A Musical Gathering: Engraving from Richard Blome’s The Gentleman’s Recreation

Title: "Youthful Elegance: A Young Gentleman's Attire in 'Costume du Moyen Âge'" Description: This lithograph, part of the 1847 "Costume du Moyen Âge" series, depicts a young gentle...

Antique print titled "Danze de' Chiliesi" (Dance of the Chileans), from the historical work "Il Costume Antico e Moderno" by Giulio Ferrario. The print, created in 1821, showcases a traditional Chilean dance, vividly captured in line and aquatint etching with original hand coloring on wove (vellin) paper. The scene depicts a group of Chilean dancers in a circular formation, engaging in a traditional dance. The dancers are adorned in colorful attire, featuring breechcloths, leggings, and vibrant headdresses with feathers, which reflect their cultural heritage and the festive nature of the dance. The setting is outdoors, possibly during a community celebration or ritual, indicated by the natural backdrop and the casual yet organized arrangement of the figures. Cultural and Historical Significance This print is significant as it provides a visual documentation of Chilean cultural practices from the early 19th century, emphasizing the traditional dances that were an integral part of community gatherings and celebrations. The artwork, by C. Bramati and Paolo Fumagalli after designs by Giulio Ferrario, is part of a larger series that aimed to capture the costumes and customs of people around the world, offering insights into the diversity of cultural expressions during a time of burgeoning global awareness. The detailed depiction not only highlights the dance but also serves as an ethnographic record, preserving aspects of Chilean culture that might have evolved or faded over time. This work, along with others in the series, was widely distributed and appreciated for its educational and artistic value, making significant contributions to the understanding of global cultural heritage in the 19th century. ‘Tavole XXVIII. Danze de’ Chiliesi.’ Line & aquatint etching with original hand colouring on wove (vellin) paper. Sheet size: 33 x 23,5 cm. (13 x 9,3 inch). Image size: 21 x 15,5 cm. (8,3 x 6,1 inch). In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘C. Bramati and Paola Fumagalli’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Lot of 5 col. aquatints, by Mathew DUBOURG after various artists. These original antique prints were drawn (designated by "Del.", short for delineavit, Latin for "he/she drew it") by J.H. Clark and were published and sold on May 1st, 1813. Edw. Orme Bend Street London" refers to Edward Orme, a publisher based on Bond Street in London, known for producing and selling high-quality prints during the early 19th century. The term "Sculp", short for "sculpsit," indicates the engraver, in this case, M. Dubourg, who would have been responsible for engraving the images onto a surface for printing. These details highlight that the prints are of English origin and were produced by notable figures in the London art scene at the time. Edward Orme's establishment was a significant purveyor of prints, and such detailed works would have been collected by those with an interest in art, culture, and the wider world. This date places the prints in the early 19th century, a period rich in exploration and documentation of various cultures around the world through art. These prints would have served as a way for people to see and learn about activities and practices from different parts of the world that they might never have the chance to witness in person. The detailed and colored nature of the prints suggests that they were likely intended for an audience with an interest in the exotic and the educational. Description: This collection of five prints offers a vivid tableau of hunting and gathering practices from various corners of the globe during the 18th and 19th centuries. Each print captures a moment of interaction between humans and nature, showcasing the diverse methods and environments in which these activities took place. 1. "Finland Bear Hunting...

Title: A Chinese Barber – 1858 Engraving from "The Chinese Empire Illustrated" This detailed engraving, titled *A Chinese Barber*, is taken from the 1858 edition of *The Chinese E...

An interesting depiction of the Korean Embassy as published in The Wasp, a weekly San Francisco newspaper started in 1876 by Francis Korbel. The Wasp had a very political and anti-im...

This is an antique gentleman's portrait. An English, painted print in glazed giltwood frame in the English School manner, dating to the Edwardian period, circa 1910. Superb frame, ...

"Monos Musicales de Día" (Musical Monkeys by Day). Engraving print by Mexican artist Pedro Friedeberg. Copperplate engraving on Hahnemühle 300 g. 100% cotton paper. Edition of 86 pie...

Pair of steel engraving from the 19th century “Le Depart Du Courier” and " L’Arrive du Courrier” dedicated to Madame la Marquise de Montesquieu.