Large Aboriginal Bark Painting with Birds, turtles and goanas Motifs

We offer an exquisite Aboriginal artwork created by Tjunkiya Napaltjarri (1927-2009) in 2002, sourced from the Papunya Tula Art Center. Her work can be found in the collections of th...

John Kauage: Continuing and Transforming a Visionary Legacy John Kauage stands today as one of the key figures shaping the future of contemporary art in Papua New Guinea, carrying f...

Beautiful and large painted porcelain plaque depicting a group of laughing characters in a village in a wooden and gilded stucco frame. Around 1880. Good condition ready to hang.

This painting comes from the Jilamara Design art center and dates back to 2013. It is made with earth ochres bound with acrylic pigment. Cornelia is considered a great artist of the first generation from this region. A certificate of authenticity is included. Cornelia Tipuamantumirri was born in Pirlangimpi (Garden Point), Melville Island, around 1930. Her father's ancestral land is Imalu Point, Melville Island, and her mother's ancestral land is Munupi, Melville Island. Her skin group is Warntarringa (Sun) and her dream is Jarrikalani (Turtle). Tipuamantumirri lives and works in Pirlangimpi, where she is an initiated and respected Tiwi elder. Tipuamantumirri uses the kayimwagakimi, a traditional carved wooden painting comb with a single row of teeth. Using a palette of ochres in pinks, yellows, blacks, and browns, her work depicts significant aspects of Tiwi life and culture with repeated dotted lines referencing yirrinkiripwoja (body painting) and the tidal movements of the surrounding seas. Tipuamantumirri, who began painting in 2010, is also an experienced weaver. Key recent solo and group exhibitions: - Warnarringa - Jarrikalani: Sun - Turtle, Alcaston Gallery, Melbourne (2014) - Cornelia Tipuamantumirri - New Paintings, Alcaston Gallery, Melbourne (2013) - Purunguparri (Stringy Bark Hut), Alcaston Gallery, Melbourne (2011) - Ngawa Munupula/Ngawa Kiripapiranjuwi: New Paintings from Munupi Art on the Tiwi Islands, Outstation Gallery, Darwin (2015) - Cornelia Tipuamantumirri and Delores Tipuamantumirri: New Paintings, Martin Browne Contemporary, Sydney (2015) - We are Tiwi: Munupi Arts from Melville Island, Artitja Fine Art, Fremantle, WA (2014) - The Tiwi: Art from Jilamara & Munupi Art Centres, Kluge-Ruhe Aboriginal Art Collection, Virginia, USA (2014) - Nginingawila Munupi Jilamara: Our Paintings from Munupi, Marshall Arts, Adelaide (2013) - Kirilima + Jarrikalani - Jungle Fowl + Loggerhead Turtle...

Contemporary Aboriginal art, oil and acrylic on canvas. The painting depicts significant snake and gecko figures and characters that might ...

Large aboriginal painting by contemporary artist Ningura Napurrula entitled "My country, rock holes". Canvas is not stretched for easy shipping. Ningura Napurrula (Australian Abor...

A significant contemporary aboriginal painting by Kathleen Petyarre (1940-2018) in 2010. The painting was a rare oversize piece, exceptionally executed in earthy colors, showcasing m...

A large and stunning contemporary abstract painting by celebrated Australian Aboriginal artist Naata Nungurrayi (1932-2021), stretched and ready for display. A rare masterpiece of the museum quality dating from the peak of the artist's creative output in 2003. The canvas is singular in both the impressive size and tine quality, and it comes with full provenance and step by step photos (100 in total) recording the creation of this significant piece of work. The artist used fine dots as the sole element to compose a complex dreamtime landscape where Women's Ceremony took place in her ancestral time. The place is located at Marrapinti and its surrounds, where many water soakage holes were located. Dots in brilliant shifting and contrasting colors form ceremonial Tingari symbols performed by the women, black crawling tracks that may be associated with a site called Karilywarra (two carpet snakes) and mesmerizing Tali (sandhill) movements surrounding the canvas. The work is of the signature style of the artist, singular and easily recognizable. The fine quality of this work is exemplary. Medium: acrylic on Belgium Linen Cat no. NN200315 Provenance: Yanda Aboriginal Art, NT. The painting comes with a COA letter and an artist biograph issued by Yanda Aboriginal Art and a presentation album with 100 photos that documented the entire process of the creation of this large work of art. The edge of the painting bears name of the artist as well as the stamp of the gallery as shown. Reference and further reading: For a relevant work by the artist, See Plate 88 and Page 220-222 in the book "Past and Present Together: Fifty Years of Papunya Tula Artists" by Meyers and Skerritt. Another similar work is illustrated on plate 13 in "Pintupi" by Hamiltons. Artist's biography: Naata Nungurrayi (1932-2021) is an Australian Aboriginal artist who was born at the site of Kumil, west of the Pollock Hills in Western Australia. She is from the Pintupi group from Kintore, Northern Territory and is one of the senior elders of the Kintore women artist movement. Naata is the sister of George Tjungurrayi and Nancy Nungurrayi, and her son is Kenny Williams Tjampitjinpa...