"On the Waterfront" Film Poster

Original American photographic production still. For the 1954 classic drama On the Waterfront. The film starred Marlon Brando, Karl Malden, Lee J Cobb. Guinness...

Original French film poster from (1954) This is a classic American crime drama it received 12 Academy Award nominations, winning eight, including Best Picture, Best Actor for Marlon...

Original US film poster (41 x 27 in. (104 x 69 cm). This poster would have been used in American cinemas to advertise Disney's classic animation in 1967. The film featured the fam...

Original Italian film poster for "The Gunfighter", 1950. This western was directed by Henry King and starred Gregory Peck and Helen Westcott. The post...

Considered the quintessential and definitive Bond film, the third instalment in EON Productions' James Bond series set the template for many of the subsequent films, with its tongue in cheek humour, extensive use of gadgets and technology and multiple foreign locations. The first Bond blockbuster, 1964s 'Goldfinger' was also the first Bond film to utilise a standalone pre-credits sequence, the first to employ a pop star to sing the theme song and the first to win an Academy Award. The plot saw 007 uncover a plot to contaminate the United States gold reserve at Fort Knox while investigating the smuggling activities of powerful gold magnate Auric Goldfinger. This stunning poster designed by prolific Swedish...

Considered the quintessential and definitive Bond film, the third instalment in EON Productions' James Bond series set the template for many of the subsequent films, with its tongue ...

In an early commercial commission, renowned British Pop Artist Allen Jones was asked to design the publicity poster for the 1976 US release of Barbet Schroeder’s 1973 fetish romance 'Maîtresse,' starring a young Gerard Depardieu as the small time crook who stumbles into the double-life of a dominatrix, played by Bulle Ogier. Werner Gallery, who exhibited Jones' original artwork in 2016, stated that 'despite his inability to Identify with its explicit sadomasochistic themes, Jones accepted the poster commission based on his fondness for the powerfully stylized heroine of the film.' Jones' original design, with the high-heeled, leather-clad brunette with bull whip in hand, proved too risqué for the distributor, so the figure was reworked into a blonde beauty gripping a pair of keys instead of the more provocative whip. In 2008, Jones revisited his original design and began developing it into a series of dominatrix paintings...

Although Western films were shown during the Soviet era in the Communist Bloc, American publicity materials were banned, allowing the state-commissioned artists to operate with total...