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"Bathers" by John E. Costigan, Original Limited Edition Signed Etching
About the Item
This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, the Philips Memorial Gallery in Washington and the Brooklyn Museum, to name only a few of the many institutions that feature his work. This print, with its balanced composition and its loose style of figuration- deftly balances realism and abstraction- helps to explain his acclaim. This piece depicts a family of bathers at a wooded watering hole. Here, Costigan takes an age old subject- explored by Picasso, Degas and countless other modernists- and imbues it with his distinctive style, somewhere between that of Theodore Rousseau and Thomas Hart Benton. We have three more prints from this series available. The entire suite of four is available for purchase for $4475. It is signed by the artist bottom left. The pieces are in the original portfolio and have never been framed. Excellent condition.
American, circa 1930.
Dimensions:
Sheet: 17.25" W X 12" H.
With matting: 18" W X 14" H.
- Creator:John Edward Costigan (Artist)
- Dimensions:Height: 12 in (30.48 cm)Width: 17.25 in (43.82 cm)Depth: 0.1 in (2.54 mm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1930
- Condition:
- Seller Location:New York, NY
- Reference Number:1stDibs: LU79348331073
John Edward Costigan
An American Painter Compositional painter of figures and country animals; watercolor painter Costigan was a largely self-taught artist. He moved from Providence, Rhode Island to New York City as an orphaned teenager in 1904 to work for a commercial poster company. It was here that he learned the rudiments of drawing and painting, skills he furthered with informal study at New York's Kit Kat Club, a popular artists' hangout. Costigan achieved national fame as a painter and printmaker in the1920s and 30s. He won numerous prestigious awards and, despite his lack of formal artistic training, was elected a full member of the National Academy of Design. In 1937 the Smithsonian Institution held a one-person exhibition of his graphic works. Famed American printmaker John Taylor Arms praised Costigan as "a brilliant etcher, particularly noted for his interpretation of life on the American farmstead." Today prints by Costigan can be found in private and public collections around the nation, including the Prints and Photographs Division of the Library of Congress in Washington, which owns twenty-two. The Swope exhibition is the largest devoted to Costigan's work since the late 1960s. Many of the forty-five prints in the exhibition are from the Swope's own extensive holdings of Costigan's works. Other are being lent by private collectors from around the country.
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