Pencil and Watercolour by Veronica Burleigh '1909-1998'

Painting By Alexander James Mavrogordato (1869-1947) Watercolour on paper Signed and dated 1909

'Pyramide im Blau' 1973 By Italo Valenti (1912-1995) Collage and gouache on paper Collage size 23 x 22 cm Gillian Jason label verso

Oil painting By Victor Tempest On canvas Gold frame Mid/late 20th century.

Oil painting By Victor Tempest On Canvas Framed Dimensions are of frame Mid/late 20th Century

This is an abstract acrylic on paper, painting by Veronica Benning in 1987 tiltled Androscoggin.  

A framed watercolour of a blue and yellow tang fish by L. R. Laffitte. La Roche Laffitte is a contemporary French artist, born in 1943 specialising in painting mainly animals, birds ...

2 Drawings by a Boston Artist, Signed March 1909, D5 Two drawings of figures, two 7.25" x 4.65", signed March 1909, Framed (22.5" x 14.5") under glass.

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...