"Ring Tail Eagle" by William Goodall, Watercolor & Ink Drawing, Early 19th Cent.

This is a cast-iron figural eagle doorstop, circa early 20th century. The eagle is depicted with wings spread wide, perched and mounted to a square marble base. The eagle retains traces of its original gilt surface and is embossed with “F.O.E.” at its midsection, possibly referring to the Fraternal Order of Eagles.   The eagle is both the national bird and the national animal of the United States. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States...

Presented is an original oil-on-canvas painting of a football game by American artist Jay Cooper. In the composition, two football players, donned in red jerseys, run the ball agains...

Presented is “U.S. Flag Behind Capitol,” an original mixed-media painting by American artist Ron Sloan. The drawing shows an intricately detailed rendering of the front entrance to the United States Capitol building. Behind the Capitol is a large, waving American flag, set outside an orange-hued rounded rectangle. Sloan created this stunning artwork in February of 1985, for use on the Fleetwood First Day Cover of the 22 cent “Flag Over Capitol” stamp, issued in March of that same year. The painting depicts the iconic neoclassical building from the east orientation, with it’s dome towering overhead. Plans began in May of 1854 to build a new cast-iron dome for the United States Capitol. The then-architect of the Capitol Thomas Walter and his team were sold on the aesthetics of a new dome, as well as the utility of a fire-proof one. A year later, on March 3, 1855, President Franklin Pierce signed off on the appropriation of $100,000 to build the dome. Construction began in September of that year with the removal of the first dome raised by Charles Bulfinch. Over the next 11 years, the dome rose over the nation's capital. By December of 1863, Walter was able to set the bronze sculpture “Statue of Freedom” atop the dome. Thomas Walter resigned in 1865 and his replacement, Edward Clark, assumed the role of finishing the last aspects of the dome. Just over a month later, in January 1866, Constantino Brumidi, who had been hired to paint a fresco above the interior dome's oculus, removed the scaffolding used...

Presented is “Statue of Freedom,” an original chalk drawing by American artist Tom Lydon. The drawing shows an intricately detailed rendering of the ...

Frederick Goodall (English. 1901-1980) "Arab Market". Monogrammed F G l/l. Watercolor. Measuring: 8 3/4" by 6 1/2".

Offered here for your consideration is an antique watercolor painting on laid paper. It depicts a cowherd with a cow and sheep at a water trough by ancient architectural ruins. Th...

49 American Victorian (19th Century) watercolor, ink, and pencil botanical drawings depicting various plants and flowers in green tones against a beige background, with pencil notes,...

Pair of antique classical French salon drawings. Charcoal on paper. Illegibly signed. In giltwood frames, early 19th century.