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Joan of Arc, after Renaissance Revival Oil Painting by Jean Ingres

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After Pieter van Bloemen Oil on Canvas Hunting & Ruins Scene
Located in Los Angeles, CA
School of Pieter van Bloemen (Flemish, 1657-1720) oil on Canvas "Hunting & Ruins Scene". The capriccio scene depicting two male hunters in robes, on...
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Antique 19th Century Belgian Renaissance Revival Paintings

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Canvas, Wood, Giltwood

French 18th-19th Century Oil on Canvas Portrait of Lady, after Jean-Marc Nattier
By Jean-Marc Nattier
Located in Los Angeles, CA
A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...
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Antique Early 19th Century French Louis XV Paintings

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After Jean Antoine Watteau, Disembarkation for the Island of Cythera
Located in Leuven , BE
After Jean Antoine Watteau (Valenciennes, 1684-Nogent-sur-Marne, 1721), Disembarkation for the Island of Cythera, Pastel drawing, Framed, 19th or 20th century.
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Antique 17th Century Unknown Decorative Art

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Renaissance Style Italian Religious Painting
By Sandro Botticelli
Located in Roma, IT
Wonderful old Italian master painting Madonna Oil on panel Alessandro Filipepi, also known as Sandro Botticelli, is the first artist that come...
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Antique 15th Century and Earlier Italian Primitive Paintings

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Italian School Painting of Madonna and Child
Located in Woodbury, CT
19th century Italian School oil on canvas of Madonna and child. Gilt frame.
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Antique 19th Century Italian Renaissance Revival Paintings

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A pair of sand pictures by Benjamin Zobel after paintings by de Loutherbourg
Located in Lymington, Hampshire
These extraordinary ‘paintings’ were created using coloured grains of sand rather than paints. Each is after an original painting by Philip James de Loutherbourg. The first scene shows the Battle of Hastings with a central mounted figure, presumably William the Conqueror, with a red plume in his helmet, raising his sword against a fighter on foot. A printed version of this image, shown above, was made by William Bromley. (See the British Museum registration number 1858,1009.115 for a fine impression.) The second scene, composed with a similar central mounted knight with a raised axe (sword in the original) represents Richard the Lionheart in combat against Saladin at the Battle of Acre. In this case the print was made by Anker Smith...
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Antique Early 19th Century English Decorative Art

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