Fascinating Large Austrialian Aboriginal Dot Painting

Walt Killam, large oil on Masonite, 1955 (1907-1979), Abstract Landscape, signed and dated lower right, 44"h x 37"w 52"h x 44"w (framed) Walt Killam was born in Providence, Rhode...

Large original painting signed lower right, Slade, having striking figurative rendering that's almost abstract. The figure appears to be female with a dreamy, bold and powerful styl...

Romantic large moody oil on canvas still life of fruit and flowers with particularly tantalizing green grapes. Handsomely framed in mahogany molding with gold filet. Not signed.

From a distance, the composition is a random collection of large floating "reading glasses", the scourge of middle age. Used by the artist, Fay Sciarra, as a metaphor for "looking de...

Large aboriginal painting by contemporary artist Ningura Napurrula entitled "My country, rock holes". Canvas is not stretched for easy shipping. Ningura Napurrula (Australian Abor...

Aboriginal artist Jorna Newberry is recognized for her distinctive style that blends tradition and modernity, while exploring deep themes linked to her culture and land. His often vibrant and lively works can combine traditional Aboriginal motifs with a contemporary aesthetic, creating unique and evocative compositions. Jorna Newberry is valued for her ability to convey cultural narratives and spiritual connections through her art, providing an authentic perspective on Aboriginal history and identity. His contribution to the contemporary Aboriginal art...

A significant contemporary aboriginal painting by Kathleen Petyarre (1940-2018) in 2010. The painting was a rare oversize piece, exceptionally executed in earthy colors, showcasing m...

A large and stunning contemporary abstract painting by celebrated Australian Aboriginal artist Naata Nungurrayi (1932-2021), stretched and ready for display. A rare masterpiece of the museum quality dating from the peak of the artist's creative output in 2003. The canvas is singular in both the impressive size and tine quality, and it comes with full provenance and step by step photos (100 in total) recording the creation of this significant piece of work. The artist used fine dots as the sole element to compose a complex dreamtime landscape where Women's Ceremony took place in her ancestral time. The place is located at Marrapinti and its surrounds, where many water soakage holes were located. Dots in brilliant shifting and contrasting colors form ceremonial Tingari symbols performed by the women, black crawling tracks that may be associated with a site called Karilywarra (two carpet snakes) and mesmerizing Tali (sandhill) movements surrounding the canvas. The work is of the signature style of the artist, singular and easily recognizable. The fine quality of this work is exemplary. Medium: acrylic on Belgium Linen Cat no. NN200315 Provenance: Yanda Aboriginal Art, NT. The painting comes with a COA letter and an artist biograph issued by Yanda Aboriginal Art and a presentation album with 100 photos that documented the entire process of the creation of this large work of art. The edge of the painting bears name of the artist as well as the stamp of the gallery as shown. Reference and further reading: For a relevant work by the artist, See Plate 88 and Page 220-222 in the book "Past and Present Together: Fifty Years of Papunya Tula Artists" by Meyers and Skerritt. Another similar work is illustrated on plate 13 in "Pintupi" by Hamiltons. Artist's biography: Naata Nungurrayi (1932-2021) is an Australian Aboriginal artist who was born at the site of Kumil, west of the Pollock Hills in Western Australia. She is from the Pintupi group from Kintore, Northern Territory and is one of the senior elders of the Kintore women artist movement. Naata is the sister of George Tjungurrayi and Nancy Nungurrayi, and her son is Kenny Williams Tjampitjinpa...