Large Marine Painting of the Frigate Essex by Will Robedee

Wedgwood porcelain plaques of ships- The clipper ship, great republic & clipper ship Hurricane 1976-1981 The two painted plaques depict on one The...

British Sailor's Large Woolwork with Ship named The City of Rome on a Rough Sea, Nineteenth Century. The large sailor's woolwork or woolie depicts a view of the ship, SS City of Rome, with three funnels and four masts. On the bow is stitched the ships name "CITY OF ROME". She flies a number of flags: the Red Ensign on the foremast, an anchor flag on the main mast, a red banner on the mizzenmast as well as an American flag on the jigger mast. There are two smaller ships in the foreground, all on a choppy sea with multiple colors of blue and white. The wool is within a maple frame. She is considered one of the most beautiful steamships built, with her classic clipper bow and sail rigging illustrating the transitional period of sail to steam Frame: 26 1/4 inches high x 33 1/4 inches wide x 2 1/10 inches deep. Now with Museum Conservation Glass. Reference: City of Rome was a British ocean liner, built by the Barrow Ship Building Company for the Inman Line to be the largest and fastest liner on the North Atlantic route. Though not achieving the requested specifications due to design compromise, and so returned to Barrow-in-Furness after only six voyages, she is considered one of the most beautiful steamships built, with her classic clipper bow and sail rigging illustrating the transitional period of sail to steam. The Anchor Line managed her on various routes until 1900. She was scrapped in 1902. Development and design The completion of the Guion Line's Arizona in 1879 forced all major trans-Atlantic companies to consider building new high-speed passenger liners. Designed by William John, who later would design the United States Navy's first battleship, the USS Texas...

Dutch Delft Tile Large Picture of A Fleet of Ships, 19th Century The 20 tile blue & white Dutch Delft Tin-glazed Earthenware Tile picture depicts a ...

British Sailor's large woolwork of HMS Brunswick, Made by J. H. Miller, Brixton, Circa 1865 The large-scale sailor's woolwork depicts an image of a Royal Navy Second Rate Battleship...

This beautiful painting, due to its very high quality of execution, style and era, can be referred to the great artist Warren Sheppard, who specialized in seascapes. Of great evocati...

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...

Signed Southwestern painting of the Aragon Region in Spain. Dated 1931. Oil on board, gilt solid wooden antique frame.

Impressionist Marine painting by Garballo with white frame Measurements with frame: 114 x 94 x 4 cm.