Original Enameled London Underground Subway Sign

Original enameled London underground subway sign. Essex Road station. Stamped BURNHAM & CO. LONDON.

Bouquet of Roses by Hermine David, oil on cardboard linen, signed. Framed. Hermine Lionette Cartan David (19 April 1886 in Paris – 1 December 1970 in Bry-sur-Marne) was a French painter and the wife of Jules Pascin, also a painter. She became one of the Ecole de Paris artists...

Bouquet of Roses by Hermine David, oil on cardboard linen, signed. Framed. Hermine Lionette Cartan David (19 April 1886 in Paris – 1 December 1970 in Bry-sur-Marne) was a French painter and the wife of Jules Pascin, also a painter. She became one of the Ecole de Paris artists...

Bouquet of roses by Hermine David, oil on cardboard linen, signed. Framed. Hermine Lionette Cartan David (19 April 1886 in Paris – 1 December 1970 in ...

This unique piece from Morgan Clayhall's studio is a modern interpretation of a New York City subway sign, specifically the 8th Avenue line. The artwork digitally transforms the ico...

Great 1930's European French hand painted Pottery Store Sign. The sign is painted on both sides. Some paint is missing and the sign had wear from years of use.

Original vintage London Underground poster by the notable illustrator and commercial artist Austin Cooper (1890-1964) to promote off peak travel on the Tube featuring a colourful image of a smiling golly doll with the Underground logo and text in stylised lettering on the side and below - Shop by Underground but shop by Underground between 10 & 4. Published by Sanders Phillips and Co...

The Velvet Underground & Nico The Velvet Underground & Nico Produced by Andy Warhol, Unripened, 2007 Vinyl, LP Label: Not On Label (The Velvet Underground) Country: Sweden Cover art designed by Andy Warhol Dimensions: 12 x 12 inches (30.48 x 30.48). Both the record and cover are in very good overall vintage condition. Well suited for framing. Though The Velvet Underground existed for less than three years with its original members, it is considered to be not just the ‘ultimate New York band’ but also the most influential group ever. Artists who have acknowledged such influence include David Bowie, The Sex Pistols, Patti Smith, Joy Division and Nirvana. Witts places the band and its genesis in the cultural context of Manhattan’s beatnik bohemianism, its radical artistic environment, and the city’s negative reaction to California’s ‘Hippie’ counterculture. Lou Reed’s song factory background is also considered, while his Primitives (1964-5) and Velvet Underground songs (1965-70) are examined within the stylistic context of rock music. The band’s sound world is likewise considered in this light. John Cale’s experimental contribution is assessed, especially his work for LaMonte Young (The Theatre of Eternal Music) and what he carried from that experience into the Velvet’s sound. The visual artist Andy Warhol became the band’s manager and producer in 1965. He placed his ‘superstar’ Nico in the line-up (which already included a female drummer). The radical nature of the group’s Warhol period performances are examined, together with those aspects related to issues of gender, sexuality and drugs culture...