19th Century New York Signed Etching by Ernest Christian Rost, 1891

Presenting a lovely pair of Venice etchings by N Erichsen 1904. This pair of etchings were drawn by N. Erichsen who we understand was a late 19th and early 20th Century English artist. Both feature scenes from Venice in 1904. The first one (on the left) is a sketch of the Piazza San MarCo...

Presenting a lovely limited edition etching, namely, “The Souk” limited edition etching by Azoulay Guillaume. From 1982 the etching is numbered an...

Presenting a lovely 19C engraving of Lake Gaube in the Pyrenees by T Allom. From circa 1850. Besautiful depiction of Lake Gaube or Lac de Gaube in the F...

PRESENTING A FABULOUS AND RARE Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton. Set of 6 VERY RARE AND VALUABLE engraved prints of Dublin, Ireland scenes. These were printed by ‘Cahill Printers Ltd.’ circa 1880-1900. ‘Cahill Printers Ltd’ have been in existence since 1866 and acquired the rights to print these copies of the original watercolors by James Malton (1761 – 1803). Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton These scenes are: (in order): Rotunda & New Rooms, Great Court Yard Dublin Castle...

Late 19th-Century French Equestrian chromolithograph prints by Ernest Alexandre Bodoy, A. Legras. Capturing the exhilarating energy of equestrian steeplechase scenes, as originally...

Framed etching, neoclassical vessel, 19th century. Custom silver leaf frame and mat.

A wonderful, attractive, and striking image of the New York City skyline and towering classic buildings by German artist Anton Schutz. Schutz was commissioned by The New York Times ...

The hand-colored print titled "New York," published in 1842, presents a detailed and picturesque view of the cityscape of New York as it appeared in the early 19th century. The title "New York" is centered below the image. Below the title, the text reads "LONDON: Published by Thomas Kelly. 17, Paternoster Row," indicating the publisher and location of publication in London. Additionally, the text "S. Davenport. Sculp." is printed beneath the image, signifying that the engraving was done by S. Davenport. Description of the Image: - **Perspective**: The image provides a broad view, likely from an elevated point, showing the expanse of the city. The perspective gives a sense of depth, with the street extending into the distance. - **Central Street**: A wide, unpaved street runs down the center of the image, flanked by rows of buildings on both sides. This street is bustling with various activities. - **Buildings**: The buildings are primarily two to three stories tall, featuring a mix of architectural styles typical of the period. Some have distinct red roofs, adding a touch of color to the scene. - **Churches**: There are several prominent churches with tall spires visible in the background, indicating the importance of religious institutions during that time. - **Foreground**: In the foreground, to the right, there is a large, columned building, which might be a significant public or religious structure. - **Activity**: The street scene includes horse-drawn carriages and pedestrians, capturing the everyday life of the city's inhabitants. - **Harbor**: In the far background, you can see masts of ships, indicating the proximity of the harbor and the importance of maritime activities to the city. Artistic and Historical Context: - **Engraving Style**: The work of S. Davenport, an engraver, suggests fine detail and precision typical of hand-colored prints of that era. - **Historical Significance**: This print serves as a valuable historical document, offering a glimpse into the urban layout and architecture of New York City in the early 1840s. - **Publishing Context**: Being published in London by Thomas Kelly indicates a transatlantic interest in the growing metropolis of New York, reflecting its emerging significance on the global stage. This print is not only an artistic representation but also a historical record, encapsulating the essence of New York City during a period of significant growth and development. Identifying specific buildings from a historical print like this one can be challenging, especially without modern landmarks for direct comparison. However, a few notable buildings and features from New York in the early 1840s could potentially be recognized based on historical context and architectural details. Potential Recognizable Buildings: 1. **St. Paul's Chapel**: Given its prominent spire and proximity to the center of early New York...