Op-Art Artist Anne Youkeles New Perspective Signed 3-D Serigraph Collage, 1971

Christo (1935-2020) Bulgarian. The TEXAS MASTABA, PROJECT FOR 500,000 STACKED OIL DRUMS (S. 85), 1976, color lithograph & screenprint collage on 1/8” brown board, signed and numbered...

Herbert Bayer, (American, 1900-1985). A lithograph titled Blue Moon. Signed lower right "Bayer 1961" and. Numbered 19 out of 50 printings. Appears to be in fine condition, not faded, no water damage tears visible. Not examined out of chrome frame, under glass. Has original Patricia Moore Inc., Gallery label, Aspen Colorado on reverse. Bio: Bayer worked variously as advertising artist, photographer, painter, sculptor, architect and landscape designer, reflecting his training at the Bauhaus...

Pair of early examples of Tommi Parzinger silkscreened prints, signed in pencil, original frames, frames 17" diameter, art 14" diameter.

Louis Icart (1888-1950) artist that worked in America and France. This Erotic etching and aquatint printed with colour and with hand colour titled "SMOKE' (FUMÉE), 1926" showing a beautiful woman in a diaphanous gown reclining on a bear skin rug...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

Selection of modernist art serigraphs or lithographs, circa 1950s-1970s. They are: 1) Victor Vasarely color lithograph, circa 1960s. It has been recently reframed in a clean lined bl...

A wonderfully composed, abstract designed limited edition silkscreen serigraph print by American artist Dean Meeker. This work is titled "Portofino" and is one of his more elusive/rare and hard-to-find images. The print is hand-pencil signed, titled, and numbered (Edition of 50) by the artist. Dean Jackson Meeker (born in Madison, Wisconsin, 1920-2002) was an internationally recognized sculptor, painter, and printmaker. He studied at the Art Institute of Chicago, Northwestern University, and the University of Wisconsin. In 1958, Meeker was awarded a Guggenheim Fellowship for 1959 and 1960 to study printmaking in Europe. In Paris, he worked at Hayter's printmaking workshop, Atelier 17, and with printmaker Kaiko Moti while also studying in museums in Spain and Italy. Meeker's works are in collections worldwide including the Metropolitan Museum of Art (New York), Museum of Modern Art, Whitney Museum of American Art, National Gallery of Art, Smithsonian, Milwaukee Art...

A tranquil, gorgeously composed, quite large limited edition print by American artist Will Barnet. The print is pencil signed, titled, dated (1980) and numbered (256/300) by the artist. This is one of Barnet's most sought after images. Clearly, a standout work. The print has been professionally framed. Framed dimensions: 30" H, 45.5" W, 1.75" D Barnet studied at the Boston Museum of Fine Arts School and then at the Art Students League in New York. He is the recipient of the following awards: Artist's Lifetime Achievement Award Medal The College Art Association’s Lifetime Achievement Award The Philadelphia Academy of Fine Art’s Lippincott Prize The American Academy and Institute of Arts and Letters’ Childe Hassam Prize. His work can be found in many permanent collections including: Albright-Knox Art Gallery Art Institute of Chicago Corcoran Gallery of Art Solomon R. Guggenheim Museum Metropolitan Museum of Art Museum of Modern Art Museum of Fine Art, Boston National Gallery of Art Phillips...