Antique Sampler, 1840, by Emma Lind

Victorian Sampler, 1840, By Elizabeth Ann Fox. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours green, dark brow...

American Sampler, 1840, by Cornelia Metford. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Simple line border. Colours black, light brown, dark bro...

Georgian Sampler, 1801, by Sarah Banes. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. A finely worked meandering floral border surrounds outside. C...

Georgian Sampler, 1799, by Anne Strong. The sampler is worked in fine wool and silk on a linen ground, in cross stitch throughout. Unusual curly borde...

By S. Norman. With a now brown toned background and overall embroidery with birds, trees, flower baskets and architecture. With an English newspaper on the back. sight 14 3/4 x 12"...

An antique needlepoint sampler depicting samples of lace patterns, florals, bird and geometric motifs. Presented in a metallic gold frame ...

By Jane Peacock age 8. With a Friendship poem along with embroidered birds, squirrels, and a charming house in the country with a dog in the yard. A pretty floral vine border on all ...

1833 Sampler made by Ann Crehlow(?) in antique pine frame, English. A huge, William IV period pictoral sampler with a hymn of praise called: The Beauties of Nature, Gratitude to the Supreme Being, Nature's Call to Gratitude. It dates from the late 18th century, reading "How cheerful along the gay mead, the daisies and cowslips appear". The whole is filled with typical sampler iconography. Stains, small losses. Georgian stone townhouse at base. Doves with olive branches...