Doylan Filtration Mixed Media Signed Contemporary Blue White Gold Black

Mediterranean Fishing Village, Gouache, In original frame, Mid-Century Modern, artist unknown, c1950 Charming composition of fishermen mending their nets at the end of the day wit...

JENS KJAER, (DANISH : b1938) Seed Pods Oil Board Abstract Earth Pigments Ochre Sienna Umber 28.5" The theme of fertility and fecundity is explored in this ...

Basil Nubel ARCA, British 1923-1981 : Village in the Rain Signed & Dated 1969 lower right, reverse canvas inscribed 1.12.69 and varnished In the original wooden box frame The reverse bearing remains of Gallery Petit, Marble Arch, London W1 - Colourful, decorative, impressionistic work capturing the refreshing quality and colour refraction of light rain - The composition is beautifully balanced the houses either side of the lane, with a strong foreground and light background recreating the visual depth of the landscape - The purple, blue, green, pink, and earth tones of the palette create liveliness and softness within the work and the light tones of the water on the lane have the strong reflective quality of a water - Injecting colour and atmosphere into the interior Height: 24.81 in. (63 cm)Width: 30.71 in. (78 cm)Depth: 1.19 in. (3 cm) Basil Nubel was a landscape painter in oil and watercolour born in Great Yarmouth, Norfolk, to an English mother and German father. Nubel studied at Leeds College of Art under Alfred Daniels and Maurice de Sausmarez, then at the Royal College of Art under Carel Weight, Robert Buhler...

Glyn Thomas (b.1946) : Lighthouse, Orford Ness Etching. Artists proof from a limited edition of 150, signed and titled in pencil, f Depicting the lighthouse in the foreground, the Ministry of Defence buildings on the left and the River Alde and with the Castle and Church on the horizon. visible sheet length 46cm., 18",, height 29cm., 11.5" in the original mount and wooden frame length 63.5cm., 25" height 48cm.,19" The encroaching sea eventually got so close that the lighthouse had to go. Rather than simply let it fall into the sea, in July 2020 the entire building began to be carefully dismantled so as not to have any impact on the surrounding sensitive environment. The Orford Ness Lighthouse Trust plan at that time was to remove the lantern room as well as other original features and artefacts with a view to one day creating a lighthouse memorial of some sort on the other side of the Ness, facing Orford town’s quay. In the original pine slip frame height 48cm., 19" length 63cm., 24 1/2" ORFORD NESS Orford Ness is an internationally important site for nature conservation and a designated National Nature Reserve. It is a rare and delicate landscape, consisting of shingle ridges and valleys, deposited over centuries by the sea. 20% of Europe's vegetated shingle is found on Orford Ness. Once a former World War One and World War Two Airfield, the land is now a rich grazing marsh, providing home to birds, deer and rare-breed sheep. It is one of the few sites in the UK with purpose-built facilities for the testing of components of nuclear weapons. Comprising of six 'labs', which now form impressive backdrops on the shingle and the Black Beacon erected in 1928 to house an experimental rotating-loop navigation beacon. GLYNN THOMAS Glynn Thomas was born in Cambridge 1946. He studied at the Cambridge School of Art 1962-67, specialising in illustration and printmaking; taught printmaking at the Ipswich School of Art 1967-79, and is now a full-time artist living in Suffolk. He has illustrated a number of books. He is a Fellow of the Royal Society of Painter-Printmakers and at the Society’s 1983 annual exhibition his etching ‘Honfleur’, was awarded the Davys’ prize for the best print. In addition, his work has been included in the Houses of Parliament art collection. One man exhibitions include the Dominion Centre Toronto, the John Russell Gallery, Ipswich, Printworks and the Minories, Colchester, the New Ashgate Gallery Farnham, the Royal Exchange Theatre, Manchester, the Lyric Hammersmith, and the Barbican Centre London. Mixed exhibitions include the Cambridge Contemporary Art Gallery, the Adelphi Gallery New York, Donald Hughes, Hong Kong, the Royal Academy, the British Miniature...

John Fraser (1952-), three dimensional art collage on board with an open and pageless book, tape, acrylic paint and multilayered paper. Nicely backed and mounted. Titled "Interior with Blue Highlights." Measures: 18" x 18". Galleries with John Fraser permanent collections and select permanent collections. The Cincinnati Art Museum, Cincinnati, OH. The Delaware Art Museum, Wilmington, DE. The New Mexico Museum of Art, Santa, Fe, NM. The Contemporary Museum, Honolulu, HI. The McNay Art Museum, San Antonio, TX. Museo de Arte Contemporaneo Esteban Vincente...

Bold, contemporary artwork by Italian artist Niro Vasali. Vasali works in contrasts, pitting strong against weak, producing a tension at the center of each...

'Komet' (Comet) - a wonderful large & informal abstract modernist mixed media painting signed by German artist Irene Höll (b.1960). Painted on canvas, Höll applies the paint on to th...

Very large and vibrant abstract painting and mixed media assemblage. Signed lower right. Block like elements in reds, tan, white and black. Along with black and white strings across ...