5 Poster Football World Cup, Alechinsky, Miro, Folon, Tapies, Monory, Espana 82
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5 Poster Football World Cup, Alechinsky, Miro, Folon, Tapies, Monory, Espana 82
About the Item
- Creator:Jean-Michel Folon (Artist),Antoni Tàpies (Artist),Joan Miró (Artist),Pierre Alechinsky (Artist),Maeght (Maker)
- Dimensions:Height: 37.41 in (95 cm)Width: 23.63 in (60 cm)Depth: 0.4 in (1 cm)
- Sold As:Set of 5
- Style:International Style (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1982
- Condition:Wear consistent with age and use. Minor losses. Minor structural damages.
- Seller Location:Essen, DE
- Reference Number:1stDibs: LU6927229280952
Pierre Alechinsky
Pierre Alechinsky is a belgian painter born in 1927 in Brussels. Attracted by painting, Pierre Alechinsky begins aged 17 in the Ecole Nationale Supérieure d'Architecture et des Arts Décoratifs de la Cambre in Brussels. He was involved in the Cobra artistic movement with Karel Appel and Asger Jorn and organised exhibitions. In the early fifties, he learnt the art of engraving with Stanley William Hayter and also Japanese calligraphy. He met Giacometti, Bram Van Velde, and Victor Brauner. In 1955, he signs for his first exhibition at the Palais des Beaux-Arts de Bruxelles, then at the Institute of Contemporary Arts of London. His artworks, prints, lithographies, engravings and books illustrations can also be found in the USA, in France, in the Netherlands, Denmark and Germany. On and after 1965, fascinated by the Oriental calligraphy, he uses acrylic painting, ink, different types of paper as bills, and gets carried away by action painting technique. During the eighties, he became for four years a teacher of plastic arts at the Ecole Nationale Supérieure des Beaux Arts. Also a writer, Pierre Alechinsky published many books including «Titres et pains perdus », « Baluchon et ricochets », and in 2004 «Des deux mains ». He lives and works in France.
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
Find a collection of original Joan Miró art on 1stDibs.
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