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German Realist Still-Life Painting of Fruits and Wine by Gottfried Schultz
About the Item
GOTTFRIED SCHULTZ
German, 1842-1919
Still-Life with Fruits and Wine on a Marble Surface with a Small Fly
Oil on linen Signed upper left "G. Schultz"
Item # 402UJE16Z
An intricately painted still-life scene centered around a blown glass goblet of white wine centered on a marble table top. Red and white grapes spill across the surface with a sprig of the grape vine together with several large leaves resting on the top while peaches, a pear, two plums and an open apricot are laid out on the table. A single fly looks on at the table of sweet fruits and juices, its tiny body casting a faint shadow on the carrara marble beneath it. In the glass of wine, the panes of a window can be seen reflecting against the curved body.
It is interesting to note a two things that caught our eye - first is the water droplets on the grapes and on the table top, a feature Schultz frequently includes in his still-lifes. And secondly the inclusion of a single spoiled white grape with its deflated and discolored skin front and center. Honesty in the midst of a tasty composition. In other examples, Schultz has frequently included grape leaves that have holes and browning on them or are even missing parts of their edging.
Gottfried Schultz's paintings are quite scarce on the open-market, perhaps indicative of a low output by the painter. One of his paintings is held in the permanent collection of the Charles Hosmer Morse Museum of American Art in Florida (acc. no. P-042-92), a 10 x 12 in canvas featuring berries and fruits on a marble slab before a soup toureen. The few paintings that have shown up on the market over the years would include: Still-life of Grapes, Peaches, Plums and Hazel Nuts with a Glass of Champagne on a Marble Mantleshelf, 13 3/4" x 17 3/4", [Christie's, London, achieved 9200 GBP, 19 March 1993], Still-life of Red Berries, Peaches and Strawberries, a tiny painting measuring just 7" x 8" [Auktionshaus Zofingen, Switzerland, 16,000 CHF, 31 May 2002 - the pair to this painting, also measuring 7" x 8", was offered separately at the sale and also achieved 16,000 CHF], and a 7 1/2" x 10" example of Still Life with Grapes, Plums and a Peach offered at Van Ham Kunstauktionen in Germany, which achieved 4500 euros on the 17th of May 2013.
Provenance:
Wolf's Gallery, Cleveland, OH, lot 243, September 22nd 1990
Private Collection, Macomb County, MI, acquired from the above
ARTIST
Gottfried Schultz was born in Darfeld on February 4th of 1842. He studied as a pupil of J.W. Preyer in Düsseldorf where he would eventually set up his studio. He painted almost exclusively still-life compositions, almost always featuring fruit and local foliage along with servingware, goblets or cups. Little is known about the life of this meticulous painter, though what little authentic work from his studio remains is always meticulous and brilliant in its handling of color and light. Often his work includes an insect: butterflies, houseflies, bees and the like.
Artist Listings & Bibliography:
E. Benezit Dictionary of Artists, Vol. XII, Gründ, 2006, p. 807
Measurements: 19 1/8" H x 1 3/4" D x 22 5/8" W [frame]; 14 3/8" H x 17 3/4" W [canvas]
Condition Report:
Professionally restored by our conservator [treatment included surface cleaning, removal of discolored varnish, replace any missing keys, key out any slackness in the canvas, apply preliminary layer of traditional damar varnish, inpaint losses around the old tear, final varnish]. Old small L-shaped tear upper right corner. Tiny old scuff at the highest bulb of the wine goblet. Original stretchers with several replaced keys. Wax relined. Hung in a contemporary frame with minor gilt wear throughout.
About silla antiques & art
Established in 2009, we have available in our 9000 square foot brick-and-mortar gallery an ever-changing selection of carefully curated and catalogued furniture, decorative arts, paintings, sculpture and estate jewelry. Our company has long specialized in sculpture circa 1860 through 1930 and as such the gallery always has a very large collection of exceptional European and American sculpture available on display.
The gallery is located at 117 W Burd Street in Shippensburg, Pennsylvania and is open by appointment only. We welcome your visit and would love to meet with you at the shop. For clients located outside of the area, we are always available to discuss items by video conferencing or by phone.
- Dimensions:Height: 19.13 in (48.6 cm)Width: 22.63 in (57.49 cm)Depth: 1.75 in (4.45 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1890
- Condition:Replacements made: See condition notes. Repaired: See condition notes.
- Seller Location:Shippensburg, PA
- Reference Number:Seller: 402UJE16Z1stDibs: LU1059039616272
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View AllAmerican Still-Life Fruit Painting of Peaches and Fly by Morston Ream ca. 1880
Located in Shippensburg, PA
MORSTON CONSTANTINE REAM
United States, 1840-1898
Still Life of Six Peaches in a Porcelain and Glass Bowl with a Knife
Oil on canvas unsigned circa 1880
Item # 403EDF06S
An exquisite still-life rich with texture, color and brilliant use of light. This tranquil scene features six peaches in a beautifully decorated ceramic bowl with a translucent glass rim resting on a table covered in two layers of cloths. The first has a a pearl color with a greek-key border, overall having a silky sheen and a chaotic fringe edge; the second is a green fabric with geometric patterns. Along the side of the bowl is situated a pearl handled bread knife, something of a hallmark for Morston Ream, as he used several styles of pearl-handled knives in almost this exact orientation for several of his paintings. For a nearly identical knife and placement, see Christie's, New York, 3 March 2011, lot 76 ("Fine American Paintings, Drawings and Sculpture"), 10" x 11 3/4", achieved $ 8750. Another example with identical angling of the knife sold at Doyle, New York, 2 November 2021, lot 71 [achieved $ 4250].
A solitary bead drips from the center peach as a fly stands perched at the top.
The work is unsigned, but is without any question the work of Ream. It likely dates between 1880 and 1888, as the original frame had a label on it from Thomas A. Wilmurt, a well-established framing and looking glass company in New York City that moved to its 54 East 13th Street premises noted on the label around 1880. Images of that label and the original frame from when this painting was offered at Tremont Auctions of Sudbury, Massachusetts (lot 209, 25 April 2021) will be included with the information packet our gallery provides.
ARTIST
Born in Lancaster, Ohio in 1840, Morston Constantine Ream was the younger brother of Carducius Plantagenet Ream (American, 1837-1917), an artist who became at least as famous as Morston for his brilliant fruit pictures. Morston began painting in the late 1860s, leaving his career as a daguerreotypist for fear it was damaging to his health. He exhibited extensively, his first exhibit recorded at the National Academy in 1872 while he was living at 56 Bank Street in the west part of Greenich Village in New York City. He listed his address at Union Square in Philadelphia from 1876 through 1882 when he listed his address as 862 Broadway. He began sending paintings to the exhibitions at the Art Institute of Chicago in 1888, then listing his address as 1244 Broadway in New York City, but by 1896 he had moved to Chicago to live at 558 50th Street. He actively sent paintings to the major exhibitions, regularly exhibiting at the National Academy from 1872 through 1883, sending paintings to the Pennsylvania Academy of Fine Arts in 1876 and 1881, as well as exhibiting at Moore’s Art Rooms and the Brooklyn Art Association. He died in 1898 at 58 years of age in New York City.
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OLIVER CLARE
British, 1853-1927
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A vivd scene that captures the essence of nature's bounty through the portrayal of vibrant, freshly picked apples. Unlike many of his contemporaries who preferred lush, naturalistic environments, Bryant Chapin often chose a simpler greenish-brown backdrop, allowing the viewer's attention to be drawn solely to the meticulously rendered apples.
The apples are the focal point of the image, each depicted with their rich red and yellow skins glistening under the warm sunlight. The manner in which Chapin paints them allows them to almost hover above the rustic surface. This characteristic slight elevation of the fruit from the surface is a distinctive feature of Chapin’s style. The background is largely impressionistic with bold chaotic brushstrokes blending earthy tones of greens and browns with subtle textures, an effect that provides a softened contrast to the hyper-realist bright and shiny apples, emphasizing their freshness and natural beauty.
For a similar example on the open market, see a nearly identical painting Chapin painted in 1907 with almost the same stretcher size (10" x 15") which was offered at Bonham's, New York in their May 21, 2008 sale (lot 1003), which achieved $ 5,400 USD.
ARTIST
Bryant Chapin (American, 1859-1927) was a prominent still life artist, born and raised in Fall River, Massachusetts, where he spent his entire life. The early roots of his artistic inclination were likely nurtured by his maternal aunt, Sarah Augusta Borden née Washburn (1841-1911), a pioneering art teacher in Fall River.
Chapin studied under the prominent still-life painter Robert Spear Dunning (1829-1905), a connection evident in his early works which reflect Dunning’s influence. These initial paintings often feature fruit meticulously arranged on highly polished tabletops with elaborate carved edges and reflective surfaces, showcasing Chapin's attention to detail and his delicate rendering of light and texture.
Before fully dedicating himself to art, Chapin pursued careers in engineering and banking. It wasn't until 1888, at the age of twenty-nine, that he established his first studio and committed to his artistic profession. Chapin maintained this studio in Fall River throughout his life. He also briefly taught freehand drawing at the Fall River Evening Drawing School, part of the local public school system.
Chapin’s artistic repertoire included still lifes, landscapes, marine scenes, and occasional portraits. His still life paintings can be categorized into two styles: arrangements of fruit on polished tabletops with intricate moldings and reflections, and outdoor settings where fruit is placed directly on the ground against a vague, greenish-brown background. His outdoor still lifes often feature vibrant berries spilling from rustic, wooden boxes.
Chapin traveled extensively throughout New England and Canada to paint landscapes, and in 1912 and 1913, he ventured abroad in search of new subjects. His Impressionistic landscapes were described as having a "wistful mysticism," making them popular among contemporary audiences. Hezekiah Anthony Dyer...
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German Landscape Painting of Alpine Mountain Waterfall by Guido Hampe
By Guido Hampe
Located in Shippensburg, PA
GUIDO HAMPE
German, 1839-1902
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An incredibly powerful Romantic landscape of the Alpine mountains with a waterfall cascading into a valley, the river pouring over the rocks and curving around the bend, flowing past a pair of figures seated on a grassy noll with a transcendant unearthly lighting that creates a focal point of the couple. It is as if the clouds have opened up just to shine light on them, emphasizing the glorious day the man and woman are experiencing on this leisurely hike through nature.
Painted by Guido Hampe in 1881, the painting was acquired by Charles S. Shultz, president of the Hoboken Bank in Montclair, New Jersey where it remained in his home until its deaccession from the home in 2021. The home was particularly interesting for its total originality, the interior looking almost identical throughout its entire life to how it appeared at its inception in 1896. Enclosed in the collection of images is a shot of the painting in situ over the living room fireplace as captured by the Montclair Magazine article on the home in 2020.
The work is signed in his typical script lower right "G. Hampe / 81". It remains housed in the original and substantial giltwood frame, fully restored and a very powerful presentation.
An article on the Charles S. Schultz home can be found by clicking here.
Artist Listings & Bibliography:
*. E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 1105
Measurements: 32 1/4" H x 42 1/2" W [canvas]; 48 1/2" H x 58 5/8" W x 5 1/4" D [frame]
Condition Report:
A fine presentation ready to place: frame with minor wear/abrasion/loss; canvas with trace grime in the mountain tops and sky and all-over moderate craquelure. Surface bright and vibrant. Retains the original frame that we have had professionally restored with trace regilding and inpainting, some elements recreated; the restoration has preserved the antique nature of the frame and all restoration has been toned to match the aged aesthetic of the frame. Painting was acquired with its apparently first surface, an incredibly thick grime layer that significantly obscured the image - this was likely due to its placement above the fireplace in the Charles Shultz...
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Antique 19th Century German Romantic Paintings
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