Edwardian 1905 Guilloche Pendant Brooch 18Kt Gold Platinum with 2.56 Ct Diamonds

Edwardian belle époque bow-brooch. This is an gorgeous statement brooch, created in England during the Belle Epoque and Edwardian era (1901-1910), back in the 1900. The beautiful br...

French Edwardian enameled chain. Stunning necklace chain, created in Paris France during the Edwardian period, back in the 1905. This beautiful chain has been carefully crafted in s...

French Edwardian enameled chain. Stunning necklace chain, created in Paris France during the Edwardian period, back in the 1905. This beautiful chain has been carefully crafted in s...

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

Aaron Basha signed pendant made of 18kt white gold with natural brilliant-cut diamonds and enamel Welcome to our jewelry collection, where every piece tells a story of timeless ele...

18k gold & malachite and turquoise central design gemstone pendant and earrings. Stamped 18k no maker mark. Measures 26mm x 26mm (Pendant) and earrin...

An exquisite platinum topped 18 karat (18K) yellow gold heart-shaped pendant centring a heart-shaped pink morganite weighing approximately 1.70 carats in a single-cut diamond surround, further surrounded by 12 blue-green enamelled flowers with diamond...

Victor Mayer round cufflinks, 18k white gold, ruby red vitreous enamel, windmill guilloche pattern, diameter app. 20.0 mm VICTOR MAYER is a fine jewelry house known for its sophisticated craftsmanship. Since 1989, the company has been closely associated with the Fabergé name as a workmaster. The company was founded by Victor Mayer in Pforzheim, Germany in 1890 and is managed by his great-grandson Dr. Marcus Oliver Mohr. The inimitably luminous colors are literally created "in the fire": layer after layer of enamel is carefully fired at 800 degrees. During guilloching, the finest wave patterns are engraved on gold, creating a unique depth effect. The rare techniques have been passed down from generation to generation since the company's founding. With a feeling for style, timeless classics are created. The company is working with gold, gemstones as well as diamonds. Reference: V1609/AR/00/00/101 Material: 18k white gold Enamel: ruby red vitreous enamel Dimensions: 20 mm in diameter Limitatioin: 500 pieces About Enamel: The glass melting process that gives the jewellery its unmistakeable, sophisticated sheen is conducted today using the same complex process that was employed in the past: up to five layers of pigment are applied with equal measures of skill and patience, before being fired and then polished by hand. The end result is achieved as the consequence of sensitive interplay between time and temperature. The slightest inclusion in the enamel bears...