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Period: Early 17th Century
Early 17th Century School of Peter Paul Rubens “The Holy Family” Oil on Canvas
Located in Doha, QA
This is an absolutely incredible early 17th century oil on canvas painting representing Holy Family-Virgin Mary, St.Joseph, St. Elisabeth, John the Baptist and Baby Jesus. Sir Peter ...
Category
Italian Baroque Antique Early 17th Century Paintings
Materials
Canvas
Pair of Large 19th Century Hand Painted Wall Panels on Canvas in Gilt Frames
By Claude-Joseph Vernet
Located in Dallas, TX
Decorate a living room with style with this elegant pair of antique panels. Created in France circa 1830, and measuring 7 feet, the panels are set in a carved gilt frame and are hand...
Category
French Louis XV Antique Early 17th Century Paintings
Materials
Canvas, Giltwood
17th Century Oil on Board Painting
Located in Atlanta, GA
A very beautiful early 17th century oil on board painting of Saint Eugene - The Archbishop Of Toledo, Spain. Wonderful brushwork and intricate detail....
Category
French Antique Early 17th Century Paintings
Materials
Wood
17th century copy of "The Queen of Sheba offering gifts to Solomon"
Located in Budapest, HU
Straordinaria copia seicentesca de La regina di Saba offre doni a Salomone, (1584) dipinto Paolo Caliari detto Veronese appartenente ai Musei Reali alla Galleria Sabauda. Di notevoli...
Category
Antique Early 17th Century Paintings
Materials
Canvas
Japanese Painting, Framed Panel, 17th Century Falcon by Mitani Toshuku
Located in Kyoto, JP
Mitani Toshuku (1577-1654)
“Falcon”
Wall panel, ink and light color on paper.
Upper seal: Mitani
Lower seal: Toshuku
Dimensions:
Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75”)
Individual falcon paintings by Mitani Toshuku (1577-1654), an early artist of the Unkoku School. Founded by Unkoku Togan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed long lasting patronage in southern Japan. Togan was a retainer of the Mori family in present day Yamaguchi prefecture. Members of the school considered themselves to be in the artistic lineage of Sesshu Toyo...
Category
Japanese Edo Antique Early 17th Century Paintings
Materials
Wood, Paper
17th century Japanese Falcon Painting, Mitani Toshuku, Unkoku School
Located in Kyoto, JP
Mitani Toshuku (1577-1654)
“Falcon”
Wall panel, ink and light color on paper.
Upper Seal: Mitani
Lower Seal: Toshuku
Dimensions:
Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75”)
Individual falcon paintings by Mitani Toshuku (1577-1654), an early artist of the Unkoku School. Founded by Unkoku Togan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed long lasting patronage in southern Japan. Togan was a retainer of the Mori family in present day Yamaguchi prefecture. Members of the school considered themselves to be in the artistic lineage of Sesshu Toyo...
Category
Japanese Edo Antique Early 17th Century Paintings
Materials
Paper
Spanish School Early 17th Century Oil Painting of Christ and the Virgin Mary
Located in CA, CA
An early 17th century painting in oil on canvas from the Spanish School depicting the Lamentation of Christ.
In this moving depiction of the Lamentation Christ...
Category
Spanish Renaissance Antique Early 17th Century Paintings
Materials
Paint
Early 17th Century French Landscape Painting
Located in Los Angeles, CA
Early 17th century French landscape painting. Unframed.
Category
French Louis XIV Antique Early 17th Century Paintings
Materials
Canvas, Paint
‘Les Peintures des Taxidermistes’ No.6. Art Print Photo by Sinke & Van Tongeren
Located in Haarlem, NL
The third series of photographs by fine Taxidermists Sinke & Van Tongeren
After observing and analysing so many 17th century paintings, they were inspired to create a new series of work focused on still life masterpieces. They chose photography as the medium to portray their fine Taxidermy work interpreted through vanitas still lifes.
The collection, ‘Les Peintures des Taxidermistes’, comprises eight works.
Vanitas still lifes were enormously popular in the 17th century, often inspired by biblical themes and the saying that “All is vanity”. It reminded the viewer of his or her own mortality. For these series of still lifes Sinke & van Tongeren not only created meaningful scenes of taxidermy, they also mined their enormous collection of great finds to gather the most beautiful and unusual antiques to complement each scene.
Title of this work; ’RÉUNION D’OISEAUX ÉTRANGERS’
Cabinets of curiosity were of monumental importance in the 16th, 17th and 18th centuries. Assembling them with interesting and rare objects was a competitive hobby amongst the elite, and to collect a great number of mounted species from everywhere in the world was the Holy Grail of the day. For ‘Réunion d’oiseaux étrangers’, we created that Holy Grail again, but this time stocking our cabinet with seemingly live species. This plentiful composition is staged in a cabinet with different boxes holding rare species such as a Toco Toucan, Scarlet ibis, Cock of the Rock...
Category
Dutch Renaissance Antique Early 17th Century Paintings
Materials
Paper
Assumption of the Virgin Mary, Circle of Van De Kasteele, Frans
By Francesco da Castello
Located in Madrid, ES
Circle of VAN DE KASTEELE, Frans (Brussels, c. 1541 – Italy, 1621). "Virgin with angels and saints". Oil on copper. Curly frame in ebony.
Devotiona...
Category
Italian Baroque Antique Early 17th Century Paintings
Materials
Copper
Flemish School of the 17th century "Portrait of a Child"
Located in Madrid, ES
Flemish School of the 17th century
"Portrait of a Child"
Oil on canvas
label on the back with coat of arms
77.5 x 63 cm without frame
85.5 x 71 cm with frame
good condition
Category
Dutch Baroque Antique Early 17th Century Paintings
Materials
Paint
1600s Paintings of French Nobility
Located in Cesena, FC
1600s Paintings of French Nobility
1600s Portraits of Nobility:
Seventeenth-century Paintings
Size: 18.5 x 14.6 inches
French Artist
Featured here are six oval paintings depicting ...
Category
French Antique Early 17th Century Paintings
Materials
Canvas, Wood, Paint
Oil on Canvas; Hounds Chasing a Stag, Studio of Frans Snyders, Antwerp 1579-1657
By Frans Snyders
Located in London, GB
This powerful hunting scene is closely associated to the work of Antwerp-born seventeenth century painter and draughtsman Frans Snyders, widely considered the “progenitor of Flemish Baroque still-life and animal painting.”
Having grown up surrounded by artists, Snyders was initially apprenticed to Pieter Brueghel the Younger (1564-1637/38), scion of a well-established family of painters. Like many of his contemporaries in Northern Europe, to complete his education he then travelled to Italy, staying mainly in Rome and Milan (1608-09). Once back in Flanders, his profile as a skilled young painter – who had refined his craft by studying the masters of Italian art – came to the attention of Sir Peter Paul Rubens (1577-1640), in whose Antwerp studio Snyders entered as an assistant in about 1610, and with whom he would go on to collaborate on a number of important commissions for years to come. In 1611, Snyders further strengthened his ties with the local community of painters by marrying Margaretha de Vos, sister to Cornelis and Paul de Vos, two artists with whom he would also regularly collaborate.
Thanks to the lessons learned in Italy and in Rubens’ studio, Snyders soon achieved the ability to create rhythmic and dynamic compositions, infused with vibrant colours and powerful naturalistic effects. Centred on the theme of the still life, his market scenes and representations of richly stocked pantries and larders embodied the buoyant and confident spirit of seventeenth-century Antwerp, a trading port with a wealthy merchant class and aristocracy (Still Life with Dead Game, Fruits, and Vegetables in a Market, 1614, The Art Institute of Chicago; Still-Life with Fowl and Game, 1614, Wallraf-Richartz Museum, Cologne). Flowers from all seasons and dead game are portrayed alongside baskets overflowing with fruit, precious gilt vessels and Chinese Wanli porcelain...
Category
Belgian Antique Early 17th Century Paintings
Materials
Paint
Early 17th Century Roman School Praying Madonna Painting Oil on Canvas
Located in Milan, IT
Roman school, late 16th-early 17th century Praying Madonna
Oil on canvas, 81 x 69 cm
Frame 83 x 95.5 cm
A divine whiteness reverberates with vibrant luster on the maphorion of the present Virgin. The palpable iridescence that structures the thin rosaceous garment, woven with the same fresh light, produces a slight rustle when she takes her hands off. The Madonna in fact takes a prayerful pose, opening her palms to underline her fervent ecstatic intention; the white neck is rendered with perishable fullness of pigments, like the hands, perfectly alive, and the very shiny eyes. With fine shrewdness the artist of the present styles the Virgin's hair with thin white ribbons, exacerbating the purity. An evocative light falls gently on the bust, a materialized sign of divine glory.
The present can be traced back to the late Mannerist climate that prevailed in the capital after the emanation of the Tridentine council (1545-1563). The late Mannerist licenses that can still be seen there, such as the intense lyricism in the stylistic code adopted by the artist, are innervated in the new basic catechetical intent, which at the end of the century produced a certain figurative rigorism. The present, however, still responds to that extraordinary Roman dynamism that raised the capital to a bulwark for the entire mannerist lesson, matched only by a second artistic center, the Florentine one. The engaging carriage of the Virgin reflects the contemporary examples of Giuseppe Valeriano (1542-1596), a Jesuit painter, returning in the Marriage of the Virgin of the Roman Church of Jesus, as well as in the Madonna of Sorrows in the Recanati Altarpiece, equal ardor. But it is in the Assumption of the Virgin painted in four hands with Scipione Pulzone...
Category
Italian Antique Early 17th Century Paintings
Materials
Canvas
Venetian 17 Century Baroque Oil on Canvas Painting of Kneeling Cupid
Located in Vancouver, British Columbia
A fine and rare painting of a kneeling cupid holding a quiver, shown against an idyllic background. The style and subject matter are similar to works by Venetian masters from the 16t...
Category
Italian Baroque Antique Early 17th Century Paintings
Materials
Brass
‘Les Peintures des Taxidermistes’ No.5, Art Print Photo by Sinke & Van Tongeren
Located in Haarlem, NL
The third series of photographs by Fine Taxidermists Sinke & Van Tongeren
After observing and analyzing so many 17th century paintings, they were inspired to create a new series of work focused on still life masterpieces. They chose photography as the medium to portray their fine taxidermy work interpreted through vanitas still life's.
The collection, ‘Les Peintures des Taxidermistes’, comprises eight works.
Vanitas still lifes were enormously popular in the 17th century, often inspired by biblical themes and the saying that “All is vanity”. It reminded the viewer of his or her own mortality. For these series of still lifes Sinke & van Tongeren not only created meaningful scenes of taxidermy, they also mined their enormous collection of great finds to gather the most beautiful and unusual antiques to complement each scene.
Title of this work; ’LA SURVIE DU PLUS FORT‘
Rich textiles are pulled back to reveal a Dutch antique bible that is almost hidden under the powerful presence of the Nile Crocodile skull under an American Alligator skull...
Category
Dutch Renaissance Antique Early 17th Century Paintings
Materials
Paper
‘Les Peintures des Taxidermistes’ No. 3, Art Print Photo by Sinke & Van Tongeren
Located in Haarlem, NL
The third series of photographs by Fine Taxidermists Sinke & Van Tongeren
After observing and analyzing so many 17th century paintings, they were inspired to create a new series of ...
Category
Dutch Renaissance Antique Early 17th Century Paintings
Materials
Paper
‘Les Peintures des Taxidermistes’ No. 1. Art Print Photo by Sinke & Van Tongeren
Located in Haarlem, NL
The third series of photographs by fine Taxidermists Sinke & Van Tongeren.
After observing and analysing so many 17th century paintings, they were inspired to create a new series of work focused on still life masterpieces. They chose photography as the medium to portray their Fine Taxidermy work interpreted through vanitas still lifes.
The collection, ‘Les Peintures des Taxidermistes’, comprises eight works.
Vanitas still lifes were enormously popular in the 17th century, often inspired by biblical themes and the saying that “All is vanity...
Category
Dutch Renaissance Antique Early 17th Century Paintings
Materials
Paper
‘Les Peintures des Taxidermistes’ No. 4. Art Print Photo by Sinke & Van Tongeren
Located in Haarlem, NL
The third series of photographs by fine Taxidermists Sinke & Van Tongeren
After observing and analysing so many 17th century paintings, they were inspired to create a new series of ...
Category
Dutch Renaissance Antique Early 17th Century Paintings
Materials
Paper
‘Les Peintures Des Taxidermistes’ No. 2. Art Print Photo by Sinke & Van Tongeren
Located in Haarlem, NL
The third series of photographs by fine taxidermists Sinke & Van Tongeren
After observing and analysing so many 17th-century paintings, they were inspired to create a new series of ...
Category
Dutch Renaissance Antique Early 17th Century Paintings
Materials
Paper
‘Les Peintures des Taxidermistes’ No.7. Art Print Photo by Sinke & Van Tongeren
Located in Haarlem, NL
The third series of photographs by fine Taxidermists Sinke & Van Tongeren
After observing and analysing so many 17th-century paintings, they were inspired to create a new series of ...
Category
Dutch Renaissance Antique Early 17th Century Paintings
Materials
Paper
Flemish 16th century Madonna in a Rose Garden
Located in Seaford, GB
The Madonna and Child Oil Painting in a Rose Garden – Flemish (Ambrosius Benson School)
Late 16th Century/ Early 17th Century Flemish Oil Painting on Oak Panel
Artist & Background
This exquisite Flemish Renaissance Madonna and Child oil painting, titled Madonna and Child in a Rose Garden, is attributed to a follower of Ambrosius Benson (circa late 16th - early 17th century). Benson, originally from Lombardy, Italy, became a renowned master painter in Bruges, Flanders, in the early 1500s..
Key Features of This Madonna and Child Painting:
Period & Style – Late 16th-century Flemish School, influenced by Gerard David and Leonardo da Vinci.
Medium – Oil on oak panel, a signature technique of Flemish masters.
Composition – The Virgin Mary and Christ Child are set in a serene rose garden, symbolising purity and divine love.
Influence – This artwork reflects both Netherlandish precision and Lombard artistic traditions.
Provenance & Demand: Benson’s followers were widely sought after, and his compositions commanded high market value among collectors.
Antique Hand-Carved Frame Old Master Madonna and Child Artwork
This painting is housed in an original 17th-century hand-carved wooden frame featuring a classic egg-and-dart motif.
Condition Report
Conservation Status: Professionally cleaned.
Historical Cracking: Some age-related panel cracks are common in antique oil paintings.
Restoration: Minor retouching to the Madonna’s face, enhancing original details.
Why Invest in Flemish Renaissance Art?
Historical Significance – Works by Ambrosius Benson’s followers remain highly collectable in the art market.
Museum-Quality Piece – Suitable for private collectors, investors, and art connoisseurs.
European Heritage – A fine example of an Old Master religious painting...
Category
Belgian Renaissance Antique Early 17th Century Paintings
Materials
Oak, Paint
1612 Portrait of a man with two Gnadenpfennigs, likely Wilhelm Daser (1566-1639)
Located in UTRECHT, UT
German school, unsigned but attributed to Lorenz Strauch, dated 1612.
Oil on copper, ca. 10.5 x 13.0 cm. Including frame: 17.0 x 19.5 cm
Portrait three-quarter facing, dressed in...
Category
German Other Antique Early 17th Century Paintings
Materials
Copper
Antique Portrait of Anne of Denmark, attributed to a Follower of Paul van Somer
Located in Braintree, GB
This exquisite portrait, rendered in oil on copper, presents a three-quarter-length depiction of Anne of Denmark (1574-1619), the esteemed queen consort of King James VI and I. Anne,...
Category
European Antique Early 17th Century Paintings
Materials
Copper
Early 17th Century French Landscape Painting
Located in Los Angeles, CA
Early 17th century French landscape painting. Unframed.
Category
French Louis XIV Antique Early 17th Century Paintings
Materials
Canvas, Paint
Early 17th Century Tuscan School Oil Painting on Canvas 'Virgin and Child'
Located in NICE, FR
We present you this magnificent oil painting on canvas endearingly the Virgin Mary gently caressing the head of Christ Child asleep on his Mother's lap. This artwork has been expertly fit with new canvas and encased in an exquisite gilded wooden frame. It is representative of the Tuscan School...
Category
Italian Baroque Antique Early 17th Century Paintings
Materials
Canvas
Massimo Stanzione (1585 - 1656) Circle of Visitation Virgin Mary with Expertise
Located in Madrid, ES
Massimo Stanzione (Frattamaggiore or Orta di Atella 1585 - Naples 1656) circle of
Visitation of the Blessed Virgin Mary to her cousin Saint Elizabeth
Oil on canvas
147 x 100 cm
Writ...
Category
Italian Baroque Antique Early 17th Century Paintings
Materials
Paint
Antique Japanese Hanging Scroll Attributed to Iwasa Matabei
Located in Atlanta, GA
An antique ink and color on paper hanging scroll (kakejiku) with brocade border. It appears to be a fragment of a larger hand scroll depicting a procession of a lord with his entoura...
Category
Japanese Japonisme Antique Early 17th Century Paintings
Materials
Silk, Paper
Early 17th Century French Landscape Painting
Located in Los Angeles, CA
Early 17th century French landscape painting. Unframed.
Category
French Louis XIV Antique Early 17th Century Paintings
Materials
Canvas, Paint
Early 17th Century French Landscape Painting
Located in Los Angeles, CA
Early 17th century French landscape painting. Unframed.
Category
French Louis XIV Antique Early 17th Century Paintings
Materials
Canvas, Paint
Daniel Cletcher 17th Century Painting Oil on Wood Panel 1628 Den Haag Flemish
Located in Münster, DE
A landscape with nymphs and satyrs revelling by a stream , 1628
Daniël Cletcher, Den Haag 1599
Died: Den Haag buried on 1632-11-25
Father: Thomas Cletcher sr. (? - ca. 1655)
Mother...
Category
Dutch Baroque Antique Early 17th Century Paintings
Materials
Wood
Portrait of a Noble Family in the Landscape, circa 1600, Antwerp School
Located in Saint-Ouen, FR
Portrait of a Noble Family in the landscape
circa 1600
On foreground the nobleman with his family and a table where appear meats and fixtures, showing her ancestry. In background two servants on both sides.
Oil on canvas.
Antwerp School...
Category
Dutch Antique Early 17th Century Paintings
Materials
Canvas
Antique Nativity Italian Painting
Located in Alessandria, Piemonte
Antique Nativity Christmas Italian oil painting on canvas, from first half 17th century. Anonymous painter (as usual at that time) and with an authe...
Category
Italian Archaistic Antique Early 17th Century Paintings
Materials
Canvas
16th-17th Century Gentleman’s Portrait Oil on Canvas by Francesco Zucco
Located in Milan, IT
Francesco Zucco (circa 1575-1627)
Gentleman’s portrait
Measures: Oil on canvas, cm 120 x 140
The painting analyzed here belongs to the pictorial production of Francesco Zucc...
Category
Antique Early 17th Century Paintings
Materials
Canvas
17th Century Holy Family with Bird Oil on Glass Follower of Simon Vouet
By Simon Vouet 1
Located in Milan, IT
Follower of Simon Vouet (Paris, 1590 - 1649)
The Holy Family with bird
Oil on glass, cm 20.5 x 23.5; with frame cm 27.5 x 29.5
The small painting examined, made on glass and...
Category
Antique Early 17th Century Paintings
Materials
Glass
Japanese Six Panel Screen, Morning Glories on a Bamboo Arbor
Located in Hudson, NY
Very early painting of a gold arbor with morning glories, the mulberry paper almost appears polished. Please see close-up photos to show staining from use over the many years (on the...
Category
Japanese Antique Early 17th Century Paintings
Materials
Paper
