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Collectible Augustine Gripoix Pate De Verre Di Dangling Earrings, Circa 2000s
About the Item
Collectible Augustine Gripoix Pate De Verre Dangling Earrings Circa 2000s. These gorgeous Red and Diamante Pate de Verre look like creeping red flowers on a vine. They are made in two pieces, allowing them to articulate well. The top piece clips to your ear, and the bottom piece dangles. There are numerous tiny flowers branching out, and each pâte de verre flower features a small crystal on top. They are indeed a work of art and are signed. Clip on.
Everyone needs a pop of red. These are perfect.
Augustine is the son of Thierry Gripoix.
- Creator:AUGUSTINE THIERRY for GRIPOIX
- Metal:
- Weight:30 g
- Dimensions:Height: 3.25 in (82.55 mm)Width: 1.25 in (31.75 mm)Depth: 0.25 in (6.35 mm)Diameter: 1.25 in (31.75 mm)Length: 3.25 in (82.55 mm)
- Style:
- Place of Origin:
- Period:
- Date of Manufacture:2007
- Condition:Wear consistent with age and use. Great Condition.
- Seller Location:New York, NY
- Reference Number:Seller: E16-281stDibs: LU2565217188742
About the Seller
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- Return Policy
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Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent woman struggling with the limitations of living with a husband who lacks any exceptional qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress.
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Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colours and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses queued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix.
Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons.
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