Boston - Clocks
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Item Ships From: Boston
Empire Ormolu and Patinated Bronze Figural Clock
Located in Kittery Point, ME
In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.
Category
Early 19th Century French Empire Antique Boston - Clocks
Materials
Bronze
Bronze and Enamel Barbedienne Paris Clock with Figural Ladies’ Faces & Hoof Feet
By Japy Frères, Ferdinand Barbedienne
Located in Boston, MA
Let me say that I feel this is the most amazing clock I have seen in over 30 years. The clock case is signed Barbedienne Paris. The clock works are signed with a medallion from Japy ...
Category
1850s French Rococo Antique Boston - Clocks
Materials
Bronze, Enamel
Louis XVI Giltwood Barometer
Located in Kittery Point, ME
The white painted dial signed Cappy A Paris, 1773 within a laurel wreath carved case on a delicately carved flower entwined ribbon backplate ending in a tassel.
Category
Late 18th Century French Louis XVI Antique Boston - Clocks
Materials
Giltwood
Swedish Rocaille Giltwood Wall Clock
Located in Kittery Point, ME
Surmounted by a pierced foliate cresting, flanked by glazed panels to the sides and below, the white enamel dial with Roman hours and Arabic minutes, inscribed Nils Berg...
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Mid-18th Century Swedish Rococo Antique Boston - Clocks
Materials
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Empire Gilt and Patinated Bronze Clock
Located in Kittery Point, ME
Modelled as a potted flower, the pot decorated with gilt bronze classical figures. With an 18th century English movement.
Category
19th Century Austrian Empire Antique Boston - Clocks
Materials
Bronze
French Cobalt Porcelain Clock with Hand-painted Scene of Lovers and Cherubs
By Manufacture Nationale de Sèvres
Located in Boston, MA
This is a fabulous cobalt French porcelain late nineteenth century clock with hand-painted scene of lovers and hand-painted cherubs painted on the face of the clock. The base and top...
Category
1890s French Rococo Antique Boston - Clocks
Materials
Porcelain
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Paris, France, second half of the 19th century, executed in luxurious Louis XVI taste, tastefully appointed, the neutral alabaster creates the perfect backdrop against the brilliant gilding.
Having a soft, warm, creamy off-white alabaster base with subtle chalky beige undertones, shaped, with rounded sides, step molding and two hand-painted blue enamel parcel gilt turned tapering urn forms, raised on brass feet, decorated with lavish gilt metal ornamentation, including accents, ormolu flaming urn finials, unique recessed gilt brass perforated-like textured panels, and sculptural gilt bronze raised drum-form case, housing the classic white porcelain enameled dial with black Roman numerals, sophisticated gold-tone Breguet hands, framed by a beaded bezel, with must likely the original operational 8-day key-wind Japy Fils movement enclosed.
Surmounted by an ornate brilliantly gilded spelter figural sculpture, finely detailed, depicting young boy and girl courting, holding a bird's nest with eggs over the housing, with large branching tree behind them, the couple posed leaning in to each other, wavy garb with incised detailing, standing on the alabaster base.
Philippe H. Mourey (French, 1840-1910) was a master French sculptor, who produced a range of fine decorative art objects in the late 19th century.
His work often combines painted porcelain panels and gilt metal mounts, similar to elements of this piece. PH Mourey was best known for his association with Japy Freres & Co. the noted 19th century Paris Clockmaker, and maker of this clocks movement.
Mourey’s work can be viewed in various museums, especially in France, as well as major art collections, including the Royal Collection Trust in London.
The Japy Frères workshop (1776-1930s) was started by Frédéric Japy in 1776 under a different name, eventually the iconic French clock and watchmaking firm was founded in 1806 by Frédéric Japy along with his sons, Pierre, Fritz and Louis, thus creating the trademark we know today, ‘Japy Freres’ or (Japy Brothers).
Japy Frères won a number of medals at important exhibitions and achieved international recognition throughout much of the nineteenth century, including the prestigious Grand Medal of Honour, which was awarded to Japy in 1855 at the important Exposition Universelle Paris.
- MARKS / SIGNED / HALLMARKED:
Works stamped "Japy Fils depos 1855 medailler 1844 1840" circular medallion; "RS" within square, "2949" "55"
Case housing: stamped "44", case underside "44" written in pencil, incised "IX", elaborate illegible writing in pencil, last word may say "Richebois?", possibly where the clock was to be sent or who it was commissioned by
PROVENANCE / ACQUISITION:
09/2024- Acquired from the reputable auction house, Dallas Auction Gallery, Dallas Texas. Great Estates, Fine Art, Furniture & Design auction catalog, lot#0064
Owned and curated by Reyne Hirsch, a long time media personality and expert in 20th century decorative arts. Hirsch was a top appraiser for Antiques Roadshow on PBS for 13 years. She's also a leading contributer to the Huffington Post, New York Times, Wall Street Journal, Architectural Digest, amongst other publications. Hirsch has also founded highly regarded permanent art galleries as well as important exhibits throughout the United States.
DIMENSIONS: (approx)
12" Tall, 12" Wide, 5" Deep
CONDITION REPORT:
Good original unrestored antique condition, especially considering its age, attractive appearance, patina, bright lustrous gilding, and working movement.
Nicely aged patina over the whole, antique character and charm throughout, including rubbing to blue enamel with significant losses, age related patination, oxidation, tarnishing throughout, minor chips, nicks, abrasions to alabaster edges, all typical wear consistent with age, use, handling and exposure.
Currently working, observed operating over long periods and keeping accurate time. Key, pendulum and bell included. Please note, as with all antique clocks...
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H 13.5 in W 12 in D 5 in
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