18th Century Drawings and Watercolor Paintings

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...

Pastel on paper, oval 9 x 7 ¼ inches; 230 x 185 mm Inscribed on the verso: ‘The Revd Henry Dabzac D.D./ late Senior Fellow of/ Trinity College Dublin/ ever to be lamented by all that knew/ Him. Extensive learning, zeal, gently tempered/ by a spirit of charity & above all, a strong/ faith & a piety deservedly gained/ the character of a great and good man./ This exceptional man died 12th May 1790/ This picture was his give to Jane [Mary] Crofton, his sincerely [missing] sister.’ Collections: Rev. Dr Henry Dabzac gift to his sister, Jane Crofton (d.1797); Sir Hugh Crofton (1763-1834); By descent to 1990; Private collection, Dorset to 2020. Literature: Robert Staveley, Traces of Past and Present, Dublin, 1895, p.74; Neil Jeffares, Dictionary of Pastellists Before 1800, online edition, no.J3751247 This characteristic pastel portrait by Hugh Douglas Hamilton was made early in his career; it depicts precisely the kind of education, well-connected Irish sitter who fuelled his success. The Reverend Henry Dabzac was from a distinguished Huguenot family, a celebrated academic historian, Dabzac received the Donegall lectureship in 1764 and from 1785 was Librarian and Senior Fellow of Trinity College, Dublin. According to his earliest biographer, Hamilton was the son of a peruke-maker based in Crow Street, Dublin. As Anne Hodge has pointed out, this places Hamilton’s father at the heart of the city: Crow street was a narrow thoroughfare formed part of the busy warren of streets bordered by the old Houses of Parliament and Trinity College at one end, and by Dublin Castle at the other. It is perhaps telling that in this early portrait, Hamilton shows Dabzac in a splendid powdered wig and his clerical bands. In 1754 Hamilton was apprenticed to James Mannin, a ‘pattern drawer’ who two years later was appointed master of the school of ornament at the Dublin Society’s drawing school, run by Robert West. Here Hamilton took the first prize in the 1755 competition, winning a premium of £1/16/. Hamilton developed a popular and profitable method of making pastel likenesses of sitters in a distinctive oval format. Hamilton developed a technique of using a sharpened pastel to hatch shaded areas of the features and, in the case of this portrait of Dabzac, the white powdered wig, which is drawn with particular care. In 1764 Hamilton moved to London where this small, oval pastels proved...

Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...

Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...

Italian School Around 1700 Beheading scene in front of an enthroned king, probably a martyr scene Black pencil 21.5 x 28 cm 29.5 x 39 cm Provenance: Fryszman collection, sale on 01...

Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...

Benjamin Robert Haydon 1786 - 1846 Sketch of Three Figures Pen and ink on paper, Image size: 9 3/4 x 7 3/4 inches (25 x 20 cm) Acid Free mount, original frame Provenance Private Col...

Joseph-Marie Vien (1716-1809) ‘Ambassadeur de Siam’ and ‘La Sultana Reine’ Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...

Art Sz: 6 1/2"H x 5 3/4"W Frame Sz: 9 1/2"H x 10"W Provenance: Sold at Sotheby's London July 7, 1983 lot 10. William Lock the Younger 1767–1847 William Lock the Younger of Norbur...

Art Sz: 4 1/4"H x 3 1/2"W Frame Sz: 8"H x 7"W Paul Sandby RA (1731 – 7 November 1809) was an English map-maker turned landscape painter in watercolours, who, along with his older b...

A Landscape Scene, perhaps in a Parc, with a great tree and an Obelisk. in The foreground two figures are shown. English School inscribed "Pieter Rysbraeck?" on paper, with passepart...

"A View of Irvington on Hudson," a watercolor by John Henry Hill, captures the picturesque beauty of Irvington, a charming village nestled along the Hudson River. Hill, celebrated fo...

Watercolour on paper, signed and entitled bottom right Image size: 12 x 10 inches (30.5 x 25.5 cm)

This masterly frontispiece study, executed with a very sure hand, testifies to the survival of the great Baroque taste in 18th century Venice. It could be one of the very last works by Giovanni Antonio Pellegrini: the few lines that cross the papal arms evoke those of Benedict XIV, who became pope in 1740, one year before the artist's death. 1. Giovanni Antonio Pellegrini and the European influence of Venetian history painting in the 18th century Giovanni Antonio Pellegrini was born in Venice in 1675 and trained in the studio of the Milanese painter Paolo Pagani (1655 - 1716). Pagani, who had been living in Venice since 1667, took him to Moravia and Vienna from 1690 to 1696. After a stay in Rome from 1699 to 1701, Pellegrini married Angiola Carriera in 1704, the sister of the great pastelist Rosalba Carriera. From 1708 onwards, Pellegrini left Venice and began an extensive tour of Europe: he worked in England between 1708 and 1713, where he met great success, particularly at Kimbolton Castle and Castle Howard. He then worked in Germany and the Netherlands, then in Bohemia and Austria, before returning briefly to England in 1719. In 1720 he was in Paris where he decorated the ceilings of the Royal Bank for John Law...

Pencil, pen and ink and watercolour on laid paper Image size: 12 ¾ x 16 inches (33 x 40.5 cm) Wash mount and period frame Boxing was a subject that Rowlandson depicted on a number ...

Art Sz: 5"H x 3"W Frame Sz: 9 3/4"H x 8" Paul Sandby RA (1731 – 7 November 1809) was an English map-maker turned landscape painter in watercolours, who, along with his older brothe...

Questo piccolo disegno, che per gli evidenti stilemi neoclassici può essere datato fra la fine del XVIII e gli inizi del XIX secolo, rappresenta la fuga del re Giacomo II Stuart-ulti...

Art Sz: 6"H x 6 1/4"W Frame Sz: 15 1/4"H x 15 1/4"W In coral mat w/ lacquer birdseye maple frame Classic drawing in blue and grey washes over pencil on laid paper depicting two 'rustics by a lake' by the British artist Paul Sandby (1730-1809) whose works are represented in The Royal Collection at Windsor Castle. Provenance: The Cornish Torbock Collection Sotheby's London 14th April 1994, Lot 226/ Hubert Peake, Christie's 26th May 1959, Lot 51/ Colonel W. Gravatt 1867 Paul Sandby RA (1731 – 7 November 1809) was an English map-maker turned landscape painter in watercolours, who, along with his older brother...

Property from the Estate of Mary S.B. Braga Art Sz: 8"H x 5 7/8"W Frame Sz: 13"H x 10 3/4"W

Sullo sfondo di un paesaggio dai tratti centro-settentrionali europei-in cui si riconoscono una cappella e il profilo di una città dagli alti pinnacoli-si svolge una scena di svago, ...

In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...

The drawing (ink wash, white lead on paper 27.8 x 39.2 inch) has a signature in cursive on the bottom right corner but it hasn't been interpreted yet. However, by its artistic manner...

In this drawing, inspired by his stay in Naples in 1765, William Marlow presents us with a view of Cape Posillipo, to the west of Naples, an essential stage during the Grand Tour. Th...

Medium: Watercolor and Ink Dimensions: 5.75" x 7.00" Signature: Signed Lower Right Original SIGNED Pen Ink and Watercolor Study for John Bull Taking a L...

Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...

Barbara Regina Dietzsch, 1706-1783 White Primrose, Japanese Quince, a Beetle, and a Butterfly, ca. 1730 Opaque watercolor painting inscribed on...

Original gouache of a Swiss Aubusson floral tapestry rug 18th century Art Sz: 14 1/2"H x 9"W Frame Sz: 23"H x 17"W w/ silver gilt scallop frame

Pencil and chalk on paper Image size: 8 1/2 x 13 inches (22 x 33cm) This wonderful drawing depicts 'The Cleansing of the Temple', a biblical narrative where Christ expels merchants...

The Callings of Saints Peter and Andrew Robert Edge Pine 1730-1788 Chalk on paper Image size: 15 1/2 x 17 inches (39.5 x 43 cm) Original frame Here in Pine’s picture displays an ac...

Pencil and wash Image size: 10 1/2 x 15 3/4 inches (27 x 40 cm) Mounted

Graphite and wash Image size: 10 1/2 x 15 3/4 inches (27 x 40 cm) Mounted