Important 21.70 Carat Colombian Emerald Tassel Sautoir Necklace

Colombian Emerald and Diamond Necklace A beautiful emerald and diamond necklace set with emerald cut emeralds and round cut diamonds. Accompanied by AGL stating emeralds are of C...

Janesich Coral Onyx & Jade Tassel Necklace A necklace featuring altneratng coral and onyx beads with a round jade disc elegantly adorned with di...

Important Certified Colombian Emerald And Diamond Necklace Removable emerald drops. AGL Laboratory Certified Colombian Emerald W...

Emerald and Cultured Pearl Necklace A four-strand necklace with cultured pearls and 135 emerald beads separated with gold spacers. It features a center gold pendant adorned with mix...

Crafted by hand in the Haruni workshop, this unique necklace features an impressive deep-green Colombian emerald in a shield cut, and a smaller shield cut white diamond. The stones' ...

A DIAMOND AND EMERALD NECKLACE The necklace features a circular-cut diamond graduated design and is adorned with an oval-cut emerald of approximately 5 carats. A pear-shaped diamond...

Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period. The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia del' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...

Bespoke Colombian Emerald and Diamond Necklace Elevate your jewelry collection with a masterpiece that embodies luxury and sophistication. Presenting our exquisite Bespoke Colombia...