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19th Century Chinese Reverse Glass Painting

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Chinese Reverse Glass Painting of Taoist Immortals, c. 1900
Located in Chicago, IL
Popularized during the Qing dynasty, reverse glass painting requires an artist to essentially work backwards, starting with details and shading before adding color and form. Lending the finished work a subtle three-dimensional effect, this exacting technique doesn't allow for any corrections, and is only revealed to its full effect when the glass pane is turned around. This example dates to the late 19th century and depicts the Taoist immortals He Xiangu and Cao Guojiu. Said to have attained immortality through their studies of the natural world, the Eight Immortals each represent a different condition in life and impart blessings of prosperity and longevity. The charming scene is likely one of a set of...
Category

Early 20th Century Chinese Paintings and Screens

Materials

Glass, Wood

Chinese Reverse Glass Portrait with Painted Fan, c. 1900
Located in Chicago, IL
With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...
Category

Early 20th Century Chinese Qing Paintings and Screens

Materials

Glass

Chinese Reverse Glass Portrait of a Young Woman, c. 1900
Located in Chicago, IL
With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...
Category

Early 20th Century Chinese Qing Paintings and Screens

Materials

Wood, Glass

Tibetan Thangka of Chenresi, Late 19th Century
Located in Chicago, IL
In Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. Painted with blue, orange, and red pigments, this 19th century thangka...
Category

Antique Late 19th Century Tibetan Tibetan Paintings and Screens

Materials

Silk, Fabric

'Love and Lotus Boys' Early 20th Century Chinese Folk Painting
Located in Chicago, IL
Drawn with a fine line and fresh, sketched quality, this folk hanging unites two scenes of lucky hoho lotus boys circumscribed in frames punctuated with fruits such as pomegranate, symbolic of prosperity and good fortune. On top, the two explore the natural wonders of the world...
Category

Early 20th Century Chinese Qing Paintings and Screens

Materials

Linen, Wood

Chinese New Year Painting, c. 1900
Located in Chicago, IL
In celebration of the lunar New Year festival, it was traditional all over China to hang special decorations. In a city called Wuqiang, local artists made lacquer scroll paintings laden with symbolism. This framed and finely rendered early 20th century folk painting from Wuqiang features an imperial court official and his family dressed in their best silks. The young boy is dressed in a wonderfully patterned yellow robe to offer Shou Xing...
Category

Early 20th Century Chinese Qing Paintings and Screens

Materials

Paper

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19th Century Reversed Glass Painting China for European Market Verre Eglomisé
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The reversed glass painting has been made circa 1800. The picture has beautiful colors and is in the original condition. The beautiful painting is also in the original frame.
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Set of 3, 19th Century Allegorical Reverse Glass Paintings
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**Set of 3, 19th Century Allegorical Reverse Glass Paintings** This captivating set of **three 19th-century allegorical reverse glass paintings** presents richly detailed narratives imbued with symbolism and classical themes. Each painting is executed in the traditional reverse glass technique, providing a smooth and reflective surface that enhances the vibrant palette and fine detailing. 1. **Painting 1 (Left Panel):** This scene portrays a dramatic encounter, likely a moment of judgment or persuasion, set against a distant landscape. A figure in a flowing blue robe gestures emphatically toward a well-dressed couple, perhaps symbolizing conflict, intervention, or moral decision-making. The background includes a sweeping view of the countryside, with figures in the distance adding depth and context. 2. **Painting 2 (Center Panel):** The central panel features a pastoral scene steeped in allegorical significance. A central figure dressed in red, resembling a shepherd, commands attention under a radiant sunburst. Surrounding characters appear in moments of tension and repose, including a reclining figure and a soldier-like character. This composition evokes themes of guidance, struggle, and divine providence, with the bright sky and natural elements reinforcing the allegorical tone. 3. **Painting 3 (Right Panel):** The final panel depicts an intimate interior scene, with two seated women engaged in conversation, one gesturing emphatically as a standing male figure observes. The setting includes detailed furnishings, such as a writing desk, a red draped curtain, and objects hinting at scholarly or domestic pursuits. This tableau may represent themes of wisdom, counsel, or moral reflection, supported by the characters' thoughtful expressions and elaborate dress. Each painting is framed in its **original dark wooden frame**, complementing the vibrant colors and enhancing their display value. The set embodies the **19th-century European fascination with allegory and storytelling**, making it a significant piece for collectors of reverse glass art...
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