19th Century French Ebonised Table in the Japonisme Style attributed to Viardot

A Very Fine Marquetry Inlaid Occasional Table Firmly Attributed to François Linke This fine table, closely related to other examples by François Linke, is...

A rare grand tour table Possibly by Cesare Roccheggiani The circular platform of marmore nero, inset with fine micromosaic panels consisting of thousands of coloured glass tesserae; a central roundel depicting The Vatican from St Peter's Square within a malachite border, surrounded by a border including four cartouches in polychrome reserves of Roman views including the Coliseum, the Roman Forum, with the remnants of the Temple of Vespasian; the Temple of Vesta, and the Pantheon, all interspersed and linked by voluminous bouquets of fruit and flowers representing the 4 seasons; the outer stylised border inlaid with deep blue tesserae evocative of exotic Lapis Lazuli. Supported on a finely carved Italian giltwood base, its design incorporating baskets of fruit and floral garlands echoing the 4 seasons theme of the table. Italian, Circa 1875 Other table tops inspired by this design, although not as finely executed, can be found in several Russian collections (which house the greatest micromosaics) including Vorontsov Palace, Muranovo House, as well as the imperial State Hermitage Museum. A tabletop with profuse floral micromosaic work was commissioned by the Belgian Royal family (sold Sotheby's, 2003). The floral garlands, the magnificent quality of the inlay and the use of distinct curved tesserae support the present attribution to Cesare Roccheggiani. According to Jeanette Hanisee Gabriel, the world expert on micro mosaics, curved tesserae pieces were used in foliage, grass and animal fur by only the very best mosaicists such as Roccheggiani. Evidence of curved pieces, for instance, is observed in the foreground of the Temple of Vesta cartouche, to name but one observation of the master's hand. The scion of a dynasty of mosaicists, Roccheggiani was perhaps the most successful mosaicist in the last quarter of the nineteenth century. He is doubtless related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni. Nicolo Roccheggiani, possibly Lorenzo's son, was also a principle artist at the Vatican, involved in executing the famous tabletop Achilles Shield...

A Porcelain-Mounted Occasional Table in the Transitional Manner Attributed to Edward Holmes Baldock Constructed from kingwood and tulipwood, with ormolu mounts in the Louis XV/XVI transitional style, supported on cabriole lefs with sabot feet, the frieze decorated with eight 'Sevres' style porcelain painted panels with birds...

Constructed in kingwood, and dressed with fine quality bronze ormolu mounts; rising from swept cabriole legs adorned with ormolu ‘animal paw’ feet, with ormolu masks of the God Pan...

A 19th century French Japonisme Aesthetic Movement side table. Sturdy bamboo frame with open work bamboo stretcher and slightly curved root end feet. Top is made from a Japanese marq...

Charming Japanese-inspired « pagoda » table in tinted and carved wood attributed to G. Viardot. The rectangular top rests on four slightly curved legs adorned with openwork and sculpted geometric interlacing, joined by an engraved stretcher with a stylized cutout. Gabriel Viardot career began as a wood carver and he produced small furniture, sculpturally carved with naturalistic motifs and animals. In the 1855 Universal Exhibition in Paris, his finely sculpted objects were well received. However, with the increasing importation of similarly produced Swiss and German articles, he found less opportunity for these and decided to innovate. G. Viardot succeeded to his father's business in 1861 installed rue Rambuteau in Paris. Around 1870 he turned to the idea of producing « Meubles genre Chinois et Japonais ». The taste in Europe for exotic furniture, incorporating sometimes authentic Chinese or Japanese objects...

Beautiful "Japonisme" writing table opening with a belt drawer with engraved decoration of bamboo and flowers and decorated with openwork leafy friezes in bronze, forming a writing tablet covered in velvet. It rests on four feet mounted at the corners of lion masks in gilded bronze and joined by an openwork spacer, and ending in lion paws. It is topped with a molded Griotte marble. Biography : Gabriel Viardot (1830-1906) career began as a wood carver and he produced small furniture, sculpturally carved with naturalistic motifs and animals. In the 1855 Exposition Universelle in Paris, his finely sculpted objects were well received. However, with the increasing importation of similarly produced Swiss and German articles, he found less opportunity for these and decided to inovate. G. Viardot succeded to his father’s business in 1861 installed rue Rambuteau in Paris. Around 1870 he turned to the idea of producing « Meubles genre Chinois et Japonais ». The taste in Europe for exotic furniture...

French side table in the manner of Gabriel Viardot. French mahogany and gilt mounted side table in the manner of Gabriel Viardot. Rouge marble top with three quarter gallery ab...