Framed Watercolor of St Andrew's Roman Catholic Church, Manhattan

Pair of Framed and Matted Watercolors Signed by J. Edwin Petersen. One depicting a French street scene, the other appears to depict the "Palais des Papes" in Avignon. Both are signed...

Framed and Matted Watercolor "Streets Of Montmartre With the Sacré-Cœur Basilica". Appears to be a view of Rue Norvin. Trent Antiques has been a respe...

The watercolor on paper is monogramed and dated '79. It is framed, matted and glazed. The painting is depicting a Franco-Prussian officer feeding his horse after a watercolor by Jean...

"My Family" a watercolor by Helen A. Haselton. She was active in Chicago and the Hartford area in Connecticut, born in 1888 and died in Woodstock Valley, CT in 1989. She was an accom...

A French Napoléon III period framed architectural oil on canvas panel from the mid 19th century, with Allegory of the Arts and rinceaux motifs. Created in France at the beginning of ...

This beautiful boiserie panel depicting an allegory of Spring and the Arms of France was hand-painted in France, circa 1840. Boiserie is ornate wooden paneling that covered walls and ceilings of luxurious chateaus in France. The use of these panels became more prevalent at the end of the 17th century, before exploding in popularity during the 1700’s, thanks to multiple installations at the Palace of Versailles. Lengthy paintings such as this (ours is over 112 inches long) would often be placed above a doorway, forming a continuous theme with the rest of the room. The arrival of Spring is depicted by four winged cherubs frolicking among pink, white, and yellow flowers. None of the cherubs are clothed, although two of them are draped in colored textiles. The putto on the far left has a billowing peach colored material hanging from the left shoulder as he holds a sheer piece of fabric. The transparent veil stretches across most of the canvas, extending to the right hand of a female cherub wearing a jeweled tiara on the far right. On the same side of the canvas, but more medial, is another putto loosely draped in green fabric. To the left is the fourth cherub, a female with a laurel leaf tiara that is holding onto the edge of the Arms of France. A gold oval medallion, adorned with volute scrolls at the top and bottom, encircles a representation of the coat of arms of France from the Bourbon Restoration (1814/1815-1830). There is a large, curled leaf rising from the top volute with a husked border surrounding the light blue background with three gold fleur de lys. Our magnificent French painting gives off a warm and lively feel. Although it could still be used as part of a boiserie room...

Roman corinthian capital Marble Flavian period, 1st century AD H 40 x L 42 x P 40 Provenance : Private collection United Kingdom.

These are a pair of antique coral granite half columns recovered from a prominent New York building. Nicely polished. Top and bottom diameter is 7 inches. Each column weighs about 6...