Charcoal Drawings and Watercolor Paintings
to
336
760
616
476
186
199
Overall Width
to
Overall Height
to
4
108
1,177
949
29
34
54
74
59
79
142
94
47
58
2
470
403
271
149
83
41
20
15
15
10
9
9
7
1,476
701
55
1,393
1,017
727
621
558
282
229
201
197
197
103
83
68
52
44
38
28
25
24
23
3,747
20,268
17,126
16,535
8,214
130
95
82
47
39
575
538
1,078
1,051
Medium: Charcoal
Erotic Scene - Charcoal Drawing by Mino Maccari - 1970
By Mino Maccari
Located in Roma, IT
Erotic Scene is a charcaol Drawing realized by Mino Maccari (1924-1989) in 1970s.
Hand-signed on the lower margin.
Good condition on a little cardboard.
Mino Maccari (Siena, 1924-...
Category
1970s Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Ink
Rumors, Drawing, Charcoal on Paper
Located in Yardley, PA
Abstract charcoal work composed of shapes in black & white. Framed with glass and passepartout :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity...
Category
2010s Abstract Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Mother and child
Located in Genève, GE
Work on paper
Frame with glass pane and wood and gold plastic edge
37 x 32 x 1 cm
Category
Early 20th Century Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Crayon
20th Century Charcoal Drawing - Abstracted Landscape
Located in Corsham, GB
A striking British School abstract landscape in charcoal and coloured chalk. The drawing is unsigned and presented in a simple gilt frame with card mount. On paper.
Category
21st Century and Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Juventus Football Player, Champions League Final vs Ajax, 1996 - 101 x 72 cm
Located in Firenze, IT
Juventus Football Player, Champions League Final vs Ajax, 1996 - 101 x 72 cm
Technique: Charcoal on paper, signed and dated '96
Author: Marco Silombria (Savona, 1936 - Albissola, 20...
Category
Late 20th Century Pop Art Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Yellow Landscape Original Drawing made in Italy
Located in Agrigento, AG
Yellow Landscape
Mineral Oxide on Paper
(Canson Paper Montval 300gr)
65x50 cm
2023
Original Art
Marilina Marchica, born in Agrigento, where she works and lives,
she graduated in Pa...
Category
2010s Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Sur l'ile, Charcoal, Black & White figurative Drawing, Contemporary Drawing
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work.
Medium : Charcoal on Archival paper 300Gsm.
Artist : Aurélie Sicas
Subject : Sur l'ile VIII (series - French Title)
Signature...
Category
21st Century and Contemporary Photorealist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Adélaide
Located in Chicago, IL
Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Gold Leaf
View of Tallinn, Estonia - Figurative Landscape Panoramic Charcoal Drawing
Located in Soquel, CA
A sweeping view of Tallinn, Estonia by an unknown artist (20th Century). This detailed charcoal landscape drawing shows a panorama of the beautiful coastal city on the Baltic Sea, complete with small figures walking on a pier, boats in the harbor, and the iconic Alexander Nevsky...
Category
Early 20th Century Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Paper, Pastel
Lily in Charcoal No.2 - abstract expressionism photography edition of 10
Located in London, GB
'Lily in Charcoal No.2' 2023
From raw energy to sublime. 'Lily in Charcoal No.2' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash....
Category
21st Century and Contemporary Abstract Expressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Photographic Film, Charcoal, Archival Ink, Archival Paper
Native Mexican Women (Cuban Miami artist pastel)
Located in Wilton Manors, FL
Alex (Cuban, b.1949). Indigenous Mexican Women, 1982. Pastel and charcoal on wove paper, sheet measures 23 x 33 inches; 31.5 x 41 inches framed. Excellent condition with no damage or...
Category
1980s Modern Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel
Female Figure Study, 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Female Figure Study
Year: circa 1963
Medium: Original drawing on vélin paper
Size: 23 x 18 inches
Condition: Good
Provenance: Estate...
Category
1960s Renaissance Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
"Mass Study III", Layered paper and drawing collage, architectural, dimensional
By Seth Clark
Located in Philadelphia, PA
This layered paper collage and drawing artwork titled "Mass Study III" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, an...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel, Acrylic, Wood Panel, Graphite
"Portrait of Long Haired Girl" (2023) By Bunyod Suvonov, Original Drawing
Located in Denver, CO
"Portrait of Long Haired Girl" (2023) by Bunyod Suvonov is original handmade drawing made with charcoal and graphite on toned paper. This piece depicts a portrait of a woman with lon...
Category
20th Century Realist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Graphite
'Lily in Charcoal' abstract expressionism photography edition of 10
Located in London, GB
'Lily in Charcoal' 2023
From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily...
Category
21st Century and Contemporary Abstract Expressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Photographic Film, Charcoal, Archival Ink, Archival Paper
"Back At The Stables (I)" (2024) By James Van Fossan, Original Drawing
Located in Denver, CO
James Van Fossan's "Back At The Stables (II)" (2024) is an original handmade charcoal and graphite drawing on paper that depicts a cowboy about to lean against a sawhorse.
James Va...
Category
2010s Realist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Graphite
In Isolation Series VII
By Seth Clark
Located in Philadelphia, PA
This architectural wall-hanging artwork titled "In Isolation Series VII" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This p...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Wood, Paper, Charcoal, Pastel, Acrylic, Graphite
Renaissance Male Nude Figure Study, 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Nude Figure Study
Year: circa 1963
Medium: Original drawing on vélin paper
Size: 23 x 18 inches
Condition: Good
Provenance: Est...
Category
1960s Renaissance Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Abstract composition by Julien Dinou - Charcoal on paper A4 size
By Julien Dinou
Located in Geneva, CH
Work on paper
Black plastic frame with glass pane
31,5 x 41 x 2 cm
Category
Mid-20th Century Abstract Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Study of a male nude
Located in Paris, Île-de-France
Constance CHARPENTIER (1767-1849)
Study of a male nude
Charcoal and highlights with white chalk on paper
Dimensions: 56.5 x 43.87 cm
Provenanc...
Category
Early 19th Century Academic Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Daniel Brice "Figure/Pacific #1" Charcoal and Acrylic on Paper
By Daniel Brice
Located in New York, NY
Daniel Brice has exhibited throughout the United States including at The Riverside Museum of Art and the University of New Mexico Art Museum. He is a four-time “Artist in Residence” honoree at the Tamarind Institute in New Mexico. His work is in the collections of Allentown Museum, Ohio Wesleyan University, Smith College...
Category
2010s Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Acrylic
Renaissance Male Hand Figure Study, 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Hand Figure Study
Year: circa 1964
Medium: Charcoal on vélin paper
Size: 18 x 23 inches
Condition: Good
Provenance: Estate of I...
Category
1960s Renaissance Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Seated Male Nude in Charcoal on Paper
Located in Soquel, CA
Seated Male Nude in Charcoal on Paper
Figurative piece with a nude male by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The...
Category
Early 2000s American Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
1900s Original French Atelier Life Drawing Posed Man Head in Hands
Located in Cirencester, Gloucestershire
Life study drawing
original atelier drawing
by the French artist, Jeanne Nachat (1898-1984)
Nachat attended the prestigious Académie des Beaux-Arts in Pa...
Category
Early 20th Century Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Pencil
Birds - Drawing by Mino Maccari - Mid 20th century
By Mino Maccari
Located in Roma, IT
Birds is an artwork realized by Mino Maccari (1924-1989) in mid 20th century.
Charcoal and watercolor on paper.
Signed by the artist.
Good condition.
Mino Maccari (Siena, 1924-R...
Category
Mid-20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Watercolor
Ships at the Harbor - Nautical Seascape with Seagulls in Charcoal on Paper
Located in Soquel, CA
Ships at the Harbor - Nautical Seascape in Charcoal on Paper
Detailed and layered harbor scene by Maude Folmar Ramsey (American, 1908-1993). The viewer is looking out at the harbor, across the water from the docks, buildings, and ships. The pillars, buildings, and masts are jumbled together in a pleasing manner that is almost abstract. Despite the simplified shapes, this piece is full of detail. This piece is executed in a rectilinear style frequently seen in American mid-century modern compositions.
Signed in the lower right corner "Maude Folmar"
Presented in a wood frame with a double mat.
Frame size: 25.25"H x 29.25"W
Image size: 17"H x 21.5"W
Maude Love (Folmar) Ramsey (American, 1908-1993) studied at the School of Fine Arts at Washington University in St. Louis, Missouri. She was the director of the Laguna Gloria Art Museum from 1968-1972. Ramsey was one of the charter members of the “Waterloo...
Category
Mid-20th Century American Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Native Mexican Woman (Cuban Miami artist pastel)
Located in Wilton Manors, FL
Alex (Cuban, b.1949). Indigenous Mexican Woman, 1982. Pastel and charcoal on wove paper, sheet measures 23 x 33 inches. 31.5 x 41 inches framed. Excellen...
Category
1980s Modern Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel
Italian Modernist Abstract Drawing, Gestural Lines
By Agostino Ferrari
Located in Surfside, FL
Agostino Ferrari was born in Milan on 9 November 1938.
He commenced his career as as professional artist in 1959.
In 1961 he held his first one-man show at the Galleria Pater, in Mil...
Category
Late 20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Conté, Charcoal, Crayon, Mixed Media
"Frammenti" Original black Drawing Large Size- Art by Marilina Marchica
Located in Agrigento, AG
Frammenti
Mineral Oxide on Paper (Fabriano Elle)
50x70 cm
2024
Original Art
Marilina Marchica's research delves into the relationship between Man and Nature and the emotional impl...
Category
2010s Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel
'Lilly in Charcoal' abstract expressionism photography edition of 20
Located in London, GB
'Lilly in Charcoal' 2023
Abstract expressionism black and white photography of Charcoal abstract drawing and Lilly.
Photograph shot using mid-century large format film camera Linhof...
Category
21st Century and Contemporary Abstract Expressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Photographic Film, Charcoal, Archival Ink, Archival Paper
1940s Figurative Charcoal Drawing "Nude in Class" John Bowers UC Berkeley
Located in Arp, TX
John Bowers
Nude in Class
1940s
Charcoal on Paper
19"x25", unframed
Signed top left corner in charcoal
Came from a portfolio owned by artist John Bowers
John was awarded a Master o...
Category
Early 20th Century Cubist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Mid Century Figurative Charcoal Line Drawing, "Girl Walking Away"
By Mariellen Ehlers
Located in Soquel, CA
Wonderful mid century figurative nude charcoal line drawing of a girl walking away by Moni (Mariellen) Ehlers (American, 1926-2007). Charcoal on...
Category
1950s American Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Renaissance Male Nude Figure Study, 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Nude Figure Study
Year: circa 1963
Medium: Charcoal on vélin paper
Size: 18 x 23 inches
Condition: Good
Provenance: Estate of I...
Category
1960s Renaissance Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Mandorla - Large Format Charcoal On Paper, Black White Drawing
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
The artwork is unframed and will be shipped rolled in a tube
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Baby's First Christmas
Located in Fort Washington, PA
Medium: Pencil, Charcoal and Orange Wash on Paper
Signature: Signed "O'Neill" Upper Left
Sight Size 24.00" x 19.50", Framed 35.00" x 29.00"
Illustration for the poem "Baby's First Christmas" by Margaret G. Hayes, published in Harper's Bazar, December 1910.
The artwork is also reproduced within Walt Reed's The Illustrator in America, 1860-2000 (Society of Illustrators, 2001) on page 154.
Exhibited:
Brandywine River...
Category
1910s Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pencil
Renaissance Male Nude Figure Study, 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Nude Figure Study
Year: circa 1964
Medium: Charcoal on vélin paper
Size: 18 x 23 inches
Condition: Good
Provenance: Estate of I...
Category
1960s Renaissance Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Man
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 25 x 19 inches
Beautifully decorative, mid 20th century French origin...
Category
Mid-20th Century Post-Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Man in a blue and brown coat and Fashion for our Future, Diptych
Located in Miami Beach, FL
The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Gouache, Ink, Watercolor
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 24.5 x 19inches
Beautifully decorative, mid 20th century French origi...
Category
Mid-20th Century Post-Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Leaning Nude Man (recto); Kneeling Man, Hands Tied Behind His Back (verso)
By Giovanni Francesco Barbieri (Il Guercino)
Located in Paris, Île-de-France
GIOVANNI FRANCESCO BARBIERI, known as GUERCINO
(1591-1666)
Leaning Nude Man (recto); Kneeling Man, Hands Tied Behind His Back (verso)
Black chalk heightened with white on light blu...
Category
1620s Old Masters Charcoal Drawings and Watercolor Paintings
Materials
Chalk, Charcoal
Les Indestinés, Charcoal, Black & White Drawing, Wave, Sea
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work.
Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm.
Artist : Fabien Granet
Subject : Les Indestinés (series ...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper, Graphite
Daniel Brice "Figure/Pacific #4" Charcoal and Acrylic on Paper
By Daniel Brice
Located in New York, NY
Daniel Brice has exhibited throughout the United States including at The Riverside Museum of Art and the University of New Mexico Art Museum. He is a four-time “Artist in Residence” honoree at the Tamarind Institute in New Mexico. His work is in the collections of Allentown Museum, Ohio Wesleyan University, Smith College...
Category
2010s Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Acrylic
Early 20th Century Spaniel Dog Portrait "Odin" after Edwin Landseer
Located in Soquel, CA
Substantial and period portrait of a beautiful spaniel done in charcoal signed "Lee" on verso, c.1913-1917. Although this is by an unknown artist it is an excellent example of Philadelphia Sketch Club quality drawing. Displayed in a distressed black vintage wood frame with mat. Image, 11"H x 13"W; frame dimensions 17"H x 19"W x 1"D. Phildelphia, PA. Gallery and Frame Makers label on verso. Based on the address and history we know the drawing to be 1913-1917.
Founded by Adolph and George Newman...
Category
1910s Realist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Gouache
Nude - XXI Century, Contemporary Gouache and Charcoal Figurative Drawing, Female
By Marta Łebek
Located in Warsaw, PL
Marta Lebek is a Polish artist born in 1978. She currently lives and works in Spain.
She studied at the School of Fine Arts and specialized in the departm...
Category
21st Century and Contemporary Expressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Paper, Gouache
1996: Gianluca Vialli - Juventus Captain in Rest.
Located in Firenze, IT
1996: Gianluca Vialli - Juventus Captain in Rest, Icon of Modern Myths
Technique: Charcoal on paper, signed and dated '96
Author: Marco Silombria (Savona, 1936 - Albissola, 2017) ...
Category
1990s Pop Art Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Illustration Board
Lovers - Charcoal Drawing - 1950 ca.
Located in Roma, IT
Lovers is an original drawing in mixed media on ivory paper realized in 1940 ca. by an Anonymous artist of the XX century.
In very good conditions.
The artwork represents embracing...
Category
1940s Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Studies of Juliet - Original signed charcoals drawing
Located in Paris, IDF
Gaston COPPENS (1909 - 2002)
Studies of Juliet
Original charcoal drawing
Signed in the bottom right
Stamp of the artist on the back
On drawing paper 52 x 43 cm (c 21 x 17 inch)
Ex...
Category
Mid-20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Renaissance Male Figure Study, 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Nude Study
Year: circa 1963
Medium: Original drawing on vélin paper
Size: 23 x 18 inches
Condition: Good
Provenance: Estate of ...
Category
1960s Renaissance Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Birch Mystery, trees, female figure, neutral tones, collage on archival paper
Located in Brooklyn, NY
Paper paint charcoal collage
Paper charcoal collage
These collages were created first in the presence of a live model, working quickly, in charcoal and again, later, alone in the stu...
Category
2010s Surrealist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper, Acrylic, Mixed Media
Mid Century Modern East Bay IV Abstracted Landscape by Erle Loran
By Erle Loran
Located in Soquel, CA
Mid Century Modern East Bay IV Abstracted Landscape by Erle Loran
Dynamic mid century abstracted geometric landscape drawing of the East Bay California landscape by Erle Loran (American, 1905-1999), circa 1950. From a collection of estate of Ruth Loran (wife of artist). Presented in mat. Unframed. Image size: 13"H x 16"W.
Provenance: This piece was from Erle Loran's sketch book and this drawing was then matted, purchased from the Erle Loran estate and the Carlson Gallery, Carmel.
Erle Loran was a modernist of urban-coast views and geometric painting. Loran was born in Minneapolis, Minnesota in 1905. He attended the University of Minnesota for a while before studying at the Minneapolis School of Art, under Cameron Booth...
Category
1950s Abstract Expressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Laid Paper
The Dancer - Drawing - Mid 20th century
Located in Roma, IT
The Dancer is a drawing realized by an anonymous in the mid-20th century.
Charcoal drawing on paper.
Written on the lower "EN DEUXIEME"
Good conditions.
Category
Mid-20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
"House Studies Series I", Layered Paper and Drawing Collage, Architecture
By Seth Clark
Located in Philadelphia, PA
This layered paper and drawing collage titled "House Studies Series I" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a ...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel, Acrylic, Wood Panel, Graphite
Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Horse Riding - Drawing by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Horse Riding is a Pastel and Charcoal drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century.
Hand-signed.
Good conditions with slight foxing.
Mino Maccari (Siena, ...
Category
Mid-20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Watercolor, Charcoal, Pastel
"House Studies Series II", Layered Paper and Drawing Collage, Architecture
By Seth Clark
Located in Philadelphia, PA
This layered paper and drawing collage titled "House Studies Series II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel, Acrylic, Wood Panel, Graphite
Repenser l'observable, Watercolour, Charcoal, Seascape, Britany Landscape
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade and Unique Work. Not Framed. Museum matting & backing included, ready to be framed in a standard frame 40x30 cm.
Medium : Watercolour and Charcoal ...
Category
21st Century and Contemporary Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Watercolor
Modern Mid-Century Odalisque, Reclining Female Nude.
Located in Cotignac, FR
A mid 20th century modern work on paper of a female nude by Andre Petroff. Signed with monogram bottom right, presented under glass in plain red painted ...
Category
Mid-20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Crayon, Watercolor, Gouache
Charcoal drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Charcoal drawings and watercolor paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add drawings and watercolor paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, pink, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mino Maccari, Ian Hornak, Howard Tangye, and James Shipton. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Charcoal drawings and watercolor paintings, so small editions measuring 0.1 inches across are also available Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1,595,000, while the average work can sell for $894.
Read More
This Tempting Wayne Thiebaud Watercolor Is the Perfect Summer Treat
Although he also produced pensive portraits and idyllic landscapes, the artist’s best-known images are of ice cream, cakes and other colorful sweets.
In This Surreal Painting, the Pink Foot of Patriarchy Squashes a Pumpkin Worshipped by Women
In ‘Gourd,’ Isabel Rock creates a mythic scene that looks fresh and contemporary but feels as old as Eden.
Mid-Century Americans Didn’t Know Antonio Petruccelli’s Name, but They Sure Knew His Art
The New York artist created covers for the nation’s most illustrious magazines. Now, the originals are on display as fine art.
Cecilia Vicuña Merges Politics, Science and Spirituality in Her Poetic Art
The Chilean creator, who has been living in exile in New York for decades, is having a major moment, receiving the biggest exhibitions, commissions and awards an artist could dream of.
Who Are the Most Popular Artists on 1stDibs?
Learn the stories of some of the world's most recognizable artworks and their makers.
Shantell Martin Finds Wonder in Sharing the Creative Process
The visual artist completed a new work in front of a crowd at the 1stdibs Gallery.