1910s Art

The Hay Barge, Paris Pont Saint-Marie French Impressionist artist, c. 1918 signed with monogram verso, dated 1918 oil on board, unframed board : 8.25 x 10.25 inches Provenance: priva...

Maurice Decamps French 1892 - 1953 Canvas Size: 18 x 22" (46 x 56cm) Outside Frame Size: 24 x 28" (61 x 71cm) This painting was exhibited at the Salon des Artistes Francais in 1937 w...

Wonderful American impressionist landscape oil painting by John J. Inglis (1867 - 1946). Colorful and vibrant cherry blossom view. Framed. Oil on canvas. Signed. Image size, 24H...

Signed oil on canvas landscape circa 1910 by French post impressionist painter Raymond Thibesart. The piece depicts a view of a small rural village deep in winter. The roof tops and ...

A very beautiful early 20th century impressionist oil on board still life depicting colourful anemones in a blue vase by Victor Simonin. This important ...

Dick Beer (b. London 1893 - d. Stockholm 1938) Dancer Tying Her Shoes, c. 1916 (Dansösen knyter sina skor, c.1916) oil on canvas unframed 102 x 80 cm Provenance: Within the fami...

Hovsep Pushman is celebrated for romantic and exotic subjects such as Nubian princesses, Kurdish tribesmen, itinerant gypsies, and in our example a noble Reader of the Koran. Many of...

Very finely painted early impressionist view of Piraeus Greece. Exhibition label remains. Framed. Signed. Image size, 12L x 9H.

This gorgeous British Edwardian dog portrait oil painting is by noted animal artist Robert Morley. Painted circa 1910 the composition is of a black and white spaniel, sitting down, against a white wall and door way. The dog has a black face and black patches with lovely roan type speckles up its legs and body. Morley has beautifully captured the wispy softness of its fur and fluffiness on its chest. Of course the dog has those mesmerising dark brown spaniel eyes that would melt any heart. This is a simply wonderful spaniel portrait...

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

This early 20th-century portrait of a Polo Pony by the esteemed English artist George Paice is an exquisite representation of equine artistry, showcasing Paice’s remarkable skill in ...

We are thrilled to present a watercolor by the Swedish artist Olle Hjortzberg. This small yet exquisite piece, painted in 1917, portrays a solitary yellow rose in vibrant, delicate s...

An illustrated catalog of Paquin's fur and fan designs from 1911. This album contains four fan designs, three fur designs, and one small black & white illustration by Lepape on the ...

This is a very rare painting by Louisville, Kentucky native Goldsborough Cowan Robinson. He was born in 1887 to Charles Bonnycastle Robinson (1853-1928) and his wife Helen Blasdell ...

Signed and dated oil on canvas seascape by French impressionist painter Emilio Boggio. The piece in a view of the vast, open ocean - a rich blue sea with white ocean foam leading to ...

Original watercolor and gouache on paper of a busy street scene in India done in 1912 by the American artist, William Henry Drake. Copyrighted signed and dated 1912 lower left. Condition is good. Recently professionally matted. Unframed. Overall matte size is 12 by 16 inches. Provenance: A Long Island, New York estate. William Henry Drake Born: 1856 New York Died: 1926 Los Angeles Nationality: American Education: Académie Julian, Art Students League of New York Known for: Painting, illustration Awards: National Academy Biography: Drake studied at the Académie Julian in Paris, with Jean-Joseph Benjamin-Constant and Henri Lucien Doucet. Back from Europe, he studied at the Cincinnati School of Design, and would often go to the zoo, where he could draw the animals. He was then employed by the Museum of Natural History. He continued to study at the Art Students League of New York. In 1878 he worked as a freelance pen-and-ink artist for such periodicals as Century or Harper’s with animal studies...

Oil on canvas sold with frame Total size with frame 65x57 cm Maurice BARRAUD is an artist born in Switzerland in 1889 and died in 1954. His works have been sold at public auction 2,0...

Guy Wiggins Clearing after a Shower Signed lower right, titled on verso Oil on panel 12 x 16 inches Guy Carleton Wiggins is best known for his impressionistic snow scenes of New Yo...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 6 x 9 Frame Size: 10.75 x 13.75 Medium: Oil Dated 1910 "A Glowing Sky" SW Texas Julian Onderdonk (1882 - 1922) Known as...

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions...

M a x W e b e r – – 1 8 8 1 – 1 9 6 1 Invocation- – 1919-20, Color Woodcut. Rubenstein 27. Proofs only. Signed in pencil. Image size 3 3/4 x 2 1/8 inches (124 x 54 mm); sheet size ...

Early 20th Century Tonalist Pastel Landscape Beautiful tonal landscape, c.1915, by pastel artist William Henry Chandler (American, 1854-1928). The viewer looks out over a serene riv...

Signed figure in landscape oil on board circa 1910 by French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure taking a walk beside a stream in a wooded ar...

This lovely Scottish Stirlingshire Impressionist landscape is by noted artist Joseph Morris Henderson. Painted circa 1910 the composition is a river landscape with the river in the foreground and cows in the fields beyond. In the distance one can see some dwellings and hills beyond those, all beneath a summers sky. The impressionistic brushwork and colouring are just lovely. This is an excellent large example of Henderson's work and of Scottish landscape art...

This early 20th-century portrait of a Polo Pony by the esteemed English artist George Paice is an exquisite representation of equine artistry, showcasing Paice’s remarkable skill in ...

landscape, fishing, England, 1910,pastel,green,blue Edouard CHAPPEL (Anversa, 1859 – Cagnes-sur-Mer, 1946) MUSEI BELGIO Anversa Musée Royal des Beaux-Arts FRANCIA Paris Musée d...

Klänge (Sounds) is one of the first examples of an artist’s book and contains both poems and woodcuts by Kandinksy. Of the 25 hors-texte illustrations, 12 are in color and 13 are in...

This stunning British Impressionist landscape oil painting is by noted British artist Joseph Vickers de Ville. It is entitled Clair de Lune verso and dated 1916-1919. Clair de Lune, ...

Amazing early 1900s impressionist beach scene of Good Harbor Beach in Massachusetts. Very finely pained with great color and lots of detail and figures. Located on verso. Nicely f...

Dick Beer (b. London 1893 - d. Stockholm 1938) Title: Stormy Weather in St.Arnoult Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.85 x 11.73 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedi...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.81 x 11.77 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.73 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.65 x 11.69 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.77 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.73 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 12.64 x 10.12 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.81 x 11.69 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

This lovely historically interesting British marine oil painting is by Newcastle artist Joseph Henry Kirsop. Painted in 1914, the location of the painting is the port of Newcastle up...

Jean-Emile LABOUREUR Sheltered From The Storm, 1919 Original wood engraving Printed signature in the plate Limited editions to 400 copies On vellum Ar...

Medium: original lithograph. This impression on wove paper was printed in 1919 for Das Kestnerbuch, an important collection of original prints published during the height of the Germ...

This stunning exhibited nude portrait oil painting is by noted British Newlyn School artist Harold Knight. `The Maiden` was painted at Dozmary. The Belgrave Gallery catalogue 1986 suggests the sitter is in fact his wife, Laura Knight the noted artist. The sensuous understanding of the flesh tones and anatomy reveals the qualities that established Knight's reputation as a leading portrait painter after the War. This picture may be dated to c.1916. A really lovely portrait by a much sought after artist. Signed lower left. Provenance. Fifty Years Ago Exhibition, RWS Galleries, June 1965, no. 200. Miles Lamdin Gallery, London. Belgrave Gallery February 1986 which suggests in their catalogue the sitter is Laura Knight. Shades of British Impressionism...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

Signed impressionist gouache on paper figures in landscape circa 1910 by French painter Eugene Galien-Laloue. The piece depicts a street scene at the Quai de la Tournelle...

Antique American interior nude portrait oil painting. Oil on canvas. Framed. Signed on verso.

Original Keep These Off the U.S.A." buy more Liberty Bonds vintage World War One posters. Archival linen backed in excellent condition, ready to frame. The images shown are of the exact poster you will receive. Grade A- Artist: John Norton. Printed by The Strobridge Litho Co., Cincinnati & New York. Ref: Johnson 21, Rawls 214, Full-size paper, not trimmed 31" x 40.25" in size. Bend right corner straightened during linen backing and tiny edge repair. Excellent bright colors. Clean, ready to frame. This poster was part of the Committee on Public Information (CPI) 's broader propaganda campaign to rally American support for the war effort. It shows a pair of boots with red stains, showing blood dripping onto the ground. The German Adler is on the top of each boot and is shown wearing spurs. The "Keep These Off the USA" poster was created during World War I as part of a broader American propaganda campaign to rally support for the war effort and demonize the enemy, particularly Germany. Propaganda posters...

Antique Italian impressionist seascape signed oil painting by Cavalier Michele Federico (1884 - 1966). Oil on canvas. Signed. Image size, 19L x 16H. Unframed

Alphonse Mucha (Czech, 1860-1939) Original Lithograph 1913 - Very Large - "Zdenka Cerny" The Greatest Bohemian Violincellist Prague, Czechoslovak Color lithograph Signed and dated "...

Andrée KARPELES Paris 1885 - Cannes 1956 View of a mountain in Sonarmag, Kashmir region, Himalayan Range About 1910 Oil on canvas Titled “Sonarmag” on the back and numbered “49” ...

Johannes Boese (1856 Ostrog - 1917 Berlin), Mutterglück, um 1910. Goldbraun patinierte Bronze auf gegossener rechteckiger Plinthe, montiert auf zweifarbigem Marmorsockel (9,5 cm Höhe...

Edmond Malassis was pupil of Gustave Moreau, and became a watercolourist. Malassis worked primarily in the first half of the 20th century. He has been Exhibited in many museums Here...

Kornfeld 56. 50 published with the book Expressionismus Die Kunstwende, 1918, in addition to 54 earlier impressions. Signed and titled in pencil in bottom margin under image.

Paper Size: 19.75 x 25.5 inches ( 50.165 x 64.77 cm ) Image Size: 12.25 x 20.5 inches ( 31.115 x 52.07 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ad...

A very good large antique oil on canvas painting by the celebrated Spanish artist Maximo Juderias Caballero (1867-1951), Paris 1910. The painting depicting an interior scene of 17th ...

Signed and dated figures in cityscape oil on panel by French impressionist painter Amedee Marcel-Clement. The work depicts a view of the Pont Neuf bridge that runs over the River Sei...

Maurice UTRILLO Montmartre, Moulin de la Galette, c. 1918 Original oil on canvas Signed in the bottom right cornerOn canvas 50 x 67 cm (c. 20 x 27 in) In golden wood frame 64 x 81 c...