1960s Landscape Paintings

"The Wave" Abstracted Seascape in Oil on Canvas Bold and textured abstracted seascape by Robert Frame (American, 1924-1999). This piece has a high horizon, with a thin strip of sky ...

A scenic September, Vermont summer landscape by artist Harold Haydon. The oil on Masonite painting is dated 1964. Image size: 18" x 23". Framed size: 22" x 27". Estate stamped ...

Nicely painted large atmospheric sunset seascape painting. Large and impressive in person. Oil on canvas. Framed. Signed. Image size, 24"H x 48"L.

#5-3344a Seascape Painting ,oil palette on board displayed in a wood frame ,signed by Mac Gucol.Image size 16 H x 11 W

Original oil on canvas painting in very heavy impasto of a cityscape by the Serbian/French artist, Nicolas Markovitch. Signed Philippe lower left, one of the pseudonyms used by the artist. Dated to the right of signature 1960. Condition is very good. Bourg-la-Reine is the likely subject matter of the painting and was where the artist had made his home until his death in 1964. The painting is housed in its original frame in fine condition. Overall framed measurements are 28.75 by 25.25 inches. Provenance: A Ellenton, Florida collector. Bourg-la-Reine is a commune in the southern suburbs of Paris, France. It is located 9.1 km (5.7 mi) from the center of Paris. Nicolas Markovitch (Serbian-French, 1894-1964), artist, watercolorist, architect and block printer. Markovitch used more than a few pseudonyms over the course of his career, such as; A. Marc or just Marc, and J. Philippe or Jean Philippe. Alternate sources state other pseudonyms with the full name listed as Andre Marc or Andre Marc Rothenburg, which are both still incorrect for the artist. Markovitch was an architect who worked and lived in France, and is primarily known for his architectural paintings of city buildings, cathedrals and monuments, along with Swiss, Italian, German, English and Belgian landscapes, cityscapes, mountainscapes and seascapes, lake and marine scenes, and many scenes in the U.S. especially cityscapes of New York City and other places such as Gloucester, MA. Markovitch painted watercolor illustrations for several books (Paris, Editions, Alpina) from the late 1920's-early 40's, and is credited for the watercolors in the Editions with his real name Nicolas Markovitch or N. Markovitch. He was one of the best watercolorists of the time and went on to do a lot of work with the Stehli Brothers company Stehli Frères, Editeurs, Zurich, Switzerland throughout the 1930's and 40's. Stehli Frères published many different watercolor series of his works, and they were printed in various sizes, typically from about 9" x 12" to 12" x 16", and others as large as 18" x 24".?? For his original watercolor paintings, he always signed them with his true name Markovitch. For the reproduction lithographs of his landscapes and architectural series he signed them with the name A. Marc or just Marc. For his flower/botanical lithos...

Wonderfully painted American impressionist street scene oil painting. Framed. Oil on board. Signed. Image size, 12H by 16L.

EMILIO GRAU SALA Spanish, 1911 - 1975 ROND-POINT DES CHAMPS-ÉLYSÉES signed "Grau Sala" (lower left) signed, located and dated "GRAU SALA / PARIS 1967" (on the reverse) oil on canvas ...

Vibrant landscape by Vern Hansen (American, 20th Century). A lone outcrop of trees stands proud on the hill, the base of the tree just below the horizon. Rendered in saturated greens and black, the trees contrast against the bright yellow field and the pale mountains. Note the donkey at the base of the tree for scale. Titled "San Gregorio...

Gorgeous mid century landscape of Cypress and Eucalyptus by Dan Runyan (American, 20th Century), circa 1960. Signed lower right. Presented in rustic painted wood frame. Image size 18...

Emile Albert Gruppe (American, 1896-1978) Bass Rock, 1967 Oil on canvas 30 x 36 inches (76.2 x 91.4 cm) Signed lower right: Emile A. Gruppe Signed, dated, and titled on the stretcher...

LAKE HOUSES Size: 55 x 65 cm (including frame) Oil on board A lively and scenic modernist landscape composition, executed in oil onto board. The composition presents a picturesque view of houses by...

6019 Antique Impressionist Landscape 1964 Framed. Signed Image size 14x12"

Wonderful 20th century German landscape with harvesters working on the farmland, bringing in the harvest. Hohenberger was landscape painter from the middle to latter part of the 20...

David Gentleman 1930- R.D.I. , is an English artist born in London, attended Royal College of Art. His works frequently compose of London urban landscapes and this picture seems...

Large and powerful French modern street scene. A paris view by Claude Aliotti (1925 - 1989). Oil on board. Signed. Framed. Image size, 18"L x 24"H.

Impressive early American modernist landscape oil painting by Harold Saxton Burr (1889 - 1973). Framed. Oil on board. Signed verso. Image size, 16H by 16L.

Artist: Ramón de Capmany (1899-1992) Title: "Rural Scene at Sunset" Technique: Oil on canvas Dimensions: 18 x 24 inches Framing: Unframed Period: 1960s Style: Costumbrismo with Impre...

'Ajaccio: Heart of Corsica', oil on cardstock, by René Gaston Lagorre (circa 1960s). Ajaccio, nestled on the west coast of Corsica, graces the shores of one of the island's most beau...

Paris. Banks of the Seine. 1961, oil on canvas, 60x81 cm

Artist: Charles Cobelle, French (1902 - 1994) Title: Paris, France Year: circa 1966 Medium: Acrylic on Canvas, signed l.r. Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 31 x ...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 20 x 24 Frame Size: 27.25 x 31.25 Medium: Oil "Hill Country Home" Pedro Lazcano (1909-1970) I was always curious about Pedro ...

Exceptionally well painted African landscape painting. Oil on board. Framed. Signed. Image size, 22L x 26H.

Impressive early American modernist abstracted forest landscape oil painting. Framed. Oil on canvas. Image size, 24H by 36L.

Oil on canvas by Paul Collomb (1921-2010), France, 1960s. The beautiful view. Measurements : with frame: 54.5x41.2 cm - 21.5x16.2 inches, without frame: 46x33 cm - 18.1x13 inches, fo...

6027 Charming acrylic painting of a young boy with dog fishing under a willow tree Framed Image size 12.5x9.5" Signed lower right

A beautiful large c.1960 French oil on paper laid on board cubist influenced landscape by Oleg Zinger. The work depicts a summer landscape with white build...

Impressive early American modernist beach scene oil painting by Brooks Kelly (1935 - 2012). Framed. Oil on canvas, lain to board. Signed. Image size, 12H by 16L.

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 16H by 24L.

Very well painted with heavy impasto oil on canvas. Charming farm scene with cows, sheep and a woman and her dog. Style reminds me a little bit of David Burliuk. Painting is signed ...

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed.

Vintage abstract expressionist etherial oil painting by Piry Rame (1921 - 2001). Oil on canvas, circa 1960. Signed on verso. Image size, 21L x 16H. Housed in a period frame.

A modern impressionist American painting depicting a homestead in Boca Raton, FL with an iconic gumbo limbo tree in the foreground of the painting. This work is signed illegibly and...

6039 Wood veneer collage of th Polish church of the black Madonna Framed Image size 10.5x13.5"

Still life with flowers and apples. 1964. Cardboard, oil, 63x50.5 cm

Artist: Charles Cobelle, French (1902 - 1994) Title: Before the Race Year: ca. 1960 Medium: Oil on Canvas, Signed l.r. Size: 24 x 30 inches Frame: 32 x 38 inches

5-3365 Oil on artist board of on enchanted lily pond Set in an ornate hand painted wood frame Image size 12.5x15.5"

Signed lower left, 'Richard Gabriel Chase' (American, 1919-2007) and painted circa 1960. Born in Massachusetts, Chase first studied at the Worcester Art Museum School, later earning his degree from Massachusetts College of Art. He subsequently studied privately with Ernest Major...

Alfejs Bromults (1913.3.IV – 1991.11.I) Alfej Bromults received his first professional education at Tautas University under R. Suta, J. Bīne and G. Šķilters. From 1938 he studied in...

A dynamic landscape featuring a beautiful sunrise reflecting on storm clouds above the quiet shoreline by Santa Cruz artist Don Hannan (American 20th c). An Airplane flies into the s...

Gorgeous mid century seascape of Big Sur at sunset by California artist Arlene Manley (American, 20th Century), 1962. Signed and dated lower right corner...

Oil on canvas by Paul Clement (1906-), France, 1967. Bories-en-Provence near Gordes. Measurements : with frame: 106x87 cm - 41.7x34.25 inches, without frame: 100x81 cm - 39.4x31.9 in...

Signed lower right, 'Edward Norton Ward' (American, born 1928) and painted circa 1960; additionally signed, verso, and titled 'Heavy Seas, Pt. Lobos'. A substantial evening seascape showing dramatic breakers rolling in towards the the rocky coast near Point Lobos, California. This plein-air Impressionist painter first attended the University of California in Los Angeles and subsequently studied with Joshua Meador. Over the course of a long career, he has exhibited widely and with success and has been the recipient of numerous medals, prizes and juried awards. Edward Norton Ward was a charter member of the Society of American Impressionists; he is also a member of the California Art Club and has served as president of the Carmel Art...

20th C French Impressionist landscape a Villa in the South of France or Rivera. Lucien Potronat was a French painter best known for his depictions of ...

Wonderful palette knife impasto painting of the Matterhorn from the Italian side with Breuil-Cervinia in forefront by Northern California artist Beatrice Ash...

Artist: Ian Hornak (1944-2002) Title: Untitled (Neo-Impressionist Figures in Landscape) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Good P...

#5-3303 French Riviera,vintage acrylic on board set in a wood frame,signed by Misishi .Image size 10.5 H x 13.5 W

Jersey Shore III Casein on Masonite, 1967 Signed lower right (see photo) Initialed, dated and titled verso Provenance: Estate of the artist Virginia Dehn (the artist's widow) Dehn Quests Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack. Casein on Masonite Condition: Excellent Image: 6 x 11" Frame: 9 3/8 x 14 1/2" Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer, the publisher of the most notable modernist art and poetry magazine...

Stylized depiction of a harbor scene in monochrome blues with abstracted elements by Martha Scurlock (American, 20th Century). Signed lower left "M. Scurlock" and on verso in pencil "Martha Scurlock". Rustic, vintage painted frame...

A bright and bustling Paris cityscape by French artist Charles Cobelle, signed lower right Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 24.5 x 28.5 in

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Patio Still Life with Flowers, Plants and Pots) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches ...

Unframed Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his pa...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Garden Still Life with Flowers and Plants) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condi...

Signed "Twitty" at lower right

Wonderful mid 20th century European modernist cityscape oil painting. Framed. Oil on board. Signed. Image size, 20H by 26L.

Signed lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965. The first woman to serve as president of the Carmel Art Assoc...

Mountain Lake - Mid Century Modern Landscape with Heavy Impasto in Oil Idyllic landscape by L. Hutchings (20th Century). Dramatic mountains rise over a blue lake, partially reflecte...

Charming rural landscape with a two lane country road, mountains in the background, and two trees in the foreground by Fred O. Bohne (American 19th-20th C...

Antique American abstract expressionist oil painting. Oil on canvas. Signed. Framed. Measuring 26 by 36 inches overall and 20 by 30 painting alone.