super (1873-1953) Dan E. Super, Jr. (1873 – 1953) Dan Super had the eye of a sculptor, envisioning and then creating hundreds of objects from the elongated form of a Texas Longhorn’s tusk. At the age of six, Dan Super carved his first drawing into a piece of the horn of a Texas Longhorn. Over the next 56 years, he made utilitarian pieces like pencil cups, pin cushions, and backscratchers, realistic replicas of animals and birds, and imaginative carvings of elegant nudes. While these carvings resemble the traditional art of scrimshaw, carvings from whale bone, we’ve not been able to identify another carver who used the Texas Longhorn as his material. “My work is done with an ordinary pocketknife, hacksaw file and rasp,” Super wrote in 1937. He used the horn in every way conceivable; whole, allowing the shape to define the object he was making, flattened to make mosaic or inlay work. He incised and pierced it and carved in the round. His own hands polished the horn to a sheen. Daniel Super, Jr. was born in Houston on August 22, 1873. His father owned stock years, D. Super and Brothers Co., providing the young Super with ready access to his raw material. Throughout his life, he worked in the businesses key to the identity and success of young, booming Houston, cattle, oil, real estate and rail. In 1896 he married Lula, and took over the family business, expanding it to include a grocery. He closed the company in 1912 and got into the oil business...

Artist: James Roy Hopkins (American, 1877-1969) Title: "Cynthia (with Cat)" *Monogram signed and dated by Hopkins lower right Year: 1937 Medium: Original Oil Painting on Canvas Framing: Recently framed in an Art Nouveau gold gesso moulding Framed size: 39.25" x 50.25" Canvas size: 34" x 45" Condition: In excellent condition. A large beautiful and well executed work. Notes: Provenance: private collection - Chicago, IL. Biography: James Roy Hopkins (1877-1969) was born in the rural farming community of Irwin, Ohio in 1877. His mother, Nettie Hopkins, painted with watercolors recreationally and encouraged her son’s artistic interests. Though he shared his mother's love of art, Hopkins initially entered Ohio State University in 1896 to study electrical engineering. However, he soon left and briefly enrolled in the Columbus School of Art before going to the Art Academy of Cincinnati where he studied with Frank Duveneck. In 1900, Hopkins moved to New York City and worked as a medical textbook illustrator. Two years later he made the pilgrimage to the art center of the western world at the time, Paris, France. While in Paris he improved his craft at the Académie Colarossi. Hopkins embraced Parisian life and socialized with and visited the studios of such great artists as Pierre...

A nice poster made by Paolo Garretto 🇮🇹 (1903-1989), a famous Italian painter to promote Natura magazine. Paolo Garretto began his career in London as a caricaturist. Thanks to his work of a remarkable quality he is invited to collaborate for prestigious magazines like The New Yorker, Vanity Fair etc... But the 2nd World War broke out and he was forced to return to Italy. He was deported and imprisoned in Hungary in 1942 for refusing to draw caricatures of Roosevelt and other allied political leaders for the Nazi propaganda...

This lovely portrait was painted by the noted British Impressionist portrait painter Walter Ernest Webster. It depicts a young woman and was painted circa 1930 in an impressionist pa...

A 1930s, Art Deco etching & aquatint of the Palmolive Building in Chicago by notable print maker S. Chester Danforth. Image size: 14 1/4" x 8". Archivally matted to 20" x 14". S....

This beautiful British Art Deco 1930's water colour and ink painting on paper is by well respected artist Averil Mary Burleigh. Painted circa 1935 the composition is of three female figures with flowing robes and head dresses with slender tree trunks beyond them and vivid blue of the sky meeting the sea. (Caerula pertains to the colour of the sky and sea). They are playing between them with two balls or globes. A beautiful painting full of fun and movement and that amazing blue. Signed lower left, and inscribed on a label verso. Provenance: Surrey estate. Condition. Water colour and ink on paper. Image size is 24 inches by 16 inches and in excellent condition. Frame. Housed in a gilt frame. Framed size is 30 inches by 22 inches and in good condition. Averil Mary Burleigh born Averil Mary Dell (1883 – 1949) was a British artist and painter. Based in Sussex, Burleigh was known for painting in egg tempera with the subject usually involving a central figure. Her husband and daughter also painted but she is the best regarded of the three. Burleigh was born in 1883 in Hassocks in West Sussex and went on to study at the Brighton School of Art. She married the painter Charles Burleigh and they lived and worked together as artists in Hove and Sussex. They designed a house with a large sun-lit top floor studio. Their daughter Veronica, who would also become a notable artist, was born there in 1909. The family never became rich from their works, and often relied on Burleigh's flair for buying and selling shares. In 1911 Burleigh illustrated a book of John Keats' poetry and went on to illustrate plays by Shakespeare. In 1913 she was featured in Studio magazine. In 1927 Burleigh illustrated Thistledown by Leolyn Louise Everett. From 1939 she was a member of the Royal Society of Painters in Watercolours. Burleigh became very ill in the 1940s, dying in 1949. Shortly before she died, Burleigh was elected an associate of the Royal Watercolour Society. Burleigh specialised in tempera painting, although she also worked in chalk and watercolour. Her works tend to have a bright colour palette with contrasting colours to lead the eye around the picture. A sharp luminosity and strong sense of design govern Burleigh's tempera and watercolour paintings. Frequently, her works portray decorative renaissance subjects, usually dominated by a female figure who is regularly modelled on her daughter, Veronica Burleigh...

This exquisite lithograph by Wassily Kandinsky (1866–1944), titled Comets, from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, originates from t...

Taos Pueblo, New Mexico (square hole) Gelatin silver print, 1933, printed 1953 A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples Provena...

Jacques Camus The Palm Tree under the Sun, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idé...

Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches. Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City. Impressions of this work are in the permanent collections of the Amon Carter Museum of Art, Illinois State Museum, and the New York Public Library. ABOUT THE IMAGE Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...

Wind Flowers in a Tzu Chow Vase, 1933, oil on canvas board, signed and dated lower right, 20 x 16 inches, label verso with title and original price ($185.00), exhibited 44th Annual E...

A Fine 1930s Modern Academic Figure Study Drawing, Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s cha...

Vintage pen & ink line drawing of a couple posing for the artist on a sofa by French artist and film director Jean-Charles Lauthe, circa 1930. Original ...

Attributed to Vally Wieselthier (Austrian-American, 1895-1945) Bust of Josephine Baker, c. 1930 Ceramic Stamped on base 11.5 x 5.5 x 5.5 inches Vally Wieselthier (1895 Vienna--1945 ...

Brooklyn Bridge NYC American Scene Social Realism Mid 20th Century Modern WPA Cecil C. Bell (American, 1906-1970) Brookyn Bridge amid the NYC Waterfront 35 ½ x 23 ½ inches Oil on Bo...

A Fine 1930s, Modern Academic Pastel Figure Study of a Standing Male Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, earl...

6023 Antique English seascape .Signed Image size 7.5x9.5" Set in a period frame

Art Sz: 11"H x 15"W Mat Sz: 16 5/8"H x 20 5/8"W Paul Desmond Brown (American; 1893-1958) c1931 "Good Old Bon Master Gets Over the 3rd" Fence at the "Maryland Hunt Club" Dated: 1...

Pencil drawing realized by Mino Maccari in 1933. Hand signe "Mino" and daed 23/7/33.. Very good condition.

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

This exquisite lithograph by Paul Klee (1879–1940), titled Sommeil d’hiver (Winter Sleep), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, originates from the 1938 issue p...

Work on canvas

French artist Georges Lucien Guyot (1885 - 1972) signed this charming woman nude study. This painting features a lovely design of a woman getting out of the bath and wiping with a towel. Only a few lines in charcoal and red chalk or sanguine mark the silhouette and posture and capture the model's expression. The red color emphasizes the color of the skin and imbues the lascivious movement. The sketches of the bath towel are only suggested, but they give the whole thing a lot of softness and an incredible illusion of movement. Signed on the bottom left corner: Georges Lucien Guyot. The artist employed a method known as "sanguine" (red chalk paint) which is red crayon or chalk. The drawing has a blood-red, reddish, or flesh coloration. For centuries, painters from the 15th and 16th centuries, including famous masters like Michelangelo, Raphael, and Leonardo da Vinci, have used it for drawing. The drawing has an elaborate off-white matte with acrylic glass protection and a modern wood frame with a deep-textured pattern in red and yellow. Measurements: With Frame: 20.87 in wide (53 cm) x 28.35 in high (72 cm) x 1 in deep (2.5 cm). View alone: 11.44 in wide (29 cm) x 18.94 in high (48 cm). Biography: Georges Lucien Guyot (born December 10, 1885, in Paris, where he died December 31, 1972) is a French artist, sculptor, and painter. From an early age, Georges Guyot showed artistic abilities, but the modest conditions of his parents did not allow him to study art. So he did his apprenticeship with a wood sculptor. Guyot excelled in copying works from the 15th, 16th, and 17th Centuries but rapidly showed an attraction for nature. This attraction led him to the Jardin des Plantes in Paris, where he could study wild animals and translate his observations into sculptures and paintings. A familiar figure of Montmartre, Georges Guyot was the guest of the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of Twelve, created by François Pompon and Jane Poupelet...

Original 1931 collotype created from Gustav Kilmt’s Portrait of Friederike Maria Beer, oil on canvas, 1916. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings were painstakingly reproduced as collotypes on a handmade, deckled-edge cream wove paper. This world-class example of collotype captures the superb resolution and color-richness and ornamentation of the original 1916 oil painting. "Friederike-Maria suggested that Klimt should paint her in a Viennese Workshop dress; she wore these exclusively. She was also very proud of a fur coat she owned, particularly during the hardship of the First World War, and Klimt decided that she should wear the coat too, but inside out, so that the decorative lining, also by the Viennese Workshop, was visible. Klimt decided to make use of an imaginary oriental screen...

"Kachina Eagle Dancer" - 1939 Serigraph Serigraph of a Kachina Eagle Dancer by Hopi Pueblo artist Kyrate Tuvahoema (Native American, 1914-1942). The Kachina Eagle Dancer wears a vib...

Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

This appealing original oil on canvas painting is by British artist Paul Earee. Painted in a Post Cubist manner circa 1930, this floral still life depicts a vase of flowers on a table in bold blocks of colour. A really vibrant painting in superb tones. Signed lower right. Provenance. Estate of the artist. Condition. Oil on canvas. Image size 24 inches by 20 inches and in excellent condition. Housed in a gallery frame with complementary tones, 31 inches by 27 inches approx framed. As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (1862-1941), mat weaver, and his wife Hannah (1860-1939). Known as Paul Earee, he was an artist who was professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

A Laborer Resting, 1930, oil on canvas, signed and dated lower center, 36 x 30 inches, inscribed verso “July – 1930 / Title – A Laborer Resting / Artist – Robert Gilbert / Price - $2...

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Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...

Summer in the 1930s Captured in 1936 by German photographer Heinz Pollmann, this evocative image shows a young woman peacefully paddling across a lake in a classic Klepper folding k...

A fine Cape Cod scene with fisherman heading out on the dock in heavy fog by American artist Tod Lindenmuth (1885-1976). Lindenmuth was born in Allentown, Pennsylvania, and later worked in Provincetown and Rockport, Massachusetts, with a home in St. Augustine. A founder of the Provincetown Art Association and one of the original Provincetown Printers, Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles and was well known for his modernist, semi-abstract and marine subject paintings. Lindenmuth studied with Robert Henri and was a member of the Salmagundi Club and the Rockport Art Association. He was also active in Provincetown until 1941, and then retired to Florida in the 1960s, having spent his winters there since the 1930s. Oil on canvas, signed lower right, title inscribed on verso Provincetown Art Association Regular Jury 1938 label “Thick Outside...

Etching Signed (lower right) and dedicated ‘To Carmencita, 1939’ (lower left) From edition of 75 13cm x 18cm (plate size), (40cm x 44cm framed) Cadmus was an American artist known ...

A wonderful original figure painting for a 1930's illustration by Charles Kinghan (American, 1895-1984). A woman in a plaid green skirt and mustard yel...

countryside scene from Rohlfs ⭐Signed:⭐ ROHLFS ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with brushwork ⭐Size:⭐19x24cm / 7.48x9.44inch ⭐Date:⭐18/06/1936 ⭐Condition ...

Frida and Diego with Gas Mask is a limited edition black and white portrait of Mexican painters Frida Kahlo and Diego Rivera. The couple embraces each other while Frida holds a gas m...

NYC Subway Riders Mid 20th Century American Scene Social Realism WPA Modern 1930s Daniel Celentano (1902 - 1980) Subway Scene, 1930s 8 x 9 inches Ink and wash on paper Singed lower ...

Circus Elephants American Modernism WPA Regionalism Mid-Century Modern Oil. Signed lower left. Not much is known about Marco de Marco, but just look at...

Signed 'Lloyd' for Caroline Lloyd (American, 1875-1945), created circa 1935 and impressed with foundry stamp, 'C. Valsuani Cire Perdue', for Claude Valsuani Fonderie, Paris. Please...

Frank Nelson Wilcox (American, 1887–1964) Nearing the Peaks, 1937 Watercolor on paper Signed and dated lower right 15 x 20 inches 18.5 x 24 inches framed Frank Nelson Wilcox (Octo...

Marc Chagall (1887-1985) - Daphnes and Chloé, Planche XLI Lithograph from 1961. Dimensions of work: 43 x 66 cm. Enhanced with gouache. Examined and identified by a French gallery ...

Antique American impressionist coastal seascape oil painting. Oil on canvas. Signed. Framed. Measuring 30 by 36 inches overall and 24 by 30 painting alone.

A Cheerful, 1930s American Scene Landscape Painting with Church and Country Road by Notable Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A gem of a painting, exemplifying ...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Photogram from a frottage in black in white on photosensitive paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: A photogram was a...

Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...

Léon Frédéric (1856-1940) A Summer landscape signed at the lower left Oil on canvas transfered on panel 29 x 44 cm Framed : 39 x 54.5 cm in good condition, However, there is a cr...

This is a classic New-Deal image: claustrophobic sweatshop with a row of hunched tailors. The windows and lamps offer light at least. But there is a major difference between this and...

Bruno Zach (1891 Zhitomir - 1945 Vienna), Gladiator ready for battle, c. 1930. Blackish patinated bronze with silver-plated helmet, shield rim and shield pommel mounted on a fluted m...

An authentic, original Boyriven vintage poster designed by O.K. Gerand, professionally linen-backed for durability and display. A striking composition with bold graphics and clean ty...

Antique American impressionist winter cityscape oil painting. Oil on board. Signed. Framed. Measuring 20 by 24 inches overall and 16 by 20 painting alone. In excellent original cond...

"Shepherd with Montbèliarde Calf"  Julius Paul Junghanns (1876 - 1958)  Oil on canvas 23 7/8 x 30 (35 x 41 frame) inches Signed l.l and dated "34" and signed on the verso Private Ita...