MidCentury SculpturalTexturedGoldBowClasp Graduated4Strand Snake Chain Necklace

This is an excellent mid-century Japanese reproduction of a Miriam Haskell glass green-tone and metallic three-strand choker necklace. It features the American designer's characteristic use of colorful hand-crafted lampwork, seed and faux-pearl beads, along with Parisian-style silver-gilt metal filigree caps and findings. A supplier of Haskell's post-WWII Japanese-made beads and findings also made its own unbranded designs using the same materials. Whereby "Japan" is discreetly stamped on the hook that enables fastening along the extension chain. The faux-nacre coating of the pearls has partly disappeared on only the gold-accented smallest round beads. This does not detract from the necklace because similar irregular patterns with a mix of colors are among the multiple styles and sizes of beads (see closeups). The many colors include gold, ecru, brown, seafoam green, olive, mint, and vivid green. If you want the look of an authentic Haskell necklace for a fraction of the price, then you may want this piece. Otherwise, we pride ourselves on being able to identify unsigned Haskell...

Kenneth Jay Lane--whose monogram KJL is signed on the white-rose-decorated gold-tone clasp of this double-strand black-resin beaded necklace--is only one of four bylined jewelry designers collected by The Brooklyn Museum Costume Collection At The Metropolitan Museum of Art from the two-decade period between 1970-1989, which was dominated by such bold big shapes in mostly black, white and gold. A must for any collector of the world-renowned American-founded beauty-brand Avon, its rare limited-edition retailed necklace by Lane titled "Midnight Rose" is among the most distinctive that it produced among its lines of primarily perfume, cosmetics, and personal-care products whose origin dates back to 1886 in New York. Notably, the life-sized shiny cast-acrylic rose has the look of a far more expensive carved stone, such as one cut and polished from light-filled saturated-white chalcedony, which is a hard semi-precious stone favored by Lane. Like Lane's own line when it was originally signed KJL, the decorated clasp is uniquely designed. It locks underneath with a semi-circular hinge, which enables the stylized three-dimensional smooth rose to be perfectly positioned on the right side of the upper chest with the bud facing upwards above its three-leaf sepal in contrasting gilt textured metal. This position adds sparkle from above to the three pave rhinestones in a gold-tone setting at center of the rose, as if its dew-covered bud was beginning to open in strong moonlight. To balance the bold rose shape, the black strands cross each other below at a single point, which adds another eye-catching element to the concealed-string-tied necklace. In mint condition with no sign of wear, the necklace was acquired in its original lavender Avon retail box. In contrast, the paper shows wear and tear from handling, while still featuring the jewelry designer's full-name script signature, title, and text details like how to care for this synthetic jewelry. The metal-stamped hallmark is "KJL for Avon...

French vintage two-strand necklace featuring Gripoix glass beads (purple, pink and green) and faux pearls. Box tab insert clasp. Unsigned. Embossed Made in France on the reverse of...

Attributed to JEAN PAUL GAULTIER JUNIOR silver tone multi chain necklace featuring rectangular panels embossed JUNIOR GAULTIER and skull charms. Adjustable lobster clasp closure. *...