17th Century "Diana's Deer and Boar Hunt" Etching by Antonio Tempesta

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17th Century "Diana's Deer and Boar Hunt" Etching by Antonio Tempesta

About the Item

A fine mythological etching by the great Italian engraver Antonio Tempesta (Florence, 1555 – Rome, 5 August 1630) printed by François L'Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647),also called F. L. D. Ciartres (" Francois Langlois from Chartres"). Beautiful sheet , very sharp . The dimensions below are inclusive of the frame, the print without the frame measures 27x19 cm Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-Maniera" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Tempesta and the Flemish painter Matthijs Bril were commissioned by Pope Gregory XIII to paint wide panoramas of the Procession to Transfer the Relics of St. Gregory of Nazianzus (1572) for the loggias on the third floor of the Vatican Palace. He completed frescoes in the Palazzina Gambara at the Villa Lante in Bagnaia (1578-1609). From 1579–83, Tempesta participated in the decoration of the Villa Farnese in Caprarola, notably of this villa's Scala Regia. He is also known to have collaborated on frescoes in the Villa d'Este at Tivoli and the Palazzina Gamara at Villa Lante, Bagnaia. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. Tempesta painted frescoes for the Palazzos Colonna, the Doria Pamphilj, and for the Marchese Giustiniani in his Roman palace, where Tempesta collaborated with Paul Bril, and at Bassano di Sutri. He painted a Massacre of the Innocents for the church of Santo Stefano Rotondo in Rome. Tempesta is now best known as a printmaker in etching and engraving. He also left numerous etchings, among them: Plates from the Old Testament; twenty-four plates from the Life of St. Anthony; a set of 150 prints from Ovid’s Metamorphoses; 13 plates on The Labours of Hercules and four plates on respectively The ages of man; The entry of Alexander into Babylon; Diana and Actaon, and The crucifixion (1612). In 1612 he engraved a series of plates under the title "Batavorum cum Romanis Bellum" after designs of the Netherlandish artist Otto van Veen, also known as Vaenius (1556-1629) and court painter to Alessandro Farnese. Van Veen was influenced by the Italian mannerists but had developed his own style anticipating the Flemish baroque of his pupil Peter Paul Rubens. The series consists of 36 numbered engraved plates and illustrates the armed struggle between the ancient Dutch tribes and their Roman oppressors as narrated in Tacitus' Histories. Each plate bears at the bottom an engraved legend in Flemish and in Latin while a detailed explanation is printed on the otherwise blank verso. Plate I, signed 'Ant.Tempesta f. Anno 1611', shows 'Roma' and 'Batavia' in battle dress with respective scenic backgrounds, symbolizing the two nations. Fifteen other plates bear Tempesta's monogram. The plates depict heroic events, sieges, and battle scenes. This historicist work was very popular in its time. Tempesta also drew many designs for tapestries. François L’Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647), also called F. L. D. Ciartres ("François Langlois from Chartres"), was a French print publisher, print seller, engraver, bookseller, art dealer, and painter. He is widely considered to have been the first important print publisher in France and to have contributed significantly to spreading awareness of contemporary artists' work throughout Europe. François L’Anglois was born in Chartres and baptised there on 12 May 1589. He visited Italy on several occasions: Rome in 1613 and 1614 and Genoa, Florence, and Rome again in 1621. On these trips he met Anthony van Dyck and Claude Vignon, who both painted his portrait. He also became acquainted with the engravers Stefano della Bella and François Collignon. It was probably around this time that he acquired the nickname of Chartres (Ciartres in Italian). In 1624–1625 he was associated with Vignon as an art dealer (paintings) and acted as a print collector for Thomas Howard, 14th Earl of Arundel, and Charles I of England. He is also known for his 1620 book Livre de Fleurs, a compendium of garden flowers, birds and insects. He designed the title page for Livre de Fleurs and had the botanical plates engraved by the German, Léonard Gaultier (1561–1641), also resident in Paris, Claude Savary, and Barthélémy Gaultier, the editor being Jean Le Clerc. The remaining plates were drawn and engraved by L’Anglois. In 1629, on his way to Italy, he collaborated with Matthieu Fredeau, a painter from Antwerp, on the Rosary altarpiece of the Dominican church of Aix-en-Province. About this time he began his career as a print publisher, producing illustrated books in collaboration with Melchior Tavernier, and becoming a master in the bookseller's guild on 26 October 1634. He set up his own business at the sign of the 'Colonnes d'Hercule' on the rue Saint-Jacques, Paris, shortly before his marriage to Madeleine de Collemont in 1637. L’Anglois also published Pierre de Sainte-Marie Magdeleine's Traitté d'horlogiographie in 1645, a treatise on timekeeping, methods for determining the time both by day and by night, the timing of tides, how to cut geometrically regular shapes from stone or wood, and all aspects of measurement and projection.Nicolas Langlois (1640–1703), the son of François, published another edition of the book in 1657 in Paris. François L'Anglois died in Paris on 13 January 1647. Please note: the release of the authorization for export by the Italian Ministry of Cultural Heritage takes about six weeks from the day of purchase.

Creator:
Antonio Tempesta (Author)
Dimensions:
Height: 20.87 in (53 cm)Width: 26.78 in (68 cm)Depth: 0.6 in (1.5 cm)
Style:
Baroque (Of the Period)
Materials and Techniques:
Paper,Other
Place of Origin:
France
Period:
17th Century
Date of Manufacture:
1595-1630
Condition:
Seller Location:
Cagliari, IT
Reference Number:
1stDibs: LU3136333290462

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