Regency Decorative Art

19th century American framed still life depictions of fruit, set of 10. Group of 10 small framed still life depictions of fruit, to include: watercolor theorem depicting apples on a...

An ethereal water garden of lily pads, lotuses, and wispy vines materialize from layers of translucent paint in artist Colette Cosentino’s otherworld...

An antique 19th century Regency hand crafted crest on a wooden wall panel. The crest depicts a handsome pair of mirroring dragons with elaborate tails and wings with a plain shield ...

An elegant hand painted toleware landscape. Features colorful hand painted scenes set within cameos. A black background with gold foliate and beaded design. Framed within a Regency s...

English Garden meets chinoiserie in this stunning design, in collaboration with Miles Redd. Originally drawn to scale on French canvas, this vast floral pattern is comprised of two 1...

In artist Colette Cosentino's fantastical dreamscape of a forest, multi-layered applications of acrylic and metallic paints accumulate into a dark, a...

Villa is a panel design that instantly creates the look of a tented room. Its scalloped border and chic painterly tassels add instant personality to a room. Tenting ends at 53 ½”. P...

Otherworldly and enchanting, this blue-and-red Amaltas Panel is a wallpaper based on an 18th century block-printed fabric document discovered in our archives. A forest of exotic flow...

English Garden meets chinoiserie in this stunning design, in collaboration with Miles Redd. Originally drawn to scale on French canvas, this vast floral pattern is comprised of two 1...

Otherworldly and enchanting, this blue-and-red Amaltas Panel is a wallpaper based on an 18th century block-printed fabric document discovered in our archives. A forest of exotic flow...

Otherworldly and enchanting, this blue-and-red Amaltas Panel is a wallpaper based on an 18th century block-printed fabric document discovered in our archives. A forest of exotic flow...

Villa is a panel design that instantly creates the look of a tented room. Its scalloped border and chic painterly tassels add instant personality to a room. Tenting ends at 53 ½”. P...

Hand painted early 19th century miniature under glass. Finely painted details on this lovely lady. In a brass oval frame, with floral embroidery surround. Painting measures 2.5 in x...

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this stunning oil painting portrait, signed to the bottom left Robert 5th Earl of Buckinghamshire 1814 and printed to the back “prepared by Roberson & Miller 51 Long Acre London” the painting is the circle of Sir William Beechey Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very attractive portrait of Robert seated at his desk in rather stately looking attire. The frame is the original gilt wood and quite an expensive piece on its own The condition is very good, it is over 200 years old so there will be touch ups and restorations that have occurred, there is no damage to note that I can see or feel Dimensions Height:- 112.5cm Width:- 92cm Depth:- 7cm This painting as mentioned is the circle of Sir William Beechey Sir William Beechey RA (12 December 1753 – 28 January 1839) was a leading English portraitist during the golden age of British painting. Early life Beechey was born at Burford, Oxfordshire, on 12 December 1753, the son of William Beechey, a solicitor, and his wife Hannah Read. Both parents died when he was still quite young, and he and his siblings were brought up by his uncle Samuel, a solicitor who lived in nearby Chipping Norton. The uncle was determined that the young Beechey should likewise follow a career in the law, and at an appropriate age he was entered as a clerk with a conveyancer near Stow-on-the-Wold. But as The Monthly Mirror later recorded in July 1798, he was: "Early foredoomed his [uncle's] soul to cross/ And paint a picture where he should engross." Beechey was admitted to the Royal Academy Schools in 1772, where he is thought to have studied under Johan Zoffany. He first exhibited at the Academy in 1776. His earliest surviving portraits are small-scale full-length and conversation pieces which are reminiscent of Zoffany. In 1782, he moved to Norwich, where he gained several commissions, including a portrait of Sir John...

We are delighted to offer for sale this lovely Portrait of the Infanta Margarita Teresa Juan Bautista Martínez del Mazo (Queen of Spain) A very sweet ...

These two works commemorate the great English pastime of gentlemen hunt parties and social gatherings surrounding the land and its produce to those who own it. This very nice pair of...

An antique marble relief wall hanging of a young child’s head in right-facing profile within an oak frame circa 1800. Dating from the Georgian er...

19th Century (Regency Period, 1820s) English giltwood convex mirror with unusual bold carved eagle surmounted to top and foliate carved decoration on bottom.  

A wonderful and rare pair of circa 1815 English regency "boulle work" or "buhl work" still life pictures, the parcel-gilt black lacquered cove-mold frames of rectangular form having ...

Artist Colette Cosentino blurs and blends a twilit sea and sky into abstractions of tonal color for this atmospheric mural, digitally printed in two ...

John Ogilby (Scottish, 1600-1676). - Circa 1675 This map is part of his Britannica publication and is #83. "The road map was first popularised by John Ogilby (1600-1676), Scotsm...

Artist Colette Cosentino blurs and blends a twilit sea and sky into abstractions of tonal color for this atmospheric mural, digitally printed in two ...

English Garden meets chinoiserie in this stunning design, in collaboration with Miles Redd. Originally drawn to scale on French canvas, this vast floral pat...

Very beautiful mirror, Regency style, a transitional style between the Louis XIV and Louis XV styles. One recognizes this style with its numerous volutes, shells and leaves. A very d...

This is a beautiful porcelain plaque with a lavish flower bouquet, set in a gilt wood frame. It was made in England in about 1825. This plaque has provenance: it once belonged to t...

Madame Pauline Knipp Engraving of A Pigeon, From Les pigeons par Madame Knip, ne´e Pauline de Courcelles ; le texte par C.J. Themminck, Paris 1809-1811. A remarkable large engraving of a pigeon- A Columba Coronata (Colombi-Galline Goura). The print floats within a gilt frame and white matte and with UV Tru-view Clear UV Glass. We have 14 different examples from this volume. Ask for details. Dimensions: Framed: 28 3/4 inches 21 3/4 inches wide x 1 1/4 inches; Sight: 20 3/4 inches high x 13 1/4 inches Pauline Knip née Pauline Rifer de Courcelles (26 July 1781 – 18 April...

Madame Pauline Knipp engraving of a pigeon, From Les pigeons par Madame Knip, ne´e Pauline de Courcelles ; le texte par C.J. Themminck, Plate 2, Paris 1809-1811. A remarkable ...

This well executed antique folk art needlepoint is signed on the back, possibly Emily Leanora, but is highly illegible so the artist is being regarded as an unknown. This needlepoint was done in England is circa 1810 in the Regency period and style and depicts a Persian man...

Extremely fine embroidery of a neoclassical maiden dressed as a shepherdess in a forest with a rustic thatched cottage in background. Wonderful use of short and long stitches and sha...