Copyright Is For Losers

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

Presented is an original National Woman Suffrage broadside, titled “What is the Federal Suffrage Amendment?” The document was published in New York, in February of 1917 by the National Woman Suffrage Publishing Company, Inc. Published just three years before the 19th Amendment was passed, this rare broadside advocates for women’s right to vote on a national level. The document lists states that have already passed women’s suffrage...

This pair of prints was issued by Lumen Martin Winter, the mosaic artist, to illustrate two enormous murals -- each 15 feet tall and over 40 feet long -...

Antique print titled 'De wet is door Mozes gegeven, de genade en de waarheid is door Jesus Christus geworden.' The law is given by Moses, Mercy and Truth established by Jesus Christ....