Period Venetian School Ink Picture Capriccio

This drawing is a view of a garden. In the background, we see a high base topped by a statue of a 19th century figure along with other architectural ruins. Central to the composition is a leafy tree with a leaning trunk. The beautiful flowering iris plant in the foreground gave the drawing its title. The iris has a very long history, as it was known even at the time of the ancient Egyptians and other ancient peoples. It is well documented that in Europe the iris's rhizome was used as a linen perfume. It was named for Iris, the Greek messenger of the gods, who according to Greek mythology, had wings of gold shining with dew, which when lit by the sun rays were decked with all the colors of the rainbow. Also according to this legend, Iris was Juno's favourite goddess because she only bore good news. Juno decided to reward her by turning her into the iris (the rainbow) which was said to be the link between heaven and earth. Born on October 27, 1938, in Mostaganem, Gérard Diaz...

Beautiful oil on canvas painting depicting a young noblewoman sitting outdoors with a bouquet of flowers in her hand and a cage on the ground, by the great English artist George Lance This painting, never before on the market, comes from a private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. George Lance (24 March 1802 – 18 June 1864) was an English painter of still life and portrait miniatures. Lance was born at the old manor-house in Little Easton in Essex. His father was William Lance who had previously served in a regiment of light horse and was at the time of Lance's birth an adjutant in the Essex yeomanry; he later became the inspector of the Bow Street horse-patrol. His mother, Louisa Lucy (née) Constable, with whom his father had eloped from boarding-school, was the daughter of Colonel Constable of Beverley in Yorkshire. Although Lance showed a predilection for art at a very early age, he was placed, while not yet fourteen, in a factory in Leeds. However, the work injured his health and he returned to London. Wandering one day into the British Museum, he casually started a conversation with Charles Landseer, who happened to be drawing there. On learning that Landseer was a pupil of Benjamin Haydon, he went early next morning to that painter's residence, and asked to become a pupil. Haydon replied that if his drawings promised future success he would instruct him for nothing. Not many days later Lance, still not yet fourteen, entered Haydon's studio, and remained there for seven years, at the same time studying in the schools of the Royal Academy. While designing a picture inspired by Homer's Iliad, he decided, before putting on the colours, to paint some fruit and vegetables as practice. This work attracted the notice of Sir George Beaumont, who purchased it, and this success led him to paint another fruit-piece, which he sold to the Earl of Shaftesbury. He then painted two fruit-pieces for the Duke of Bedford...

Beautiful oil on panel painting representing Venetian landscape. The luminosity of this evocative view combined with the impressionistic style of br...

Beautiful painting in gouache technique depicting a distinguished young lady. The noblewoman presents a pose of rare elegance, with one hand resting on a planter and the other holding a closed fan. The grace, period, style and quality all point to the production of a great artist from the Flemish area in the second half of the 19th century: Alfred Émile Léopold Stevens...

We are delighted to offer for sale this exquisite circa 1750 French school chalk on paper sketch of a Architectural Capriccio. A beautiful example of the French school, the piece ...

Nude male academy. Red chalk on paper. While the artist who drew this drawing is not known, the confidence in the trait along with the fascinating perspect...

Venetian Capriccio, after Francesco Guardi (Italian, 1712-1793) Unsigned, with a label from Wandenberg Freres (Paris) affixed to the back of the mat.

1970s Indian religious ink drawing. It is part of a private collection.