Hollywood Glamour Portrait Photograph of Gary Cooper by Clarence Sinclair Bull

This silver gelatin photograph was printed in New York City in the 1990s from the original negative. George Platt Lynes (1907 to 1955) was a legenda...

A rare collection of original black and white photographs purchased in 1996 that were printed in 1996. They were custom ordered and only maximum of 3 were made. The photographs are beautifully printed. Pat Milo was a “artistic” male nude/physique photographer. He was more about making a beautiful photograph, been shooting men mood for the sake of being nude. Truly one of our favorite photographers we have collected. Photo: 8 x 10 with white matt. 16 x 20 black frame. Model: Dan Touemshay / Series 269 Biographical Note: Pat Milo (James Patrick) was born in 1911 into a large, Irish Catholic...

An original iconic male physique photograph by legendary photographer Bruce Bellas aka Bruce of Los Angeles. Our collection (soon to be available on separate listings are all original (not copied from negative). This iconic image with a beach ball was one of the props that became synonymous with a Bruce Bellas photograph. Printed in the 1950s, the stamped images were printed when he was alive. They are the rare, sought after photographs prized by collectors of the genre. 8x 10 photograph, white matt, beautifully framed in classic black. Bio: An icon of gay art and one of the most famous names in physique photography, Bruce Bellas is remembered today as a pioneer of beefcake. Beginning in the 1940s and continuing until his death in 1974, Bellas photographed some of the most important figures in the world of physical culture; bodybuilders Steve Reeves, Bob McCune, and George Eiferman, and models Joe Dallesandro, Mark Nixon, and Brian Idol...

A pair of original B&W photographs being offered for sale for the first time. Taken by fashion designer/photographer George Machado from his book “Masculine” by Crown Publishers, NYC,1997. This diptych was printed in two sizes and selected in the final edit of he book. Hand printed the old fashion way. These photographs were printed in 1996 from the original negatives. 5 x 7 photos...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

Framed Black and White Portrait of Man Ray, Vintage Self-Portrait Photograph, Circa 1980 Striking black and white photographic portrait of Man Ray, one of the most influential artis...