Ana Eva Bergman - G 2-1953 Deux Formes Noires Ou Deux Univers

Pablo Picasso/ MadouraTaureau dans l'arène 1948 (Ramié 80). Plat rectangulaire en terre de faïence blanche. Tampons "Madoura plein feu" "CR" et "Edition Picasso" Edition à 450 exempl...

Robert Combas, Color lithograph titled Alchimikum Liberatum, 1991 Enhanced and dedicated in silver ink in the margins. "EA 6/25 Combas 91 For Attali Merry Christmas" Plate taken fro...

Sonia Delaunay « Avec moi même » With Myself, 1970 Etching Hand signed Copy Hors commerce Height: 66.04 cm Width: 49.87 cm

Screenprint by Robert Indiana part of the series: "Picasso from The American Dream Portfolio" dating from 1997. Hand signed and numbered "TP. 25/30" (Trial Proof) in pencil. Edition ...

Street Photography /2000, Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print Signed, titled, negative date and print date on verso. Ana Maria Cortesão...

"Highway" Street Photography /2000, Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Digital Print. Unframed Signed, titled, date & print date on verso. Ana Maria Cortesão...

If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts. If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague, Bologna, Amsterdam or London, among other cities and has been selected and awarded in different art competitions. From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures. The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed...

"Modulation Noire", Reda Amalou, 2019 Silkscreen print with 2 colors on Arches vellum rag paper, 400g (Black ink and blue ink) 1st Edition. Artwork in Limited edition, numbered and...