18th century Antonio Correggio The Mystic Marriage of St Catherine

Circle of Sir Godfrey Kneller, Mrs Voss, and Catherine Kneller, oil on paper laid to wood panel Overview This exceptional Baroque portrait artwork, the circle of Sir Godfrey Kneller,...

The Madonna and Child Oil Painting in a Rose Garden – Flemish (Ambrosius Benson School) Late 16th Century/ Early 17th Century Flemish Oil Painting on Oak Panel Artist & Background This exquisite Flemish Renaissance Madonna and Child oil painting, titled Madonna and Child in a Rose Garden, is attributed to a follower of Ambrosius Benson (circa late 16th - early 17th century). Benson, originally from Lombardy, Italy, became a renowned master painter in Bruges, Flanders, in the early 1500s.. Key Features of This Madonna and Child Painting: Period & Style – Late 16th-century Flemish School, influenced by Gerard David and Leonardo da Vinci. Medium – Oil on oak panel, a signature technique of Flemish masters. Composition – The Virgin Mary and Christ Child are set in a serene rose garden, symbolising purity and divine love. Influence – This artwork reflects both Netherlandish precision and Lombard artistic traditions. Provenance & Demand: Benson’s followers were widely sought after, and his compositions commanded high market value among collectors. Antique Hand-Carved Frame Old Master Madonna and Child Artwork This painting is housed in an original 17th-century hand-carved wooden frame featuring a classic egg-and-dart motif. Condition Report Conservation Status: Professionally cleaned. Historical Cracking: Some age-related panel cracks are common in antique oil paintings. Restoration: Minor retouching to the Madonna’s face, enhancing original details. Why Invest in Flemish Renaissance Art? Historical Significance – Works by Ambrosius Benson’s followers remain highly collectable in the art market. Museum-Quality Piece – Suitable for private collectors, investors, and art connoisseurs. European Heritage – A fine example of an Old Master religious painting...

After Raphael's Grand Duke's Madonna Grand Duke's Madonna after Raphael, a stunning 19th-century oil painting from the renowned Berkley Collection. This remarkable artwork, inspire...

Antique Oil Painting – Studio of Robert Henri – Sailor Boy Mick – Early 20th Century Artwork Experience the timeless beauty of this Robert Henri Cozad Sailor Boy Mick Oil Painting o...

Antonio Alegri, (Correggio - 1494-1534) Our Lady with the Child Jesus oil on copper, Italian School 16th century With inscription on the back '1494-1534...

17th century Mystical marriage of Saint Catherine Measures: Oil on canvas, 98 x 81 cm - with frame 119 x 102 cm The scene represents the mystical marriage between Catherine of A...

17th century, Roman School Mystical marriage of Saint Catherine of Alexandria Oil on canvas, 32 x 23 cm Frame cm 45 x 36 The saint is depicted in front of the Virgin holding the Child portrayed with the wedding ring in his hand, enriched with a precious stone. According to the Golden Legend, Catherine of Alexandria was a very beautiful young woman, the only daughter of the king of Costa, who had refused to marry the emperor Maxentius because she was a Christian and devoted to Christ. Maxentius, unable to convince her to sacrifice to idols, had sent to call the wisest men and fifty philosophers and orators who presented themselves and tried to divert her from faith in Christ. Catherine, however, played so well that she was able to convert them, arousing the anger of the emperor who condemned them to the stake. Catherine, however, who had criticized Maxentius for the new persecutions against the Christians, was sentenced to prison without food. Abandoned for twelve days, she was fed by a dove sent by God. Maxentius then decided to execute her with the torture of the toothed wheel become her attribute iconographic; but by divine intervention this broke and the young was saved. Finally, she was beheaded and milk flowed from her neck. Catherine’s princely status is witnessed here by her sumptuous dress. The iconography of the mystical marriage was born in the fifteenth century, probably because the traditional iconographic attribute, the wheel, was sometimes so small as to look like a ring, and refers to a vision that will always remain present in the mind and heart of the saint. In Heaven she appeared to her, among the Angels and Saints, Christ the Child, in the arms of the Virgin. He took a precious ring that the Virgin Mary handed to her and put it in her finger, saying "I, your Creator and Saviour, take you in marriage; confident that you will keep you pure until you celebrate your eternal wedding with me, in Paradise" When Catherine was laughing, she found in her finger the same ring that she had seen and had in Heaven, and she considered herself forever the bride of Christ. In this extraordinary episode we can see the heart of Catherine’s religious sense, and of all her spirituality. For her, Christ is like the bridegroom, with whom there is a relationship of intimacy, communion and fidelity; he is the beloved, whom she loves above all...

Bolognese School of the 16th Century Mummy of Saint Catherine of Bologna
Oil on Panel 20,5 x 7 x 0,8 cm This rare painting depicts Saint Catherine of Bologna as a mummy, housed in a ...