Contemporary Framed I Heart Baseball 3D Serigraph Signed Charles Fazzino 147/200

Iconic and timeless, this "Masters 2004 Signed and Framed Arnold Palmer Photograph, Flag, and Pin" collection is a tribute to a golf legend. Featuring an autographed photo of Arnold ...

A modern Op Art vintage serigraph on paper titled "DiaC (Gold)" by Hungarian-French artist Victor Vasarely. Hand signed in pencil on the bottom right with an annotation of 83/200 on ...

A contemporary mixed-media lithography with acrylic painting on paper titled "Liberty Head II on Blends" by famed artist Peter Max. Hand signed in acrylic by artist bottom right. Circa early 2000s. Honoring the country that Peter Max loves...

For your consideration is a sensational, framed serigraph, depicting a colorful couple, signed Hessam Abrishami, numbered 231/395. In excellent condition. The dimensions of the frame...

A rare Charles Fazzino titled “South Beach,” 1993, in a shadow box. Signed Artist Proof 32/50 AP. Image Size: 23" x 33" Framed: 46.5" wide x 36.5" high x 1.5" deep

A vibrant collection of three large serigraphs by the iconic pop artist Peter Max, each hand-signed in the bottom right and accompanied by a certificate of authenticity. These limite...

Beautiful Serigraph by Venezuelan artist Maria Bertran now a resident of Laguna Beach California. This piece is titled LAGUNA BACK ALLEY, and is full of color and movement, a limite...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...