Ellen Loerwald Flashes at Midnight Modern Mixed Media Painting on Board Framed

A fantastic modern inspired oil painting on board titled Ruccini by Thomas Pulgini. A fusion of pop art and cubism, this portrait takes influences from ...

A modern mixed-media watercolor painting on painting by German artist Johanna Hass. Signed and dated 1971 on the bottom right. An abstract composition in bright and bold colors. Ther...

A modern mixed-media collage painting on paper titled "In the Beginning" by Detroit artist Nori Geffen. Hand signed bottom right, titled on verso. Circa 1970s. A dramatic and express...

A bright and expressive mid-century modern oil painting on board by Robert Quigley. Signed bottom right as well as verso. A unique addition to a modern or contemporary space. Created...

Layers of paper and paint make this artwork stand out on it's own. Unsigned.

The painting features a bear and a beluga whale, intertwined with elements of nature, including vines and possibly pine cones. The bear is depicted in a naturalistic style, showcasin...

Lennart Lilja, Noah Mianhig, 1996 Mixed technique on the board The work signed by the artist's signature, has title and date Dimensions 48/52 Framed work Lennart Lilja (1924-2008). ...

Exquisite painting by prominent artist Fred Otnes, Jr of a figural woman in gold, orange and warm earth colors. This unique mixed media of oil and collage has diverse layers in the painting although to the touch the painting is smooth. This piece is painted on board and is found in a gilt leaf frame with a linen liner. Signed on the lower right corner as well as what appears to be on verso on the craft backing paper. From the personal collection of the artist. Image only is 29.25" high by 26.25" wide. Colors on the painting may vary due to room lighting and photography. Fred Otnes (1925-2015), was a prominent illustrator, painter and collage artist who embraced abstraction. “Fred Otnes brings to his collage paintings a classical refinement and control that makes poetry out of chance pictorial effects,” the artist and critic Maureen Mullarkey wrote in reviewing a retrospective in Manhattan in 2006 for The New York Sun...