Polynesian Natives, Tattoos, Imperial Folio, Incunabula of Lithography

Landmark stone lithograph. Measures: 41.5 cm. Extremely rare. 1816 antique hand colored stone lithograph by Carl Joseph Brodtmann from his extremely rare series: From the scarce large format issue of 1816: 42, 5 x 32, 5 cm. Naturhistorische Bilder Gallerie aus dem Thierreiche  Lindau, Brodtmann [1816]. Here in hand colour. Measures: 37.5 x 47.5 cm. Superb plate from this famed ‘incunabula of lithography’.  Reference Winkler 105. Brodtmann is considered a pioneer in the art of lithography employing techniques for "texture" that are quite similar to that of an aquatint. He produced his lithographs in the post-Linnaean "'Age of Enlightenment" as books illustrations and sets of natural history prints, as Naturhistorische Bilder Gallerie aus dem Thierreiche, with the more expensive sets being hand coloured. Natural history specimens...

A. Brouwer pinx. N. Strixner del. Village Surgeon (The Feeling) A surgeon dressing the wound of a grimacing patient. 61 x 45 cm; Image: 29.3 x 26.3 cm Published c 1810 Stone lit...

Exceeding rare and important lithograph for the history of Swiss lithography. Engelmann, G. (Godefroy), 1788-1839, lithographer; after Rullmann, Ludwig, 1765-1822, artist Souvenir ...

Fine folio including early and finely executed portraits of Renaissance artists by Joachim von Sandrart. Included are portraits of: Mino da Fiesole; Giuliano da Sangallo; Domenico Puligo; Andrea da Fiesole, and Properzia de' Rossi. The latter is of particular historical significance in that Properzia de' Rossi (c. 1490 Bologna – 1530 Bologna) was a ground-breaking female Italian Renaissance sculptor, the only woman to receive a biography in Vasari's Lives of the Artists. According to Vasari, she taught herself to carve by working with peach-stones. At the end of her life, she was sought out by the Pope Clement VII, who unfortunately found her dead. Sometimes referred to as the “German Vasari,” Joachim von Sandrart, born in Frankfurt, trained first as a printmaker, notably in Nuremberg, and in Prague with Aegidius Sadeler. He then studied painting from 1625 on, originally in the studio of Gerrit van Honthorst...

Product Description: The lithography on offer here has been designed by Bengt Landin. Bengt Landin, born in 1933 in Stockholm Sweden, is famous for his colorful paintings. Often he depicts ducks and roosters (like in this litho) and uses symbols of Swedish culture like the Swedish flag...

This lithograph, titled Omai, by Karl Joseph Brodtmann, is an example of the artist’s ethnographic studies, showcasing a portrait of Omai, a notable figure from Polynesia who visited Europe in the 18th century. This work highlights Brodtmann’s interest in portraying individuals from distant lands, focusing on their unique cultural attire and expressions. Description: The portrait represents Omai, a Polynesian man who gained historical significance during the 18th century as one of the first Polynesians to travel to Europe. Omai (also known as Mai) was a central figure in the encounters between Polynesian and European cultures, having been brought to England by Captain James Cook in the 1770s. - Clothing: Omai is depicted in an elegant wrap of flowing fabric, draped around his shoulders and tied in a loose, elegant fashion. His head is adorned with a large turban, a stylistic interpretation that may have been influenced by European artistic conventions when portraying foreign dignitaries or exotic figures. The fabric's folds and shading add a sense of depth and texture, showcasing Brodtmann’s mastery of lithography. - Expression: Omai’s expression is poised and dignified, with his gaze directed slightly off to the side. The sense of serenity and composure in his face is typical of the European portrayals of him as an "exotic noble savage," a term that reflects the European fascination with non-Western peoples during the age of exploration. The lithograph highlights both the individuality of Omai and the cultural significance of his travels to Europe, where he became a symbol of cross-cultural exchange and curiosity during the 18th century. Maker: Karl Joseph Brodtmann (1787–1862), the Swiss lithographer, was known for his detailed illustrations of people from various cultures, natural history subjects, and scientific studies. His ethnographic works were part of a broader effort in 19th-century Europe to document the physical and cultural characteristics of peoples encountered through exploration. Brodtmann’s portraits often struck a balance between realism and the romanticized European views of non-Western cultures. Technique and Style: Brodtmann created this portrait using lithography, a technique that allowed him to achieve fine details and subtle gradations of light and shadow. His style in this portrait combines realism with the romanticized ideal of the "exotic," particularly in the way Omai is dressed in flowing garments, which may not be entirely representative of traditional Polynesian dress...

Lithography " The works of Hercules " - Zadkine. Lithography of Zadkine to illustrate the "Les travaux d'hercule". Blue version Czwiklitzer edition, Paris 1960 On wove paper Ha...

Lithograph after Kazimir Severínovich Malevich’s painting 'Portrait of a Female', 1928-1932. Printed by Atelier Mourlot, the famed Parisian printers noted for their close collaborat...