Herculaneum Monuments, 1762: Bayardi's Engraving Plate 61

Antique print titled 'Pl. 66 Road Making'. Original antique print of road making Source unknown, to be determined. Published circa 1838. Artists and Engravers: Engraved by E. Turrell...

Antique print originating from 'Le Antichita di Ercolano Esposte'. A vast survey of the bronzes, statues, wall-paintings, and monuments of Herculaneum. This monumental work was the f...

Antique print originating from 'Le Antichita di Ercolano Esposte'. A vast survey of the bronzes, statues, wall-paintings, and monuments of Herculaneum. This monumental work was the f...

Description: Antique print titled 'S. Bartholomaeus Ecclesiam B.M.V. edificari jubet, et columna decidens Monachiejus Dicipli jussu sistitur.' Scarce plate showing Bartholomew th...

Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...

Signed M. Ogier (Fecit:by), this set of four hand colored engravings is part of a larger edition of plates. These plates are numbered PL 16, 347, 365 and 386. The subject is probably...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...