"Shepherds Reposing" George Moreland

This signed lithograph on paper by Reginald Marsh from the year 1928 depicts a bawdy brothel scene with piano player and naked dancing and seated figures. Quite the conversation piec...

This beautiful French Empire chair crafted in the style of George Jacob has padded arms and cabriole legs with ornate gold carvings.

With a rich magenta background this hand signed collection of Crescent/George Jones & Sons dessert plates, features a brightly hand painted variety of summer fruits centered with gil...

Mid 19th Century George III Style Giltwood and Gesso Pier Mirror with a spread-winged eagle crest flanked by a pair of pineapple finials...

Antique print titled 'L'Abreuvoir Champêtre (..)'. View of shepherds with cattle at a brook in a mountain landscape. Artists and Engravers: Engraved by P. Martenasi after N. Berch...

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

The engraving is titled "A View in the Island of Tanna," and it was published by Alex Hogg at the King's Arms, No. 16 Paternoster Row, London. The image portrays a serene and idyllic...

This old handcolored print depicts a figure named "Roger de Trumpington," historically associated with the Trumpington family, an English family w...