1823 Old-Coloured Engraving - Gauchos Lassoing Cattle in Buenos Aires, Argentina

Antique Print - Plaza de Mayo, Buenos Aires, 1820s - Jules Ferrario This historically rich print, titled "Plaza de Mayo, Buenos Aires," originates from Jules Ferrario's renowned series "Le Costume Ancien et Moderne," specifically from Volume II, plate 2. The print offers a captivating depiction of the Plaza de Mayo, one of the most significant public squares in Buenos Aires, Argentina. It beautifully captures the essence of the plaza during the early 19th century, featuring local inhabitants engaged in daily activities, architectural landmarks, and a dynamic urban atmosphere. The intricate detailing and careful hand coloring enhance the visual impact, providing a window into the architectural and social fabric of Buenos Aires during this period. This piece is invaluable for collectors interested in South American history, urban landscapes, and antique lithography. It not only serves as a decorative artwork but also as an important document that highlights the urban development and cultural milieu of Buenos Aires in the early 1800s. It remains in good condition, with colors that have retained their depth and vibrancy, making it a prized addition to any collection of historical prints. In more detail: Line & aquatint etching with original hand colouring on wove (vellin) paper. From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘D.K. Bonatti’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Antique print titled 'L'Abreuvoir Champêtre (..)'. View of shepherds with cattle at a brook in a mountain landscape. Artists and Engravers: Engraved by P. Martenasi after N. Berch...

Handcolored Copperplate Engraving of Cashmere Goats and Sheep, Friedrich Johann Bertuch, 1823 This is an exquisite handcolored copperplate engraving depicting a group of Cashmere go...

Title: 'De Kanselarij te Leeuwarden – Original 1793 Engraving by Karel Fredrik Bendorp' Description: This original antique engraving, created in 1793 by Karel Fredrik Bendorp afte...

Set of 18 hand coloured bird engravings. Antique hand coloured bird engravings by Jacques de Seve, commissioned by George-Louis Leclrec, Comtes de B...

This is a hand coloured framed engraving of a study of Kingfisher birds all in the manner of Audubon Birds of America and dating to the Mid 19...

Johann Jakob Scheuchzer (1672-1733); engraved by P.A. Kilian. Bible engraving, Noah’s Ark Folio. Dimensions: 38 x 24 cm. Hand coloured This fascinating folio engraving is from Johann Jakob Scheuchzer’s Physica Sacra. The work was published in Augsburg und Ulm between 1731 and 1735. Each engraving features highly decorative borders which feature biblical and scientific depictions. Physica Sacra combined theological and scientific practices in an attempt to reconcile biblical passages with the new sciences of the time. The work is an extraordinary illustrated natural history work, and a great example of the decorative nature of the 18th century copper engraving. Scheuchzer was a founder of paleobotany and European paleontology, as well as a professor of mathematics and physics. He believed the Old Testament was a factual account of the history of the world...

19th Century pair of original hand coloured engravings of Egypt in gilt wood frames. After Cecile by Lienard & Reville. Titled “Thebes: Karnak. Vue de la Porte et des Temples du Sud”...