Contemporary Modern Framed 3D Serigraph Signed Charles Fazzino Out West 105/475

Iconic and timeless, this "Masters 2004 Signed and Framed Arnold Palmer Photograph, Flag, and Pin" collection is a tribute to a golf legend. Featuring an autographed photo of Arnold ...

Putnoi's artwork allows us to experience multiple narratives in one piece of art. What do you see? What do you think the people are thinking? There is a variety of media used in this...

A contemporary mixed-media lithography with acrylic painting on paper titled "Liberty Head II on Blends" by famed artist Peter Max. Hand signed in acrylic by artist bottom right. Circa early 2000s. Honoring the country that Peter Max loves...

For your consideration is a sensational, framed serigraph, depicting a colorful couple, signed Hessam Abrishami, numbered 231/395. In excellent condition. The dimensions of the frame...

A vibrant collection of three large serigraphs by the iconic pop artist Peter Max, each hand-signed in the bottom right and accompanied by a certificate of authenticity. These limite...

Louise Nevelson (American, 1899-1988) Untitled, 1980 Original five screen serigraph collage Signed and numbered in pencil by the artist. 147 of an edition of 150. See details in...

Spectacular signed limited edition post-modern geometric serigraph entitled "New Landscape" by Yaacov Agam, circa 1980. The piece is beautifully presented in a double matted white wo...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...