Linen Paintings

Realistic figurative painting of figures in a fine art museum Barely There (figurative painting of guard in art gallery standing beside reclining nude) by Judith Wyer 2020 oil on li...

White and Purple Dahlias - Floral Still Life in Oil on Illustration Board Delicate still life of dahlias in a green vase by Gertrud Stimming ...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

Anatomy Lesson, Segment 10 (modern figurative oil painting of two nude men from upper thigh to chest) by Robert Goldstrom 2024 oil on linen 12 x 12 inches signed and in excellent con...

Edmund Darch Lewis (American, 1835-1910) 'Untitled', 1875 Oil paint, linen, stretcher bars The artist signed the bottom right of the painting. Dimensions: 43.5" x 25.5" x .75" Frame...

Stunning naturalist landscape by Karl Bock (German, 1873-1940) in the style of and "after" (Paul Franz Flickel German, 1852-1903) . Signed ("K. Bock n. P. F...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have att...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflec...

Brightly colored nude by California artist Don Klopfer (1920-2009). Signed and dated "Klopfer 93" upper left corner. Presented in a white slat frame. Canva...

This experimental painting entitled “Faster! Faster!” by Chicago artist Patrick Fitzgerald continues his series of abstract “track paintings,” initially born as the imagined racetrac...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Daisy Cook is a British painter of landscape and still life. Cook creates abstracted paintings that take landscape as the subject without being explicitly topographical or descrip...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Delicate and detailed floral still life by Alfred Broge (Danish, 1870-1955). Three white anemones and one pink poppy, all with stems and leaves, sit against a medium grey background...

Gorgeous mid century Arts & Craft landscape of rolling Indiana farmland with haystacks, trees, and verdant hills in the distance by Harry E. Wood, Sr. (American, 1879-1951), 1948. Signed lower right; letter of provenance provided. Exhibited in New York's Salmugundi Art Club in 1948. Presented in gilt-toned frame. Image size: 14"H x 20"W. Framed size: 18"H x 23.50"W. Harry E. (Emsley) Wood, Sr., was born 26 September 1879 near Lexington, Illinois, the third child of Emsley Harrison Wood, Jr., and Florence Robinson Wood. The family moved to Indianapolis shortly after Harry was born. Florence Robinson Wood died around 1882 and Emsley Wood married Sallie Bunger Lewis eleven months later. Emsley Harrison Wood worked in various jobs, including real estate sales and as a grocery clerk. Harry E. Wood attended public schools in Indianapolis until about 1889 when he contracted Scrofulous, a strain of tuberculosis. The condition, coupled with his family's poverty, disrupted his formal education. He attended Manual Training High School in 1899 and worked as a cartoonist for the Indianapolis Star in 1900. Wood illustrated Our Public Servants, a column of political satire written by Kin Hubbard. Wood's affiliation with Indianapolis Public Schools (IPS) as an educator began in fall 1900 when he returned to Manual Training High School as an assistant art instructor under Otto Stark...

An oil painting of sheep painted with thick paint applied spontaneously with a palette knife on linen primed with clear gesso leaving the texture and colour of the linen on show. AD...

Catherine Powell Sticks & Lilie, 1977 Batik Framed: 36 1/8 x 29 1/4 x 3/4 in. Signed lower right: C Powell Inscribed verso: Stick & Lilie, C Powell, Batik, '77 This piece is by Catherine Powell, a famous batik artist from Vermont. She was featured in the New York Times in the 1970s for her batik work that was shown at the Yellow Door Gallery. Batik art involves brushing or drawing hot wax...

Serene depiction of an Ohlone Mother and Child walking a forest path by Anton Dahl (Swedish-American). Ohlone Mother and child are walking through the North...

"Reflective Moments" by Derek Harrison (US based) is an original oil painting that depicts the back of a nude model in front of a mirror. Derek Harrison is a representational paint...

"Le Plongeur" (The Diver) Figurative Underwater Scene in Oil on Linen Whimsical underwater scene of a snorkeler by Patrice Brisbois (French, b. 1945). The diver is wearing a plaid s...

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Romona Youngquist was born on January 11, 1960 in Yuba City, California, but grew up in Eastern Oklahoma. Youngquist essentially started out in life as a child of nature, spending her time exploring the woods with her dog and collecting critters. While exploring, she also studied the design and color of nature. She recalls many times standing in a field just staring in fascination at the values of the deciduous trees against a dark Oklahoma sky before a storm then rushing home to draw what she had seen. Technically self-taught, she thinks of nature as her real teacher. In 1994 she was awarded a grant from the Alaska State Council for the Arts to study with Oregon landscape painter Michael Gibbons. In the late 1990’s she studied with Michael Workman, a leading Landscape painter from Utah. She has taken their valuable lessons and strengthened her own individual style. Romona also admires the work of Russell Chatham, Emil Carlson...

This oil painting on linen is a fine example of an American impressionist landscape by a masterful painter. The painting provides a scene of green and many-hued trees that give an em...

Still Life with Roses Canvas 8x10 artist signed. Inspired by the old masters in chiaroscuro fashion, Kristie studies the fall of light as it passes over various collected objects tha...

Gorgeous early 20th Century still life with classic autumnal fruit persimmons and a brown jug by A. Thompson (American 19th/20th Century), circa 1900. Signe...

Ksenya Istomina 'Sweet Dreams in the Moonlight' 100 x 80 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Provenance Acquired by the gallery directly from the artist. FRAMED: 30.375" x 30.375" x 1.125" UNFRAMED: 20" x 22" Artist Statement “The real voyage of discovery consists not in ...

"Secret Beach Panorama in Early Autumn" is an oil painting by American Impressionist Ben Fenske. A large scale composition of a Sag Harbor beach vista. The foreground shows green gra...

This painting is part of a series inspired by place. I often wonder why I notice some places in nature while other equally beautiful places go virtually unnoticed. I look for what el...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen Oil painting of a coastal landscape by Max Flandorfer (American, b. 1962). Large trees along a path are at the edge of a cliff overlooking the water. The cliff is covered in green grass. Below, there is a dark blue ocean...

Edward Zutrau Kamakura, 5/1963 Signed, dated and titled on verso Oil on linen 38 1/2 x 51 1/2 inches Edward Zutrau is among the American artists who worked within the whirlwind of ...

Provenance Acquired by the gallery directly from the artist Description This plein air oil painting depicts the uniqueness of Anacapa Island in the chain of Southern California’s Channel Islands archipelago. Anacapa was formed by volcanic eruptions. Its desolate landscape is dominated by a distinct geology of steep precipices and jagged rock formations. From this elevated viewpoint, Adams portrays the location known as Cathedral Cove with its outcropping spires and massive kelp beds that hug the shoreline. The peak of the middle island of Anacapa is visible in the distance, and further out to sea is Santa Cruz Island...

Tanvi Pathare Memories of Seville Contemporary Florence still life painting 45 x 60 cm oil on linen (frame included in price) size with frame: 55 x 70 cm Tanvi Pathare from India a...

pastel and micron pen on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of mater...

Surreal Full Moon Hawaii Cliff House Nocturnal Hawaiian 1940s Landscape Symbolic and surreal mid century nocturnal landscape of a lone house on a s...

Late 19th Century Upstate New York Oil Painting Landscape by Frances B. Clark Moody rural Hudson River School style painting of Upstate ...

Australian River Landscape Painting by 20th Century English Australian Artist, Howard Barron (1900–1991) depicting a scene along the Murrumbidgee River in Australia’s New South Wales...

Gorgeous large floral still life of pink tulips, azaleas and orchids by Marie-Clair Delaunay (French, 20th Century), 1986. Signed lower right corner and on verso. Presented in gilt-toned wood frame. Image size: 36.5"H x 25.5"W, Marie Claire Delaunay, born in Paris, is of Flemish and Breton origin. She studied in Paris then at the Ecole du Louvre, Artist studio of la Grande Chaumière, she deepened her technique in water-colour, oil painting, lithography and fresques and took inspiration in various painters creative course and works : Atelier of Baignol with its rigorous technical teaching, working trips with Jean Rigaud focused on the subject, work with Louis Süe architect as an other dimension of art. In Olso, Norway, training in Hans Klemensrüd Artist's Studio, abstract painter. Later, work with Sofia Vari, a Greek artist who also made her discover her country. And in the Cyclades islands again, study of the abstract technique with Sergio de Castro, the Argentinian painter...

Erin O'Brien Wild Silence, 2020 acrylic on linen 25 x 20 in. (obri021) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of lavender, blue,...

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

Tulips and Lemons by Fiona Carver [2022] original Oil Paint on Linen Panel Image size: H:30 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:20 cm x D:0.4cm Frame Size: H:40...

Excellent figurative oil painting of a man seated in an armchair with papers strewn about the interior space by Charles Ross Kinghan (American, 18...

A dramatic, spacious abstract landscape and sky painting. "I feel my boots trying to leave the ground, I feel my heart pumping hard. I want to think again of dangerous and nobl...

In my creation, I infused the canvas with the serenity of a twilight embrace. The lavender field breathes a tranquil symphony, inviting viewers to inhale the painted essence of natur...

Achieved through plein air, this wonderful painting of an Adirondack landscape shows dynamic blue waters in movement around a small island. The vibrant blue of the sky is mirrored be...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Calm Meadow, Size: 43" x 56.5" x 1...

Beautifully detailed mid-century coastal landscape of Pillar Point Fishing Dock near Half Moon Bay, California by William Winthrop Ward (American, 1901-1985). Signed lower left: "W. ...

This painting is a result of my appreciate of Joan Mitchell and her amazing paintings. I have always admired her paintings. Her paintings and her commitment to painting was awe insp...

I'M SORRY TOO 2024 Paris, France This abstract painting portrays two roses seemingly merging in harmonious synchronization, evoking a sense of beauty intertwined with a poignant und...

Waves is a unique graphite drawing on linen canvas by contemporary artist Franco Salas Borquez, dimensions are 118 × 91 cm (46.5 × 35.8 in). Dimensions of the framed artwork are 120 ...

"The Fisherman Fight" is a realist oil on linen painting. It depicts five figures heaving a rope towards the right end of the painting. A sixth man, the left-most figure, has lost his grip and fallen into the water, onto a rock in the waves, as the men behind him braces to pick up the slack, their muscles strained against the weight. The man behind him, centered in the painting an wearing a yellow...

Vera Barnett has taken on a range of themes in her works, producing series of paintings inspired by phobias, famous artworks (as in her series "Classical Plastique,") or most recentl...

"French Village" by Sandra Pratt Artist Statement: My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark....

In this contemporary abstract painting in acrylic on linen, carefully ordered horizontal blocks of color in salmon, peachy orange, lilac, mauve, gray and light purple are vibrant aga...

Acquired by the gallery directly from the artist UNFRAMED: 18" x 24" FRAMED: 24.5" x 30.5" x 1" Artist Statement "This scene was inspired by a trip to Tejon Ranch nearly 10 years ago with a small group of artists from the California Art Club. The golden color offers a different take on “California gold’ and is very much like the the foothill scenery near my home in Angels Camp." — Ray Roberts

This painting is part of a series that is influenced by trying to find simplicity and beauty in todays chaotic world. I start each painting with a feeling; be it hope, despair, happi...